. . obsessively detailed [comics] feel like [they've] been shot straight from his brain onto the page." - Village Voice Puke Force is social satire written dark and dense across Brian Chippendale's deconstructed multiverse of walking, talking M&Ms, hamsters, and cycloptic-yet-glamorous trivia hosts. In scathingly funny single-page strips that build and build, he takes on social media narcissism, governmental propaganda, racism, and a culture of violence, skewering the malice of the right and the hypocrisies of the left. A bomb explodes in a coffee shop: the incident is played out over and over again from the perspective of each table in the shop, revisiting moments from ten and twenty years before. We see the inevitable as the characters bicker or celebrate, unaware of what's coming. Throughout this dystopic graphic novel, Chippendale uses humor and a frantic drawing style to show how the insidious nature of corporate greed and the commodification of everything have warped society into a killing machine. Sardonic and self-aware, Puke Force asks all the right questions, providing a startling and on-point take on contemporary social issues. Chippendale's artwork makes each panel a masterpiece of thrumming linework and lo-fi magic, as his storytelling wends and winds its way to a fascinating conclusion.

    BARBIERE and VICTOR SANTOS.Collects issues 6-10.

    Thus each rare new story from her pen has been greeted with hurrahsas well they should be, because she's one of the most skillful, caustic, and emphatic cartoon storytellers of her generation. This new book presents the biggest, richest and most delightful collection of Tyler's work to date featuring many new and previously unpublished works.In "Migrant Mother" Tyler tells the grueling story of a cross-country trip with the flu and her terrible twos toddler using her trademark combination of rueful humor and emphathy. The full-color "Just A Bad Seed" is a meditation on a problem child who might not be such a problem after all, while "The Return of Mrs. Kite" chronicles a family crisishow her widowed grandmother fell in with a beau of questionable character. "Gone" (also in full color) is a stirring meditation on all kinds of loss, and "Why I'm A-gin' Southern Men" is a classic rant that dissects that particular breed of maleor at least a certain subspecies of "ex"eswith pitiless wit.Other stories include "Sweet Miss Lee" (a reminiscence of an immigrant roommate and her fate), "There's Something Wrong with a Perfect Lawn" (a tale of suburban obsessiveness), "Little Crosshatch Mind" (where artistic impulses come from), and "Uncovered Property" (discovering the power of sexuality at an early age).Tyler works equally well in delicately crisp black-and-white penstrokes and lushly watercolored paintings (this book will feature 60 pages of her stunning full-color work). All told, the three-dozen stories here will cement Tyler's reputation as a cartoonist to be reckoned with. 136 pages, 60 pages in color.

    It feels good in your hands: a true work of art, a collector’s dream.But then you notice something wrong. There’s a stain on the cover. And it is there on purpose. It’s a coffee ring printed onto the cover with gloss laminate.This book, the debut effort by cult cartoonist Dave Strider, was realized with the help of a dedicated team of experienced artists. KC Green (gunshowcomic.com), John Keogh (lucid-tv.com), and David Malki ! (wondermark.com) served as designers. Homestuck creator Andrew Hussie (mspaintadventures.com) served as consultant.Since the days of Gutenberg, publishers have tried to marry form with content in pleasing and impressive ways. And while there have been fancy books, and there have been bad books, never before in the history of the codex have the two been mismatched in so dramatic and pointless a fashion. Like a wrench torquing a bolt too hard and shearing off its head, so too does Sweet Bro and Hella Jeff completely and irrevocably break the notion of the printed book.The online comic strip “Sweet Bro and Hella Jeff” follows a handful of friends who get up to nonsensical hijinks. This is in the rare cases when it makes any sense at all. It is universally acknowledged as the worst comic strip ever created.The book Sweet Bro and Hella Jeff lavishly presents the comic’s entire run in a treatment worthy of the highest masters of the form. It contains a completely gratuitous 4-page centerfold reading simply “centaurfold” in bright pink type.Scattered throughout the book are perforated business-reply cards taking the form of irredeemable Subway coupons (a first for comic strip collections). Each copy of the book also comes with a “travel version” (a removable poster of all the book’s pages in grid format); a custom commemorative coin (randomly chosen from 4 designs struck); an oversized plastic paperclip imprinted with the word “paperclop”; and an animated lenticular bookmark. Bound into the spine is a red ribbon approximately three feet long, and if you scratch the nacho chip sticker on the back cover, it smells faintly of pizza. (The hologram sticker of Tony Hawk smells only of chemicals.)

