In Kingdom of Nauvoo, Benjamin E. Park excavates the brief, tragic life of a lost Mormon city, demonstrating that the Mormons are essential to understanding American history writ large. Using newly accessible sources, Park recreates the Mormons’ 1839 flight from Missouri to Illinois. There, under the charismatic leadership of Joseph Smith, they founded Nauvoo, which shimmered briefly—but Smith’s challenge to democratic traditions, as well as his new doctrine of polygamy, would bring about its fall. His wife Emma, rarely written about, opposed him, but the greater threat came from without: in 1844, a mob murdered Joseph, precipitating the Mormon trek to Utah. Throughout his absorbing chronicle, Park shows that far from being outsiders, the Mormons were representative of their era in their distrust of democracy and their attempt to forge a sovereign society of their own.

    It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven. But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: The phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more. Today, only twenty percent of Americans are married by age twenty-nine, compared to nearly sixty percent in 1960.

    Cascading with rich, well-developed characters, this true story will capture your soul and imagination as the author reveals how a group of kind-hearted, sincere people are led to embrace this controversial lifestyle in their pursuit of the highest degree of glory. Laced with surprising brush-strokes of humor, this heart-rending saga will take its readers on a journey that outsiders whisper of and shudder about. It answers the question that a polygamist's wife is asked countless times: How can you tolerate sharing your husband?In North America today there are over thirty thousand polygamists. They lead secret lives in their attempt to hide from society and U.S. laws. Their women are taught that obedience, unquestioning acceptance of polygamy, and giving birth to huge families of children to follow in their parent's footsteps will assure them a celestial crown. Few search out truth for themselves, but trustingly follow their prophet. Susan's book deals with this head-in-the-sand ignorance. She too, was one of these women.

    Every year, Elna Baker attends the New York Regional Mormon Singles Halloween Dance. This year, her Queen Bee costume (which involves a funnel stinger stuck to her butt) isn't attracting the attention she'd anticipated. So once again, Elna finds herself alone, standing at the punch bowl, stocking up on Oreos, a virgin in a room full of thirty-year-old virgins doing the Funky Chicken. But loneliness is nothing compared to what Elna feels when she loses eighty pounds, finds herself suddenly beautiful...and in love with an atheist.

    Raised in a well-respected family, she gave up everything to marry a poor, uneducated farm boy. Her unwavering support of the Prophet Joseph through intense persecution and suffering is legendary, and although she lived in relative comfort and security in her later years. Emma's life continued to be laced with tragedy and heartache. This well-documented narrative provides a personal glimpse into the life of a woman who remains one of the most mysterious and misunderstood women in LDS Church history today. With beautiful full-color illustrations by renowned artist Liz Lemon Swindle, the story is told using many first-person accounts. Readers will gain valuable insights into the remarkable life and character of Emma Hale Smith.

    At the outset this group included the wives, sisters, and daughters of the resident astronomers, but soon the female corps included graduates of the new women's colleges--Vassar, Wellesley, and Smith. As photography transformed the practice of astronomy, the ladies turned from computation to studying the stars captured nightly on glass photographic plates.The "glass universe" of half a million plates that Harvard amassed over the ensuing decades--through the generous support of Mrs. Anna Palmer Draper, the widow of a pioneer in stellar photography--enabled the women to make extraordinary discoveries that attracted worldwide acclaim. They helped discern what stars were made of, divided the stars into meaningful categories for further research, and found a way to measure distances across space by starlight. Their ranks included Williamina Fleming, a Scottish woman originally hired as a maid who went on to identify ten novae and more than three hundred variable stars; Annie Jump Cannon, who designed a stellar classification system that was adopted by astronomers the world over and is still in use; and Dr. Cecilia Helena Payne, who in 1956 became the first ever woman professor of astronomy at Harvard--and Harvard's first female department chair.

    The frontiersmen have become an integral part of our history and folklore, but the Westering experiences of American women are equally central to an accurate picture of what life was like on the frontier.Through the diaries, letters, and reminiscences of women who participated in this migration, Women’s Diaries of the Westward Journey gives us primary source material on the lives of these women, who kept campfires burning with buffalo chips and dried weeds, gave birth to and cared for children along primitive and dangerous roads, drove teams of oxen, picked berries, milked cows, and cooked meals in the middle of a wilderness that was a far cry from the homes they had left back east. Still (and often under the disapproving eyes of their husbands) they found time to write brave letters home or to jot a few weary lines at night into the diaries that continue to enthrall us.In her new foreword, Professor Mary Clearman Blew explores the enduring fascination with this subject among both historians and the general public, and places Schlissel’s groundbreaking work into an intriguing historical and cultural context.

    Richards, a Presiding Bishop and Ordained One of the Twelve Apostles, offers an outline prepared to assist missionaries in their study and presentation of the gospel in a systematic and logical manner. Contents: The Position of the Church of Jesus Christ of Latter-day Saints; The Visit of the Father and the Son; Personality of the Father and the Son; False Doctrines and Universal Apostasy; A Marvelous Work and a Wonder to Come Forth; The Coming Forth of the Book of Mormon; The Book of Mormon Fulfills Bible Prophecies; Evidences of the Divinity of the Book of Mormon; Restoration of Priesthood Authority; The Ordinance of Baptism; The Mission of the Holy Ghost; Setting up the Kingdom of God Upon the Earth; The Mission of Elijah; Marriage for Time and for All Eternity; The Gathering of Israel; Israel in the Latter Days; The Coming of Elias; The True Church, A Missionary Church; Fundamental Differences Between Salvation and Exaltation; Whence Cometh Man?; Why Is Man Here?; Where Is Man Going?; The Sabbath Day; Predestination and Foreordination; The Word of Wisdom; The Law of Tithing; and By Their Fruits Ye Shall Know Them.

