With no physical evidence, no signs of sexual assault, and no witnesses, all the police have to go on are the three men who were in the library with her: her boyfriend and two campus security guards . . . all of whom have secrets, none of whom can be proven guilty.Five years later, ex-FBI profiler Pierce Quincy and his wife, former police officer Rainie Conner, agree to consult on the still-unsolved case, delving into deep background to comb for any clue that will lead to the woman's murderer. But with no leads and the case colder than the body, will they be able to build a case against one of the three suspects, or is there a fourth man out there? And if the killer has eluded the police this long, how far will he go to ensure justice is never served? With Gardner's singular ability to delve into the minds of criminals and law enforcement alike, The 4th Man is a shocking look at the reasons for taking a life . . . and just how far profilers need to go to learn them. It also includes an early look at Gardner's next chilling thriller, Right Behind You, coming February 7, 2017.

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    When his body is found, the police quickly realize he was on his way to deliver one final message, one which proves he has taken another victim who may still be alive.As the lead investigator on the 4MK task force, Detective Sam Porter knows even in death, the killer is far from finished. When he discovers a personal diary in the jacket pocket of the body, Porter finds himself caught up in the mind of a psychopath, unraveling a twisted history in hopes of finding one last girl, all while struggling with personal demons of his own.With only a handful of clues, the elusive killer’s identity remains a mystery. Time is running out and the Four Monkey Killer taunts from beyond the grave in this masterfully written fast-paced thriller.

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she has spent the last several years living on her own, but unable to move beyond her past—especially the disappearance of her twin brother Andy when they were sixteen. With her father’s death, Dahlia returns to the house she has avoided for years. But as the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body—Andy’s, his skull split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic façade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

    Ryan appears to be the perfect future son-in-law. There's just one problem. There's something off about Ryan. Something hidden in the shadows behind his eyes. And it seems that only Ed can see it.Terrified that his daughter is being drawn in by a psychopath, Ed sets out to uncover her fiancé's dark past - while keeping his own concealed. But no-one believes him. And the more he digs, the more he alienates her and the rest of the family who are convinced that Ryan is 'the one'.Ed knows different. For reasons of his own, he knows a monster when he sees one...

    She is half-naked, has been badly beaten, and she can't speak English. She is clearly running away from someone. Do you stop to help her? This book deals with these questions.

    That stranger claims to know the whereabouts of her missing friend Bobby, but there’s a catch: he’ll only tell her what he knows in exchange for something... personal.So begins Laura’s sordid relationship with her new penpal, built on a foundation of quid pro quo. Her quest for closure will push her to bizarre acts of humiliation and harm, yet no matter how hard she tries, she cannot escape her correspondent’s demands. The letters keep coming, and as time passes, they have a profound effect on Laura.From the author of Cruel Works of Nature comes a dark and twisted tale about obsession, guilt, and how far a person will go to put her ghosts to bed.

    Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories. Daphne reluctantly agrees—even though the past is the last place she wants to go.The retreat’s isolated and forbidding location increases her unease, as do the doctor’s rules: they must relinquish their keys and phones, they’ll be monitored at all hours by hidden cameras, and they’re never to socialize with the other guests.One sleepless night, Daphne decides to leave her room…and only then does she realize that the institute is not at all what it seems—and that whatever’s crying out from Heath’s past isn’t meant to be heard. It’s meant to be silenced.

    . . Eve Singer needs death. With her career as a TV crime reporter flagging, she’ll do anything to satisfy her ghoulish audience.The killer needs death too. He even advertises his macabre public performances, where he hopes to show the whole world the beauty of dying.When he contacts Eve, she welcomes the chance to be first with the news from every gory scene. Until she realizes that the killer has two obsessions.One is public murder. And the other one is her . . .

    On the surface, Lydia Fitzsimons has the perfect life—wife of a respected, successful judge, mother to a beloved son, mistress of a beautiful house in Dublin. That beautiful house, however, holds a secret. And when Lydia’s son, Laurence, discovers its secret, wheels are set in motion that lead to an increasingly claustrophobic and devastatingly dark climax.From the international bestselling author of Unraveling Oliver, an “unputdownable psychological thriller with an ending that lingers long after turning the final page” (The Irish Times) about a Dublin family whose dark secrets and twisted relationships are suddenly revealed.

    She has a good job as a defence attorney, a daughter doing well in school, and even her divorce is relatively civilised - her life is just as unremarkable as she'd always hoped it would be.HIDES A DEVASTATING PASTBut Leigh's ordinary life masks a childhood which was far from average... a childhood tarnished by secrets, broken by betrayal, and finally torn apart by a devastating act of violence.BUT NOW THE PAST IS CATCHING UPThen a case lands on her desk - defending a wealthy man accused of rape. It's the highest profile case she's ever been given - a case which could transform her career, if she wins. But when she meets the accused, she realises that it's no coincidence that he's chosen her as his attorney. She knows him. And he knows her. More to the point, he knows what happened twenty years ago, and why Leigh has spent two decades running.AND TIME IS RUNNING OUTIf she can't get him acquitted, she'll lose much more than the case. The only person who can help her is her younger, estranged sister Calli, the last person Leigh would ever want to ask for help. But suddenly she has no choice...

    She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes—meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.But plain Jane is hiding something. And Steven’s bringing out the worst in her.Nothing can distract Jane from going straight for his heart: allowing herself to be seduced into Steven’s bed, to insinuate herself into his career and his family, and to expose all his dirty secrets. It’s time for Jane to dig out everything that matters to Steven. So she can take it all away.Just as he did to her.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Sold by her Thai parents along with her little sister, Nason; marooned in America; abused by the men who trafficked them…the only thing that kept Livia alive as a teenager was her determination to find Nason.Livia has never stopped looking. And she copes with her failure to protect her sister by doing everything she can to put predators in prison.Or, when that fails, by putting them in the ground.But when a fresh lead offers new hope of finding Nason and the men who trafficked them both, Livia will have to go beyond just being a cop. Beyond even being a vigilante. She’ll have to relive the horrors of the past. Take on one of the most powerful men in the US government. And uncover a conspiracy of almost unimaginable evil.In every way, it’s an unfair fight. But Livia has two advantages: her unending love for Nason—And a lifelong lust for vengeance.