But Donald Hall's poignant and courageous poetry, facing that dread fact, involves us all: the magnificent, humorous, and gifted woman, Jane Kenyon, who suffered and died; the doctors and nurses who tried but failed to save her; the neighbors, friends, and relatives who grieved for her; the husband who sat by her while she lived and afterward sat in their house alone with his pain, self-pity, and fury; and those of us who till now had nothing to do with it. As Donald Hall writes, "Remembered happiness is agony; so is remembered agony." Without will touch every feeling reader, for everyone has suffered loss and requires the fellowship of elegy. In the earth's oldest poem, when Gilgamesh howls of the death of Enkidu, a grieving reader of our own time may feel a kinship, across the abyss of four thousand years, with a Sumerian king. In Without Donald Hall speaks to us all of grief, as a poet lamenting the death of a poet, as a husband mourning the loss of a wife. Without is Hall's greatest and most honorable achievement -- his give and testimony, his lament and his celebration of loss and of love.

    I can see it now: Dear Diary, As I'm set adrift on this crazy sea called "life" . . . I don't think so.It's been seventy-five days. Amy's sick of her parents suddenly taking an interest in her.And she's really sick of people asking her about Julia. Julia's gone now, and she doesn't want to talk about it. They wouldn't get it, anyway. They wouldn't understand what it feels like to have your best friend ripped away from you.They wouldn't understand what it feels like to know it's your fault.Amy's shrink thinks it would help to start a diary. Instead, Amy starts writing letters to Julia.But as she writes letter after letter, she begins to realize that the past wasn't as perfect as she thought it was—and the present deserves a chance too.

    Told from three perspectives, this novel is for anyone who has been a mother or a daughter.The emotionally riveting debut from longtime journalist Erin Gordon.“This fabulous debut novel is written in the style of Jodi Picoult." Chicklit ClubCheer is "a strong, well-written story with characters who deserve to be heard" and "a testament to the strength of the human condition." Chick Lit Central"I was absolutely totally hooked by this book by the end of the first chapter….I read it in one day unable to put it down.” A Novel Review (book blogger)

    As he shares his own experiences with aging, loss, grief, and fear, Nouwen gently and eloquently reveals the gifts that the living and dying can give to one another.

    After a frenzied 911 call, an ambulance racing across Manhattan, and his ominous hours pacing Bellevue's ER waiting room, the doctor delivers the fateful news. Consumed by his loss, Jonathan desperately tries to pursue life as he always had--teaching writing at Pratt, social engagements, and working on his art--but finds it nearly impossible to admit to anyone, even his beloved daughter Doria, even to himself, just how much he is hurting.And as Jonathan grieves and heals, he must establish exactly what happened to Joy. It is over a year later when he finally finds the courage to return to the hospital and unravel the medical mystery. Written with great warmth and unexpected humor, The Widower's Notebook is the portrait of a marriage, an account of the complexities of finding oneself single again after losing your spouse, and of the enduring power of familial love.

    Stunned and devastated, the family searched for comfort in a time when none seemed possible. Hood - an accomplished novelist - was unable to read or write. She could only reflect on her lost daughter. One day, a friend suggested she learn to knit. Knitting soothed her and gave her something to do. Eventually, she began to read and write again. A semblance of normalcy returned, but grief, in ever new and different forms, still held the family. What they could not know was that comfort would come, and in surprising ways. In Comfort, Hood traces her descent into grief and reveals the people and places where she found hope once again.

    When you've given up, when you least expect it, there it is.What Comes Next and How to Like It is an extraordinarily moving memoir about many things, but at the center is a steadfast friendship between Abigail Thomas and a man she met thirty-five years ago. Through marriages, child-raising, the vicissitudes and tragedies of life, it is this deep, rich bond that has sustained her. Readers who loved the perfectly honed observations of a clear-eyed and witty writer (Newsweek) in Thomas's spare, astonishing (Entertainment Weekly) memoir, A Three Dog Life, will relish this beautiful examination of her life today often solitary, but rich and engaging, with children, grandchildren, dogs, a few suitors, and her longtime best friend.

    The result is a profound vision of the mourning process and a meditation on death's place in our lives, as well as a compilation of sensitive and moving expressions of consolation and condolence. Following the format of Rilke's classic, Letters to a Young Poet, this volume arranges a series of letters to Rilke's mourning friends, composed into a continuous, uninterrupted sequence, showcasing the full range of Rilke's thoughts on finding meaning and, perhaps, some form of comfort in the process of grieving.

