They symbolize freedom, eternal life, the soul.There’s definitely a dark side to the avian. Birds of prey sometimes kill other birds (the shrike), destroy other birds’ eggs (blue jays), and even have been known to kill small animals (the kea sometimes eats live lambs). And who isn’t disgusted by birds that eat the dead—vultures awaiting their next meal as the life blood flows from the dying. One of our greatest fears is of being eaten by vultures before we’re quite dead.Is it any wonder that with so many interpretations of the avian, that the contributors herein are eager to be transformed or influenced by them? Included in Black Feathers are those obsessed by birds of one type or another. Do they want to become birds or just take on some of the “power” of birds? The presence or absence of birds portends the future. A grieving widow takes comfort in her majestic winged neighbors, who enable her to cope with a predatory relative. An isolated society of women relies on a bird to tell their fortunes. A silent young girl and her pet bird might be the only hope a detective has of tracking down a serial killer in a tourist town. A chatty parrot makes illegal deals with the dying. A troubled man lives in isolation with only one friend for company—a jackdaw.In each of these fictions, you will encounter the dark resonance between the human and avian. You see in yourself the savagery of a predator, the shrewd stalking of a hunter, and you are lured by birds that speak human language, that make beautiful music, that cypher numbers, and seem to have a moral center. You wade into this feathered nightmare, and brave the horror of death, trading your safety and sanity for that which we all seek—the promise of flight.

    Ambrose, bestselling author of Band of Brothers and D-Day, the inspiring story of the ordinary men of the U.S. army in northwest Europe from the day after D-Day until the end of the bitterest days of World War II.In this riveting account, historian Stephen E. Ambrose continues where he left off in his #1 bestseller D-Day. Citizen Soldiers opens at 0001 hours, June 7, 1944, on the Normandy beaches, and ends at 0245 hours, May 7, 1945, with the allied victory. It is biography of the US Army in the European Theater of Operations, and Ambrose again follows the individual characters of this noble, brutal, and tragic war. From the high command down to the ordinary soldier, Ambrose draws on hundreds of interviews to re-create the war experience with startling clarity and immediacy. From the hedgerows of Normandy to the overrunning of Germany, Ambrose tells the real story of World War II from the perspective of the men and women who fought it.

    Brands reshapes our understanding of this fascinating man, and of the Age of Democracy that he ushered in.An orphan at a young age and without formal education or the family lineage of the Founding Fathers, Jackson showed that the Presidency was not the exclusive province of the wealthy and the well-born but could truly be held by a man of the people. On a majestic, sweeping scale Brands re-creates Jackson’s rise from his hardscrabble roots to his days as frontier lawyer, then on to his heroic victory in the Battle of New Orleans, and finally to the White House. Capturing Jackson’s outsized life and deep impact on American history, Brands also explores his controversial actions, from his unapologetic expansionism to the disgraceful Trail of Tears. This is a thrilling portrait, in full, of the president who defined American democracy.

    It features some of the very best short stories and novellas by today's masters of the macabre — including Neil Gaiman, Glen Hirshberg, Tanith Lee, Ramsey Campbell, and Charles Coleman Finlay.Contents: Summer / Al Sarrantonio --Digging deep / Ramsey Campbell --Night watch / John Gordon --Luxury of harm / Christopher Fowler --Sentinels / Mark Samuels --Saffron gatherers / Elizabeth Hand --What nature abhors / Mark Morris --Last reel / Lynda E. Rucker --American dead / Jay Lake --Between the cold moon and the earth / Peter Atkins --Sob in the silence / Gene Wolfe --Continuity error / Nicholas Royle --Dr. Prida's dream-plagued patient / Michael Bishop --Ones we leave behind / Mark Chadbourn --Mine / Joel Lane --Obsequy / David J. Schow --Thrown / Don Tumasonis --Houses under the sea / Caitlín R. Kiernan --They / David Morrell --Clockwork horror / F. Gwynplaine MacIntyre --Making cabinets / Richard Christian Matheson --Pol Pot's beautiful daughter (Fantasy) / Geoff Ryman --Devil's smile / Glen Hirshberg --Man who got off the ghost train / Kim Newman --Necrology: 2006 / Stephen Jones & Kim Newman.

