Bridei is a young nobleman fostered at the home of Broichan, one of the most powerful druids in the land. His earliest memories are not of hearth and kin but of this dark stranger who while not unkind is mysterious in his ways. The tasks that he sets Bridei appear to have one goal-to make him a vessel for some distant purpose. What that purpose is Bridei cannot fathom but he trusts the man and is content to learn all he can about the ways of the world.But something happens that will change Bridei's world forever...and possibly wreck all of Broichan's plans. For Bridei finds a child on their doorstep on a bitter MidWinter Eve, a child seemingly abandoned by the fairie folk. It is uncommonly bad luck to have truck with the Fair Folk and all counsel the babe's death. But Bridei sees an old and precious magic at work here and heedless of the danger fights to save the child. Broichan relents but is wary.The two grow up together and as Bridei comes to manhood he sees the shy girl Tuala blossom into a beautiful woman. Broichan sees the same process and feels only danger...for Tuala could be a key part in Bridei's future...or could spell his doom.

    But beware! Surprises lurk at the turn of every page. . . .Discover a time line of ALIEN LIFE on earth--beginning 4 billion years ago! Meet a man recruited by the U.S. government to become a PSYCHIC SUPERSPY. Spend a dark and stormy night with professional GHOSTBUSTERS. Visit a mysterious library in search of DRACULA's shocking origins. Witness new photos of the actual sea monster that inspired the mythical KRAKEN. And much more!

    In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre—from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers.With the insight and good humor his fans appreciated in On Writing, Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    The other, stranger memories begin nine years ago, when she was ten and gate-crashed an odd funeral in the mansion near her grandmother's house. Polly's just beginning to recall the sometimes marvelous, sometimes frightening adventures she embarked on with Tom Lynn after that. And then she did something terrible, and everything changed.But what did she do? Why can't she remember? Polly must uncover the secret, or her true love — and perhaps Polly herself — will be lost.

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    But breaking with "The Tradition" was no easy matter--until she got a little help from her own fairy godmother. Who promptly offered Elena a most unexpected job...Now, instead of sleeping in the chimney, she has to deal with arrogant, stuffed-shirt princes who keep trying to rise above their place in the tale. And there's one in particular who needs to be dealt with...Sometimes a fairy godmother's work is never done...

    Until the fey he avoids at all costs—including his reputation—begin to disappear, and Ethan is attacked. Now he must change the rules to protect his family. To save a girl he never thought he’d dare to fall for.Ethan thought he had protected himself from his older sister’s world—the land of Faery. His previous time in the Iron Realm left him with nothing but fear and disgust for the world Meghan Chase has made her home, a land of myth and talking cats, of magic and seductive enemies. But when destiny comes for Ethan, there is no escape from a danger long, long forgotten.My name is Ethan Chase.And I may not live to see myeighteenth birthday.

    Lovecraft (1890-1937), the most important American supernaturalist since Poe, has had an incalculable influence on all the horror-story writing of recent decades. Altho his supernatural fiction has been enjoying an unprecedented fame, it's not widely known that he wrote a critical history of supernatural horror in literature that has yet to be superceded as the finest historical discussion of the genre. This work is presented in this volume in its final, revised text. With incisive power, Lovecraft here formulates the esthetics of supernatural horror & summarizes the range of its literary expression from primitive folklore to the tales of his own 20th-century masters. Following a discussiom of terror-literature in ancient, medieval & renaissance culture, he launches on a critical survey of the whole history of horror fiction from the Gothic school of the 18th century (when supernatural horror found its own genre) to the time of De la Mare & M.R. James. The Castle of Otranto, Radcliffe, "Monk" Lewis, Vathek Charles Brockden Brown, Melmoth the Wanderer, Frankenstein, Bulwer-Lytton, Fouqué's Undine, Wuthering Heights, Poe (full chapter), The House of the Seven Gables, de Maupassant's The Horla, Bierce, The Turn of the Screw , M.P. Shiel, W.H. Hodgson, Machen, Blackwood & Dunsany are among those discussed in depth. He also notices a host of lesser writers--enough to draw up an extensive reading list. By charting so completely the background for his own concepts of horror & literary techniques, Lovecraft throws light on his own fiction as well as on the horror-literature which has followed. For this reason this book will be especially intriguing to those who've read his fiction as an isolated phenomenon. Any searching for a guide thru the inadequately marked region of literary horror, need search no further. Unabridged & corrected republication of 1945 edition. New introduction by E.F. Bleiler.

