Here, though, the poet's electric narratives and portraits extend beyond the working class streets of urban New Jersey. Modeling poems on the kundiman, a song of unrequited love sung by Filipinos for their country in times of oppression, he professes his conflicted feelings for America, while celebrating and lamenting his various heritageswhether by chatting up St. Patrick, riffing on race relations, or channeling Lapu Lapu in a rejoinder to Magellan. Passionate, provocative, and irrepressible throughout, My American Kundiman further establishes Rosal as a poet to be reckoned with.

    Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    Already the worthy recipient of a Pushcart Prize, a Whiting Writer's Award, and a Stegner Fellowship, Tenorio brilliantly explores the need to find connections, the melancholy of isolation, and the sometimes suffocating ties of family in tales that range from a California army base to a steamy moviehouse in Manilla, to the dangerous false glitter of Hollywood.

    Its language negotiates a past -- "How was it to be the first arrivals in rows and columns" -- as well as a present -- "A perceiver without a state", and has already gained Kim recognition as among the most moving and important "translators" in contemporary poetry.

    Asian American Studies. POETA EN SAN FRANCISCO is the winner of the highly prestigious James Laughlin Award for 2005, awarded annually from the Academy of American Poetry and the only prize for a second book of poetry in the United States. Although Reyes' first book was not as widely known as the first book of many of the other eligible poets, the judges nevertheless courageously chose this risky, radical, and deserving second book put out by an energetic but very small publisher. Reyes received her undergraduate education at UC Berkeley, where she also served as Editor-in-Chief of the Filipino American literary publication Maganda. Her work has been nominated for a Pushcart Prize. Her first book, Gravities of Center, was published by Arkipelago Books (SF) in 2003.

    As three worlds collide, a mother's Philippines, a father's India and the poet's contemporary America, the resulting impressions are chronicled in this collection of incisive and penetrating verse. The writer weaves her words carefully into a wise and affecting embroidery that celebrates the senses while remaining down-to-earth and genuine. "We see that everything is in fact miracle fruit, including this book itself"-Andrew Hudgins.

    This bruising collection of poems puts a blade and a microscope to nostalgia, tradition, race, apology, and sexuality, in order to find beauty in a flawed world. His work has been described as an astounding testament to the power and necessity of confession.

    She has interwoven the earthiness of China and the harshness of immigrant life . . . to create a series of short stories that are at once pitiful, heartbreaking, funny, and deeply inspiring.”—Lisa See, author of Snow Flower and the Secret FanFrom the restaurants of New York’s Chinatown to the retail emporium of Bergdorf Goodman, and from remote Chinese military outposts to the streets of Beijing, the tremors of China’s rapid economic and cultural growth can be felt. As the characters in these stories struggle to find their way, a young girl discovers love amidst a sea of angry Red Guards, émigrés navigate New York’s relentless rat race, an ambitious businesswoman finds the meaning of success in her rival, and an old man returns to a Beijing he doesn’t recognize on a mission to restore his son-in-law’s flagging honor.Moving smoothly across political, cultural, and personal borders and between countries, continents, and languages, these stories open a window into the rapid transformations of an ancient culture and the soul’s thirst for adventure and harmony in a quickly changing world.Wang Ping was born in Shanghai and grew up on a small island in the East China Sea. After three years spent farming in a mountain village commune, she attended Beijing University. In 1985 she left China to study in the United States, earning her PhD from New York University. She is the acclaimed author of the short story collection American Visa, the novel Foreign Devil, two poetry collections: Of Flesh & Spirit and The Magic Whip, and the cultural study Aching for Beauty: Footbinding in China. She now lives in St. Paul, Minnesota, and teaches at Macalester College. Visit her website at www.wangping.com.

    Fiona was always destined to leave, her effortless beauty burnished by fierce ambition--qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father's sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other's lives, their friendship both a beacon of home and a reminder of all they've lost.In stories told in alternating voices, Jean Chen Ho's debut collection peels back the layers of female friendship--the intensity, resentment, and boundless love--to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back.Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America.

    Fidelito’s mother, Maria Elena, tries to keep her son grounded while struggling with her own moorings. Meanwhile, Domingo, Fidelito's fisherman father, is always at sea, even when among them. From the archipelago of the Philippines to San Francisco, horizontal and vertical movements shape moments of displacement and belonging for this marginalized family. Fidelito approaches life with a sense of wonder, finding magic in the mundane and becoming increasingly uncertain whether he is in the sky or whether his feet are planted firmly on the ground.

    Each of these families has its own troubles and secrets—and something the other two want. But the three clans—whose members include a matriarch who talks to dead relatives; her nymphomaniac granddaughter; an old man who reads only decades-old newspapers; and a street punk—share a past and face a common future. Told in a sequence of interwoven stories, Troublemaker “refracts classic old-vs.-new-world tensions through the prism of second-generation Chinese-American Gen-Xers.” (Time)Nominated for the Stephen Crane First Fiction Award

    Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life.   These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

    ContentsI.Furious VersionisII.The InterrogationThis Hour And What Is DeadArise, Go DownMy Father, In Heaven, Is Reading Out LoudFor A New Citizen Of These United StatesWith RuinsIII.This Room And Everything In ItThe City In Which I Love YouIV.The WaitingA StoryGoodnightYou Must SingHere I AmA Final ThingV.The Cleaving

    A fresh, young Chinese-American voice."--Adeline Yen Mah, author of Falling LeavesAs the daughter of a Chinese-American mother and a Norwegian father, Paisley Rekdal grew up wondering where she fit in. The essays in this, her shimmering nonfiction debut, tackle thorny issues--race and identity politics, interracial desire, what it means to be a "hyphenated American"--with a fresh, feisty, and very funny new perspective.Rekdal's family history is, as she describes it, "complicated and vaguely dangerous," and at the center of this strange world is her mother--a smart, stubborn, complex woman who adores her daughter. Rekdal exposes the foibles of family, friends, and lovers, but never spares herself, capturing both global and personal struggles with a critical, compassionate and humorous lens. The Night My Mother Met Bruce Lee flows effortlessly from stunning cultural observation to a recollection of an embarrassing travel anecdote. Her destinations vary widely--a classroom in South Korea, a Japanese family's living room, Main Street in Natchez, Mississippi, a Taipei shopping mall, a beach in the Philippines, and even her own bedroom. In each, she explores the vast differences between cultures, the feeling of being an outsider, the constant battle to understand and be understood.The Night My Mother Met Bruce Lee proves that shifting the frames of identity can be tricky, exhilarating--and revelatory.