In A Simple Heart, the poignant story that inspired Julian Barnes's Flaubert's Parrot, Felicite, a French housemaid, approaches a lifetime of servitude with human-scaled but angelic aplomb. No other author has imparted so much beauty and integrity to so modest an existence. Flaubert's "great saint" endures loss after loss by embracing the rich, true rhythms of life: the comfort of domesticity, the solace of the Church, and the depth of memory. This novella showcases Flaubert's perfectly honed realism: a delicate counterpoint of daily events with their psychological repercussions.

    Written between the 1920s and 1950s, these sixty-five tales—eleven of which have been translated into English for the first time—display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers an intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.The Wood-SpriteRussian Spoken HereSoundsWingstrokeGodsA Matter of ChanceThe SeaportRevengeBeneficenceDetails of A SunsetThe ThunderstormLa VenezianaBachmannThe DragonChristmasA Letter That Never Reached RussiaThe FightThe Return of ChorbA Guide to BerlinA Nursery TaleTerrorRazorThe PassengerThe DoorbellAn Affair of HonorThe Christmas StoryThe Potato ElfThe AurelianA Dashing FellowA Bad DayThe Visit to the MuseumA Busy ManTerra IncognitaThe ReunionLips to LipsOracheMusicPerfectionThe Admiralty SpireThe LeonardoIn Memory of L.I. ShigaevThe CircleA Russian BeautyBreaking the NewsTorpid SmokeRecruitingA Slice of LifeSpring in FialtaCloud, Castle, LakeTyrants DestroyedLikMademoiselle OVasiliy ShishkovUltima ThuleSolus RexThe Assistant ProducerThat in Aleppo OnceA Forgotten PoetTime and EbbConversation Piece, 1945Signs and SymbolsFirst LoveScenes From the Life of A Double MonsterThe Vane SistersLance

    In his preface, Andre Maurois writes: "Borges is a great writer who has composed only little essays or short narratives. Yet they suffice for us to call him great because of their wonderful intelligence, their wealth of invention, and their tight, almost mathematical style."Labyrinths is a representative selection of Borges' writing, some forty pieces drawn from various books of his published over the years. The translations are by Harriet de Onis, Anthony Kerrigan, and others, including the editors, who have provided a biographical and critical introduction, as well as an extensive bibliography.

    Although Pakhom enjoys health and family happiness, he feels dissatisfied when he learns of the grand fortunes of his relatives. He decides to go on a quest for more land, only to find that with each new acquisition new problems develop... How Much Land Does A Man Need? gives a delightful insight into old Russian values

    Includes stunning illustrations by Christoph Niemann. "A novelist who writes in a universal language." --The New York TimesIn The Archer we meet Tetsuya, a man once famous for his prodigious gift with a bow and arrow but who has since retired from public life, and the boy who comes searching for him. The boy has many questions, and in answering them Tetsuya illustrates the way of the bow and the tenets of a meaningful life. Paulo Coelho's story suggests that living without a connection between action and soul cannot fulfill, that a life constricted by fear of rejection or failure is not a life worth living. Instead one must take risks, build courage, and embrace the unexpected journey fate has to offer.With the wisdom, generosity, simplicity, and grace that have made him an international best seller, Paulo Coelho provides the framework for a rewarding life: hard work, passion, purpose, thoughtfulness, the willingness to fail, and the urge to make a difference.

    Rich in verbal and situational humour, they offer a fascinating insight into many of the issues which preoccupied Beckett all his working life. As the first novella reveals, nobody writes with quite such cruel and unnervingly clever wit as Beckett...

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    Tolkien's imagination and the breadth of his talent as a creator of fantastic fiction.

    Sagan's second novel tells the story of Dominique, a bored twenty-year-old law student at the Sorbonne in mid-1950's Paris, who embarks on a love affair with a middle-aged man.

    Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.

    in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her first hand experiences in the L.A. cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style.In this bold new translation, Sandra Smith—the celebrated translator of Irene Nemirovsky's Suite Francaise—brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes—nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural—Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard).In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class.The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif."The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft.The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.

    In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.