    Lewis' The Chronicles of Narnia. Enchanted by its fantastic world as a child, prominent critic Laura Miller returns to the series as an adult to uncover the source of these small books' mysterious power by looking at their creator, Clive Staples Lewis. What she discovers is not the familiar, idealized image of the author, but a more interesting and ambiguous truth: Lewis's tragic and troubled childhood, his unconventional love life, and his intense but ultimately doomed friendship with J.R.R. Tolkien.Finally reclaiming Narnia "for the rest of us," Miller casts the Chronicles as a profoundly literary creation, and the portal to a life-long adventure in books, art, and the imagination.

    In the thirty years since Elizabeth ascended her throne, fae and mortal politics have become inextricably entwined, in secret alliances and ruthless betrayals whose existence is suspected only by a few.Two courtiers, both struggling for royal favor, are about to uncover the secrets that lie behind these two thrones. When the faerie lady Lune is sent to monitor and manipulate Elizabeth's spymaster, Walsingham, her path crosses that of Michael Deven, a mortal gentleman and agent of Walsingham's. His discovery of the "hidden player" in English politics will test Lune's loyalty and Deven's courage alike. Will she betray her Queen for the sake of a world that is not hers? And can he survive in the alien and Machiavellian world of the fae? For only together will they be able to find the source of Invidiana's power—find it, and break it…A breathtaking novel of intrigue and betrayal set in Elizabethan England; Midnight Never Come seamlessly weaves together history and the fantastic to dazzling effect.

    Seuss, Mark Twain to Beatrix Potter--and shows that the best-loved children's books tend to challenge rather than uphold respectable adult values.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    Here fairies and demons walk hand in hand with mortals and anything anything can happen. These tales are sometimes frightening, usually insightful, and always entertaining. But one does not have to be Irish to appreciate these marvelous stories, for as the great Irish poet, W.B. Yeats wrote, "everyone is a visionary if you scratch him deep enough."John Connors and the fairies --Fitzgerald and Daniel Donoghue --Fairies of Rahonain and Elizabeth Shea --The knights of Kerry --Rahonain castle --The cattle jobber of Awnascawil --The midwife of Listowel --Daniel Crowley and the ghosts --Tom Daly and the nut-eating ghost --Tom Connors and the dead girl --The farmer of Tralee and the fairy cows --The two gamblers and the fairies --The girl and the robber --Maurice Griffin and the fairy doctor --The three sisters and their husbands' three brothers --John Shea and the treasure --St. Martin's eve --James Murray and saint martin --Fairy cows --John Reardon and the sister ghosts --Maggie Doyle and the dead man --Pat Doyle and the ghost --The ghost of Sneem --The dead mother --Tim Sheehy sent back to this world to prove his innocence --Tom Moore and the seal woman --The four-leafed shamrock --John Cokeley and the fairy --Tom Foley's ghost --The blood-drawing ghost --Murderous ghosts

    Unsurpassed in its sheer scope and depth, it employs an extensive range of historical documentation and folklore from throughout Europe to powerfully portray the horror associated with belief in werewolves.Summers adopts a comprehensive theological and philosophical approach, cataloging a series of literary connections between witch and wolf. Drawing upon the work of anthropologists, totemists, and rationalists, he examines the supernatural practice of shapeshifting, notes the finer distinctions between werewolfery and lycanthropy, and explores the differences of opinion on exactly how ordinary humans are transformed into creatures of "unbridled cruelty, bestial ferocity, and ravening hunger." The author's Gothic style, rich in fascinating examples and anecdotes, offers compelling fare for lovers of esoteric lore. Even the most skeptical of readers can appreciate the evocative ways in which The Werewolf in Lore and Legend conveys the dread of those for whom these monsters were not mere superstition but terrifying reality.