He loves being a little bit famous for his videos, but at the end of the day he's a lone wolf - one who's more interested in Caramilk on the couch than cocktails in the club. He's a strong believer in Netflix and chilling at home, alone; he's always the first to smokebomb social events, and he is in a committed relationship with his indoor plants.Christian tells his behind-the-scenes story with his signature, completely unapologetic honesty, from growing up with triplet brothers to building a career in comedy; from his fear of moths to some of his more daring Grindr sexcapades. He invites you into his personal creative universe, where wearing a wig to make random videos and screaming swearwordsat resin pendants somehow turn out to be great decisions.Leave Me Alone is a story of breaking the mould and embracing exactly who you are, even if that means telling people to leave you the f**k alone.

    I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up, yet I was very serious.’ BRAVE, BEAUTIFUL AND BORN TO BE PUNK DEBBIE HARRY is a musician, actor, activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life – until now.In an arresting mix of visceral, soulful storytelling and stunning visuals that includes never-before-seen photographs, bespoke illustrations and fan art installations, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It recreates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie.Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s break-up as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps – a memoir as dynamic as its subject.

    She moved in the most exclusive circles in Washington, D.C., rubbed elbows with big politicians, and worked on Capitol Hill. As far as she was concerned, she was changing the world. And then her mother had a heart attack. Carolyn came home to help her father with his rural medical practice in the Tennessee mountains. She'd fill in for a few days as the receptionist until her mother could return to work. Or so she thought. But days turned into weeks. Her job now included following hazmat regulations for cleaning up bodily fluids; maintaining composure when confronted with a splinter the size of a steak knife; distinguishing between a "pain," a "strain," and a "sprain" on indecipherable Medicare forms; and tending to the loquacious Miss Hiawatha, whose daily doctor visits were never billed.Eventually, Jourdan gave up her Mercedes and made do with a twenty-year-old postal jeep. She shed her suits for scrubs. And the funny thing was, she liked her new life. As she watched her father work tirelessly and uncomplainingly, she saw what making a difference really meant: being on call all hours of the day and night, tolerating the local drug addict's frequent phone calls, truly listening to Miss Hiawatha. It meant just showing up, every day, and taking care of every person in Strawberry Plains and beyond, whether he got paid to do it or not. And for his daughter, it meant learning that her real place to change the world was right here—in her hometown—by her father's side.

    I knew he would never stop, so I just had to do what I could to survive." Mandy Thomas was just 18 when she met the man who would change her life forever. She was soon under his spell – and then her real nightmare began. Mandy found herself part of a cruel and violent relationship that she couldn’t escape. Until one day he went too far… You Can’t Run is Mandy’s searingly honest and moving true story.

    Oz, 2016 along with O, The Oprah Magazine 2003 and one of Oprah’s Choices as one of the Top 10 most talked about stories in 2010. Inside the life of a surrogate mother Susan Ring, a single mother of two who learns upon her second journey, with the same intended parents, she is pregnant with triplets. The parents demand a reduction to twins. The surrogacy agency informs Susan of the unbelievable, the parents no longer want the twins she is pregnant with, and the intended father is suffering from mental illness. The parents breach the contract, divorce, and abandon Susan and the twins at the hospital, ultimately insisting their children go to social services. Susan refuses to comply and boldly prepares to fight for parentage in a California court with no biological ties. It is a story of hope, love and letting go. This astonishingly honest memoir raises challenging ethical questions, redefines motherhood, and what it means to be a mother in today’s complex world of infertility. It recognizes how far advanced science has become, and how the law is lagging far behind. Above all, it is a story for our times.

    This veteran television broadcaster and interviewer turns the camera on himself, taking the reader on an intimate journey. He moves beyond depression, tragedy, and self-doubt and grapples with his greatest decision: not simply whether to live but how to live. If you had only 24 hours left... what would you do?

    

    It includes a brief introduction describing the evolution of Mark Twain’s ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2—a controversial but characteristically humorous attack on Christian doctrine.The year 2010 marked the 100th anniversary of Mark Twain’s death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain’s works, UC Press published Autobiography of Mark Twain, Volume 1, the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life’s work of America’s favorite author.Read an excerpt here: Autobiography of Mark Twain, Volume 1:The Complete and Authoritative Edition by Mark Twain by University of California Press

    Funny. Leaving no stone unturned." . . . So say the publishers about this book I've written. What I say is that this is the story of my life, told as clear as a Texas sky and in the same rhythm that I lived it. It's a story of restlessness and the purity of the moment and living right. Of my childhood in Abbott, Texas, to the Pacific Northwest, from Nashville to Hawaii and all the way back again. Of selling vacuum cleaners and encyclopedias while hosting radio shows and writing song after song, hoping to strike gold. It's a story of true love, wild times, best friends, and barrooms, with a musical sound track ripping right through it. My life gets lived on the road, at home, and on the road again, tried and true, and I've written it all down from my heart to yours. Signed,Willie Nelson

    Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger-than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.As Terrell became known worldwide during the 1960s and 1970s, the caravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh, and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed 'Terrellites' by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith, and human frailty, share a surprising and humorous coexistence.

