Dismas is a relic hunter: one who procures “authentic” religious relics for wealthy and influential clients. His two most important patrons are Frederick the Wise, Elector of Saxony and soon-to-be Cardinal Albrecht of Mainz. While Frederick is drawn to the recent writing of Martin Luther, Albrecht pursues the financial and political benefits of religion and seeks to buy a cardinalship through the selling of indulgences. When Albrecht’s ambitions increase his demands for grander and more marketable relics, Dismas and his artist friend Dürer conspire to manufacture a shroud to sell to the unsuspecting noble. Unfortunately Dürer’s reckless pride exposes Albrecht’s newly acquired shroud as a fake, so Albrecht puts Dismas and Dürer in the custody of four loutish mercenaries and sends them all to steal Christ’s burial cloth (the Shroud of Chambéry), Europe’s most celebrated relic.On their journey to Savoy where the Shroud will be displayed, they battle a lustful count and are joined by a beautiful female apothecary. It is only when they reach their destination that they realize they are not alone in their intentions to acquire a relic of dubious legitimacy. Filled with fascinating details about art, religion, politics and science; Vatican intrigue; and Buckley’s signature wit, The Relic Master is a delightfully rich and intelligent comic adventure.

    This is where it all begins -- with the tourist Twoflower and his wizard guide, Rincewind.On a world supported on the back of a giant turtle (sex unknown), a gleeful, explosive, wickedly eccentric expedition sets out. There's an avaricious but inept wizard, a naive tourist whose luggage moves on hundreds of dear little legs, dragons who only exist if you believe in them, and of course THE EDGE of the planet...

    Come home to Harmony, Indiana, a peaceful slice of small-town America, as Sam Gardner, Harmony-born and raised, begins his inaugural year as pastor to a new flock of old friends, family members, and outrageous eccentrics -- in this unforgettable place where earth-shattering events rarely occur, but small life-altering ones happen daily.

    So has her talent for clever dialogue, and pointed social commentary with a light touch.The Anvil of the World is her first fantasy novel, a journey across a fantastic landscape filled with bizarre creatures, human and otherwise. It is the tale of Smith, of the large extended family of Smiths, of the Children of the Sun. They are a race given to blood feuds, and Smith was formerly an extremely successful assassin. Now he has wearied of his work and is trying to retire in another country, to live an honest life in obscurity in spite of all those who have sworn to kill him.His problems begin when he agrees to be the master of a caravan from the inland city of Troon to the seaside city of Salesh. The caravan is dogged with murder, magic, and the brooding image of the Master of the Mountain, a powerful demon, looking down from his mountain kingdom upon the greenlands and the travelers passing below. In Salesh, Smith becomes an innkeeper, but on the journey he befriended the young Lord Ermenwyr, a decadent demonic half-breed. Each time Ermenwyr turns up, he brings new trouble with him.The outgrowth of stories Baker has been writing since childhood, as engaging as Tolkien and yet nothing like him, Smith's adventure is certainly the only fantasy on record with a white-uniformed nurse, gourmet cuisine, one hundred and forty-four glass butterflies, and a steamboat. This is a book filled with intrigue, romance, sudden violence, and moments of emotional impact, a cast of charming characters, and echoes of the fantasy tradition from Lord Dunsany and Fritz Leiber to Jack Vance and Roger Zelazny.

    But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news. The entire cosmos, they tell him, has been hopelessly hooked on humanity’s music ever since “Year Zero” (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything—and the aliens are not amused. Nick now has forty-eight hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.

    You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why? You just have to trust me.The important thing is this: The drug is called Soy Sauce and it gives users a window into another dimension. John and I never had the chance to say no. You still do. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: None of this was my fault.

    Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled, and that such amenities as water and electricity are . . . infrequent. But what their new life lacks in luxury, they come to find, it’s plentiful in adventure, stunning beauty, and unexpected love.--penguinrandomhouse.com

    Meet Judy. Two humans who don't like each other much, but together must fight dragons, fire-breathing felines, trolls, Inuit walrus dogs, and a crazy cat lady - for the future of the universe. Monster runs a pest control agency. He's overworked and has domestic troubles - like having the girlfriend from hell. Judy works the night shift at the local Food Plus Mart. Not the most glamorous life, but Judy is happy. No one bothers her and if she has to spell things out for the night-manager every now and again, so be it. But when Judy finds a Yeti in the freezer aisle eating all the Rocky Road, her life collides with Monster's in a rather alarming fashion. Because Monster doesn't catch raccoons; he catches the things that go bump in the night. Things like ogres, trolls, and dragons. Oh, and his girlfriend from Hell? She actually "is "from Hell.