    Why wouldn't he? She went to his house three times a week, sat in his living room, listened to his stories, loudly and lustily sang songs to him. So, one Sunday morning, she walked to the front of her fundamentalist Christian church to profess her love for Jesus and be baptized. But from the moment her robe floated to the surface of the baptistry water, she began to question her fundamentalist faith. If baptism requires complete immersion underwater, what does it mean, if a piece of fabric attached to a would-be Christian floats to the top? Does the baptism still count? In Dating Jesus,, Campbell takes us into the world of fundamentalism-a world where details really, really matter-while wrestling with questions that would thwart any young woman intent on adhering to a literalist religion. If dancing isn't permitted, what do you do when you're voted part of the homecoming court? If instrumental music is prohibited inside the church, can a piano be played during your wedding? For a while, Campbell diligently plays by the gender-restrictive rules. She knocks on doors for Jesus rather than preach from the pulpit; diligently guards her chastity, refusing even to date; and memorizes long fragments from the Bible. But her questions continue to surface, and when dogmatic answers from her Bible teachers, family, and congregational fellows confirm that women will never be allowed a seat at the throne, her faith begins to erode. After Campbell flees her church, she remains thirsty for an unwavering and compassionate faith she knows is out there, somewhere. To find it, she returns to the historical roots of religious movements, studies the works of early feminist thinkers and contemporary theologians, and rereads the Bible with the same fervor of her youth. Dating Jesus is a lovingly told tale of how one born-and-bred fundamentalist matured into a feminist while holding onto her sanity and sense of humor.

    Shirk collects the histories of astrologers, faith healers, preachers, priestesses, mambos, and mediums who’ve had to find their own ways toward divinity outside prescribed patriarchal orders. Each woman represents a pathway for Shirk’s own spiritual inquiries. She introduces us to the New Orleans high priestess Marie Laveau, the pop New Age pioneer Linda Goodman, the prophetic vision of intersectionality as preached by Sojourner Truth, “saint” Flannery O’Connor, and so many more. Through her journey, Shirk discovers that, as the culture wars flatten religious discourse and shred institutional trust, more and more Americans are yearning for alternative, individualized, feminist routes through religion. And women, having spent so much time at the margins of religious discourse, illuminate its darkened corners. And Your Daughters Shall Prophesy is a beacon to those who are searching for a spirituality of resistance, for an unsteady truth. It draws a line from our own era of unrest to the women who came before us, those fascinating innovators, boundary crossers, paradoxes, and radical justice seekers.

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture.Whisking us from the Alabama country club where Zelda Sayre first caught the eye of F. Scott Fitzgerald to Muncie, Indiana, where would-be flappers begged their mothers for silk stockings, to the Manhattan speakeasies where patrons partied till daybreak, historian Joshua Zeitz brings the era to exhilarating life. This is the story of America’s first sexual revolution, its first merchants of cool, its first celebrities, and its most sparkling advertisement for the right to pursue happiness.The men and women who made the flapper were a diverse lot. There was Coco Chanel, the French orphan who redefined the feminine form and silhouette, helping to free women from the torturous corsets and crinolines that had served as tools of social control. Three thousand miles away, Lois Long, the daughter of a Connecticut clergyman, christened herself “Lipstick” and gave New Yorker readers a thrilling entrée into Manhattan’s extravagant Jazz Age nightlife.In California, where orange groves gave way to studio lots and fairytale mansions, three of America’s first celebrities—Clara Bow, Colleen Moore, and Louise Brooks, Hollywood’s great flapper triumvirate—fired the imaginations of millions of filmgoers.Dallas-born fashion artist Gordon Conway and Utah-born cartoonist John Held crafted magazine covers that captured the electricity of the social revolution sweeping the United States.Bruce Barton and Edward Bernays, pioneers of advertising and public relations, taught big business how to harness the dreams and anxieties of a newly industrial America—and a nation of consumers was born.Towering above all were Zelda and Scott Fitzgerald, whose swift ascent and spectacular fall embodied the glamour and excess of the era that would come to an abrupt end on Black Tuesday, when the stock market collapsed and rendered the age of abundance and frivolity instantly obsolete.With its heady cocktail of storytelling and big ideas, Flapper is a dazzling look at the women who launched the first truly modern decade.

    Here, women live within stringently enforced doctrines of wifely submission and male headship, and live by the Quiverfull philosophy of letting God give them as many children as possible so as to win the religion and culture wars through demographic means.From the Trade Paperback edition.

    Upstairs Girls opens a window on the lives of these women for hire--why they turned to prostitution, who they worked for, and what their lives were like. Author and historian Michael Rutter offers a thorough history of prostitution in the West, with chapters on notorious madams, the hierarchy of prostitution, from parlor girls to streetwalkers, and occupational hazards such as disease and addiction. Rutter also unveils the brutal Chinese sex trade, which was little more than slavery, with women being shipped across the Pacific and bought and sold like material goods. The engaging and carefully researched background history leads up to the often heart-breaking and sometimes humorous profiles of the individual madams and prostitutes, from the famous Calamity Jane to the less-known Rosa May, from ruthless madam Ah Toy to mother of civil rights Mary Ellen Pleasant. Great photographs and illustrations