    He and his fiancée, Shelly, are assaulted by a gang of street thugs after their car breaks down. Eric is shot in the head and is paralyzed, and can only watch as Shelly is savagely beaten and raped. They are then left for dead on the side of the road.He is resurrected by a crow and seeks vengeance on the murderers, methodically stalking and killing them. When not on the hunt, Eric stays in the house he shared with Shelly, spending most of his time there lost in memories of her. Her absence is torture for him; he is in emotional pain, even engaging in self-mutilation by cutting himself.The Crow acts as both guide and goad for Eric, giving him information that helps him in his quest but also chastising him for dwelling on Shelly's death, seeing his pining as useless self-indulgence that distracts him from his purpose.

    CHILL as Lady Deadpool and Headpool try to find the root cause of their majorly abusive frenemieship. Then THRILL as Kidpool and Dogpool embark on a 100-ton mechanized joy ride and and uhm...GET ILL as Dogpool makes a brand-new archenemy. Then it's 'Two Mutants and a Baby' in the untold story of how Cable escaped from Alaska with Hope. Wait -- You don't think Cable did that alone, did you? PLUS: Deadpool struggles to find the perfect way to honor his pal Cable.

    Follow Liz through such life-changing adventures as: buying a house, moving to a new state, getting married, crippling insomnia, and as always, lots of cats, cats, cats! Full of humor, pathos, and insight, these comics reveal the ups and downs that make up the glamorous micro-celebrity life of a freelance cartoonist.

    Where Boulevard of Broken Dreams focused on the earliest days of the animation industry, Alias the Cat delved into the history of comic strips, and “Molly O’Dare” (collected in Shadowland) concerned vintage movie serials, The search for Smilin’ Ed! explores the wacky world of children’s TV shows. Launched on his latest investigation by a remark from his brother about a shared childhood favorite (“Y’know, I heard that when Smilin’ Ed died... his body was never found!”), Deitch begins to uncover some truly amazing things about the kiddie-show host and his malevolent sidekick, Froggy the Gremlin. Meanwhile, Deitch’s muse and nemesis Waldo the Cat abandons Deitch to hang out with some demon buddies, and soon both Waldo and Deitch are closing in on the mysteries of Smilin’ Ed and Froggy. Ranging across the entire twentieth century, replete with flashbacks, stories within stories, and guest appearances from other Deitch regulars, The Search for Smilin’ Ed! is a narrative whirligig that shows Deitch at his wildest and woolliest. For those whose heads have started to spin at the complexity of “Deitch world,” Deitch scholar Bill Kartalopoulos offers a lengthy essay on the ins and outs of this ever-evolving, ever-expanding world where fantasy, reality, and satire combine, clash, and are sometimes downright indistinguishable. Bonus! Deitch has also created a brand new story starring Waldo in his twenty-first century post-Alias The Cat state of domestic bliss, stumbling across an army of (French-) talking beavers. Of course, there’s a story behind that...

    Characterised by an intriguing disjointed rhythm and delicious pencil-smudged style, 'The Bun Field' is defined by a surreal ebb-and-flow, possessing a deep sense of foreboding and hurt, yet maintaining a biting sense of humour.

    Witness inept villains clash with an all-too-emotional hero, in the epic graphic novel that will leap all cliches in a single bound.

    You Might Be An Artist If... collects several years of her comic strips about the ups and downs of life in the arts. Her wry and relatable sense of humor animates every page, tying together flights of fancy, bitter grumblings, motivational pep-talks, self-doubt, procrastination, and inspiration. Capturing the moments that remind us why we take art seriously — but not TOO seriously — Purje's comics are a perfect handbook for anyone living the creative life.

    The comics here are sophisticated, unusual narratives about animal musicians, mischievous children, cavemen and heavenly bodies.

    Parents themselves, Borgman and Scott have learned a thing or two along the way in their creative and family lives. The result is A Zits Guide to Living with Your Teenager.A combination of select Zits comic strips depicting the relationship between teenager Jeremy Duncan and his parents, Walt and Connie, and witty, knowing, and dead-on commentary from Borgman and Scott, A Zits Guide to Living with Your Teenager is an indispensable and entertaining manual for parents on the verge of having a teenager.Zits has twice been honored with the award for Best Newspaper Comic Strip by the National Cartoonists Society and received the "Max and Moritz" award for Best International Comic Strip in 2000.

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    After spending thousands of Sunday afternoons gazing at his grandfather’s collections of old newspaper comics, he picked up a pen and started drawing monkeys with striped tails and top hats. He now writes and draws the comic book Sock Monkey as well as the weekly strip "Maakies," which has won him three Eisner Awards and has been animated for Saturday Night Live. He lives in Pasadena, California with his wife and daughters.