    Instead, Alaska has won its independence and established itself as a constitutional monarchy...and now, the King of Alaska badly needs a bride for his son and heir... The country of Alaska is as forbidding as it is beautiful. And the royal family is as rough-around-the-edges as they are coolly civilized. Other royal families may find them shocking, but after all, in this wilderness kingdom, being a crack shot and expert trapper is just as important as knowing your salad fork from your dessert fork. Unfortunately, when the rest of the royals find you mildly savage, marrying off your royal brood can be a royal pain. King Alexander II is desperate. Why, he'd settle for any girl. A commoner. An American, even! Stranded tourist Christina Krabbe is American, and a commoner, but she has zero interest in enduring a royal wedding, producing royal heirs, and becoming Queen of Alaska...until she gets a good look at Prince David. He may be a bit unruly--actually, the words untamed and slightly dangerous come to mind--but Christina's no delicate flower herself. And when His Highness discovers Christina can give as good as she gets, he's Prince Charmed, if not quite charming. But can a wild man Prince and a modern American girl make a life together? And will the palace still be standing when the dust clears?

    . . and so begins every fairy tale ever told.This is not that fairy tale.There is a Chosen One, but he is unlike any One who has ever been Chosened.And there is a faraway kingdom, but you have never been to a magical world quite like the land of Pell.There, a plucky farm boy will find more than he's bargained for on his quest to awaken the sleeping princess in her cursed tower. First there's the Dark Lord who wishes for the boy's untimely death . . . and also very fine cheese. Then there's a bard without a song in her heart but with a very adorable and fuzzy tail, an assassin who fears not the night but is terrified of chickens, and a mighty fighter more frightened of her sword than of her chain-mail bikini. This journey will lead to sinister umlauts, a trash-talking goat, the Dread Necromancer Steve, and a strange and wondrous journey to the most peculiar "happily ever after" that ever once-upon-a-timed.

    G. Wodehouse in Crosstalk, a genre-bending novel that pushes social media, smartphone technology, and twenty-four-hour availability to hilarious and chilling extremes as one young woman abruptly finds herself with way more connectivity than she ever desired.In the not-too-distant future, a simple outpatient procedure to increase empathy between romantic partners has become all the rage. And Briddey Flannigan is delighted when her boyfriend, Trent, suggests undergoing the operation prior to a marriage proposal - to enjoy better emotional connection and a perfect relationship with complete communication and understanding. But things don't quite work out as planned, and Briddey finds herself connected to someone else entirely - in a way far beyond what she signed up for.It is almost more than she can handle - especially when the stress of managing her all-too-eager-to-communicate-at-all-times family is already burdening her brain. But that's only the beginning. As things go from bad to worse, she begins to see the dark side of too much information, and to realize that love - and communication - are far more complicated than she ever imagined.

    Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.

    The characters in Then We Came To The End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks. By day they compete for the best office furniture left behind and try to make sense of the mysterious pro-bono ad campaign that is their only remaining "work."

    But it won't, because Misha's late Beloved Papa whacked an Oklahoma businessman of some prominence. Misha is paying the price of exile from his adopted American homeland. He's stuck in Russia, dreaming of his beloved Rouenna and the Oz of NYC. Salvation may lie in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as Minister of Multicultural Affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century. Populated by curvaceous brown-eyed beauties, circumcision-happy Hasidic Jews, a loyal manservant who never stops serving, and scheming oil execs from a certain American company whose name rhymes with Malliburton, Absurdistan is a strange, oddly true-to-life look at how we live now, from a writer who should know.

    With her mom in prison, and her father AWOL, Katie is sent to live with a squeaky-clean family who could have their own sitcom. She launches a full-scale plan to get sent back to the girls’ home when she finds herself in over her head...and heart. When Katie and her new "wrong crowd" get into significant trouble at school, she finds her punishment is restoring a historic theater with a crazy grandma who goes by the name of Mad Maxine. In the midst of her punishment, Katie uncovers family secrets that run deep, and realizes she's not the only one with a pain-filled past. Katie must decide if she'll continue her own family’s messed up legacy or embrace a new beginning in this place called In Between.