    Elmo's Fire, Weekend at Bernie's, and Less than Zero, and as a charter member of Hollywood's Brat Pack. That iconic group of ingenues and heartthrobs included Rob Lowe, Molly Ringwald, Emilio Estevez, and Demi Moore, and has come to represent both a genre of film and an era of pop culture. In his memoir Brat: An '80s Story, McCarthy focuses his gaze on that singular moment in time. The result is a revealing look at coming of age in a maelstrom, reckoning with conflicted ambition, innocence, addiction, and masculinity. New York City of the 1980s is brought to vivid life in these pages, from scoring loose joints in Washington Square Park to skipping school in favor of the dark revival houses of the Village where he fell in love with the movies that would change his life. Filled with personal revelations of innocence lost to heady days in Hollywood with John Hughes and an iconic cast of characters, Brat is a surprising and intimate story of an outsider caught up in a most unwitting success.

    She woke up one morning and her entire history—the life she had lived—crumbled beneath her.Inheritance is a book about secrets—secrets within families, kept out of shame or self-protectiveness; secrets we keep from one another in the name of love. It is the story of a woman’s urgent quest to unlock the story of her own identity, a story that has been scrupulously hidden from her for more than fifty years, years she had spent writing brilliantly, and compulsively, on themes of identity and family history. It is a book about the extraordinary moment we live in—a moment in which science and technology have outpaced not only medical ethics but also the capacities of the human heart to contend with the consequences of what we discover.

    Life Is Magic shows how we can all choose happiness in the face of overwhelming odds.” —Ellen DeGeneres An extraordinary and empowering story of resilience, forgiveness, and living a life of purpose in the face of unfathomable obstacles.You might recognize him as an NFL All-Pro or as an elite magician who made the finals of Amer­ica’s Got Talent and regularly appears on The Ellen DeGeneres Show. But Jon Dorenbos says that what he does is not who he is. Who he is is someone forced, at the most tender of ages, to coach himself into turning tragedy to triumph. One morning in August 1992, when Jon was twelve years old and living a seemingly idyllic childhood in suburban Seattle, he woke up for baseball camp. His dad waved good-bye. Later that day, Jon heard the news: his father had murdered his mother in the family’s three-car garage. In an instant, his life had shattered. He’d been essentially orphaned. Thrust into foster care while his father stood trial for murder, Jon struggled. Left to himself, he discovered an unlikely escape performing magic tricks. If you found a way to alter your reality after your dad—your hero—killed your mom, wouldn’t you cling to it too? Then came football, which provided a release for all of Jon’s pent-up anger. Together, magic and football saved him, leading to fourteen NFL seasons on the gridiron and raucous sleight-of-hand perfor­mances to packed houses across the globe. In 2017, after being traded to the New Orleans Saints, Jon was diagnosed with a life-threatening heart condition. He had a choice: break down, or—as he’d long by now taught himself—bounce back. “Talk to yourself, don’t listen to yourself,” Dorenbos advises for those moments when the inner voice of self-doubt screams. In Life Is Magic, Dorenbos draws a road map for how to shut that voice up by choosing happi­ness. At his darkest times, he writes, he’s learned lessons of love, forgiveness, and perseverance. His story is poignant and powerful, told by a char­ismatic and optimistic man who has overcome life-or-death challenges with grace, persistence, a childlike sense of wonder...and jaw-dropping card tricks.

    Abdul Kalam.

    His self-titled 1987 album went triple platinum and made him the first male solo artist (and second solo artist overall after Whitney Houston) to have four singles from their debut crack the top three on the Billboard Hot 100. His follow-up, 1989’s Repeat Offender, was an even bigger smash, going quadruple platinum and landing two singles at number one. He has written fourteen number one songs in total, shared a Song of the Year Grammy with Luther Vandross, and collaborated with a variety of artists including NSYNC, Josh Groban, Natalie Cole, and Keith Urban. Lately, he’s also become a Twitter celebrity thanks to his outspokenness on social issues and his ability to out-troll his trolls. In Stories to Tell, Marx uses this same engaging, straight-talking style to look back on his life and career. He writes of how Kenny Rogers changed a single line of a song he’d written for him then asked for a 50% cut—which inspired Marx to write one of his biggest hits. He tells the uncanny story of how he wound up curled up on the couch of Olivia Newton-John, his childhood crush, watching Xanadu. He shares the tribulations of working with the all-female hair metal band Vixen and appearing in their video. Yet amid these entertaining celebrity encounters, Marx offers a more sobering assessment of the music business as he’s experienced it over four decades—the challenges of navigating greedy executives and grueling tour schedules, and the rewards of connecting with thousands of fans at sold-out shows that make all the drama worthwhile. He also provides an illuminating look at his songwriting process and talks honestly about how his personal life has inspired his work, including finding love with wife Daisy Fuentes and the mystery illness that recently struck him—and that doctors haven’t been able to solve. Stories to Tell is a remarkably candid, wildly entertaining memoir about the art and business of music.