    First published a decade ago, it is still the book that motherless daughters of all ages look to for understanding and comfort and that they press into each other's hands. Building on interviews with hundreds of mother-loss survivors, this life-affirming book is now newly expanded to reflect the author's personal experience with the continued legacy of mother loss; now married and a mother of young children herself, Edelman better understands how the effects of mother loss change over time and in light of new relationships. A work of stunning courage and honesty, Motherless Daughters is a must read for the millions of women whose mothers have gone, but whose need for healing, mourning, and mothering remains. It is a timeless classic.

    This new edition includes an all-embracing and incisive afterword that examines the current state of health care and our relationship with life as it approaches its terminus. It also discusses how we can take control of our own final days and those of our loved ones.Shewin Nuland's masterful How We Die is even more relevant than when it was first published.

    With John gone, Diane was indeed “on her own,” coping with the inevitable practical issues and, more important, with the profoundly emotional ones. What to do, how to react, reaching out again into the world—struggling to create a new reality for herself while clinging to memories of the past. Her focus is on her own roller-coaster experiences, but she has also solicited the moving stories of such recently widowed friends as Roger Mudd and Susan Stamberg, which work to expose the reader to a remarkable range of reactions to the death of a spouse. John’s unnecessarily extended death—he begged to be helped to die—culminated in his taking matters into his own hands, simply refusing to take water, food, and medication. His heroic actions spurred Diane into becoming a kind of poster person for the “right to die” movement that is all too slowly taking shape in our country. With the brave determination that has characterized her whole life, she is finding a meaningful new way to contribute to the world. Her book—as practical as it is inspiring—will be a help and a comfort to the recently bereaved, and a beacon of hope about the possibilities that remain to us as we deal with our own approaching mortality.

    What began as the chronicle of an imminent and early death became something much more--a powerful exhortation to the living.That Julie Yip-Williams survived infancy was a miracle. Born blind in Vietnam, she narrowly escaped euthanasia at the hands of her grandmother, only to flee with her family the political upheaval of her country in the late 1970s. Loaded into a rickety boat with three hundred other refugees, Julie made it to Hong Kong and, ultimately, America, where a surgeon at UCLA gave her partial sight. She would go on to become a Harvard-educated lawyer, with a husband, a family, and a life she had once assumed would be impossible. Then, at age thirty-seven, with two little girls at home, Julie was diagnosed with terminal metastatic colon cancer, and a different journey began.The Unwinding of the Miracle is the story of a vigorous life refracted through the prism of imminent death. When she was first diagnosed, Julie Yip-Williams sought clarity and guidance through the experience and, finding none, began to write her way through it--a chronicle that grew beyond her imagining. Motherhood, marriage, the immigrant experience, ambition, love, wanderlust, tennis, fortune-tellers, grief, reincarnation, jealousy, comfort, pain, the marvel of the body in full rebellion--this book is as sprawling and majestic as the life it records. It is inspiring and instructive, delightful and shattering. It is a book of indelible moments, seared deep--an incomparable guide to living vividly by facing hard truths consciously.With humor, bracing honesty, and the cleansing power of well-deployed anger, Julie Yip-Williams set the stage for her lasting legacy and one final miracle: the story of her life.

    So opens the singular testimony of the poet Thomas Lynch who like many poets is inspired by death, but unlike the others, he is also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ears tuned to the indispensable vernaculars of love and grief. Here is the voice of both witness and functionary. Lynch stands between the living and the living who have died with outrage and amazement, awe and calm, straining for the brief glimpse we all get of what mortality means to a vital species.

    As he faced the possibility of death, he found himself awakened to new realities. In the critical days and months that followed, Ramsey came to see the world through the eyes of affliction. He grappled with fear, anger, depression, and loss, and yet he experienced grace through the suffering that filled him with a hope and hunger for the life to come.This profoundly eloquent memoir gives voice to the deepest questions of the human condition. In the midst of pain, we can see glimpses of eternity.

    In its power to touch the heart, to awaken consciousness, [The Tibetan Book of Living and Dying] is an inestimable gift.”—San Francisco Chronicle A newly revised and updated edition of the internationally bestselling spiritual classic, The Tibetan Book of Living and Dying, written by Sogyal Rinpoche, is the ultimate introduction to Tibetan Buddhist wisdom. An enlightening, inspiring, and comforting manual for life and death that the New York Times calls, “The Tibetan equivalent of [Dante’s] The Divine Comedy,” this is the essential work that moved Huston Smith, author of The World’s Religions, to proclaim, “I have encountered no book on the interplay of life and death that is more comprehensive, practical, and wise.”