    The works collected in this volume present unflinching portrayals of the cruelty and degradation of slavery while testifying to the African-American struggle for freedom and dignity. They demonstrate the power of the written word to affirm a person's—and a people's—humanity in a society poisoned by racism. Slave Narratives shows how a diverse group of writers challenged the conscience of a nation and, through their expression of anger, pain, sorrow, and courage, laid the foundations of the African-American literary tradition.This volume collects ten works published between 1772 and 1864:Two narratives by James Albert Ukawsaw Gronniosaw (1772) and Olaudah Equiano (1789) recount how they were taken from Africa as children and brought across the Atlantic to British North America.The Confessions of Nat Turner (1831) provides unique insight into the man who led the deadliest slave uprising in American history.The widely read narratives by the fugitive slaves Frederick Douglass (1845), William Wells Brown (1847), and Henry Bibb (1849) strengthened the abolitionist cause by exposing the hypocrisies inherent in a slaveholding society ostensibly dedicated to liberty and Christian morality.The Narrative of Sojourner Truth (1850) describes slavery in the North while expressing the eloquent fervor of a dedicated woman.Running a Thousand Miles for Freedom (1860) tells the story of William and Ellen Craft's subversive and ingenious escape from Georgia to Philadelphia.Incidents in the Life of a Slave Girl (1861) is Harriet Jacobs's complex and moving story of her prolonged resistance to sexual and racial oppression.The narrative of the "trickster" Jacob Green (1864) presents a disturbing story full of wild humor and intense crueltyTogether, these works fuse memory, advocacy, and defiance into a searing collective portrait of American life before emancipation.Slave Narratives contains a chronology of events in the history of slavery, as well as biographical and explanatory notes and an essay on the texts.The editors of this volume are William L. Andrews, E. Maynard Adams Professor of English at the University of North Carolina at Chapel Hill, and Henry Louis Gates Jr., W.E.B. Du Bois Professor of Humanities at Harvard University.

    

    Tuchman distilled the complex interplay of personalities and events into gripping narratives that combine lucid scholarship with elegant literary art. A shrewd portraitist, she laid bare the all-too-human failures of leaders caught in the pull of historical currents and often tragically blinded by biases of culture and temperament.Nowhere are her talents more brilliantly on display than in her Pulitzer Prize–winning bestseller The Guns of August (1962), a riveting account of the outbreak of World War I and the weeks of fighting leading up to the First Battle of the Marne in September 1914. Tuchman dramatizes the diplomatic debacles that precipitated the war and the intransigence of the German and French armies as they dogmatically adhered to their battle plans, with disastrous consequences. Interwoven with her vivid re-creation of the German march through Belgium into France and the fierce fighting on the Eastern Front are astute characterizations of the conflict’s key military and political leaders, among them French General Joseph Joffre, German Kaiser Wilhelm II, and British First Lord of the Admiralty Winston Churchill. The Guns of August can also be read as a cautionary study in the perils of brinksmanship, and Tuchman’s searching observations about the irrational escalation of conflict among states made a deep impression on President John F. Kennedy, who famously drew on the book for insight during the Cuban Missile Crisis. In a deluxe reader’s edition for the first time in more than a generation, The Guns of August is presented here with ten fully restored color maps and sixteen pages of photographs.Some of Tuchman’s finest writing graces her next book, The Proud Tower: A Portrait of the World Before the War, 1890–1914 (1966). She brings to life the disparate worlds of the self-satisfied English aristocracy and the miserable poor whose conditions gave rise to international anarchism; revisits the national madness of the Dreyfus Affair in France; considers the naiveté and cynicism of the varied participants in the international peace conferences at The Hague; mounts a dazzling foray into cultural criticism with a meditation on the operas of Richard Strauss; and creates unforgettable portraits of such political titans as Thomas B. Reed, longtime Speaker of the U.S. House of Representatives, and French Socialist leader Jean Jaurès. Honoring the historian’s ideal to envision life “as it really was,” Tuchman paints a fin-de-siècle world “bursting with new tensions and accumulated energies.” The present volume reproduces the original endpaper illustrations from the first edition of The Proud Tower, plus a thirty-two page insert of illustrations. And as a special coda, it presents “How We Entered World War I,” a 1967 essay that appeared in The New York Times Magazine in which Tuchman explores the genesis of U.S. involvement in the Great War.

    There need be no monsters for us to be terrified in the dark, but if there are, they are just as often human and supernatural. Join us in this outstanding annual exploration of the year's best dark fiction that includes stories of quiet fear, the utterly fantastic, the weirdly surreal, atmospheric noir, mysterious hauntings, seductive nightmares, and frighteningly plausible futures. Featuring thirty-five tales from masterful authors and talented new writers sure to make you reconsider walking in the shadows alone...Instructions for Use • Paula GuranNo Ghosts in London • Helen MarshallFake Plastic Trees • Caitlín R KiernanThe Natural History of Autumn • Jeffrey FordGreat-Grandmother in the Cellar • Peter S. BeagleRenfrew’s Course • John LanganEnd of White • Ekaterina SediaWho is Arvid Pekon? • Karin TidbeckIphigenia in Aulis • Mike CareySlaughterhouse Blues • Tim LebbonEngland Under the White Witch • Theodora GossThe Sea of Trees • Rachel SwirskyThe Man Who Forgot Ray Bradbury • Neil GaimanThe Education of a Witch • Ellen KlagesWelcome to the Reptile House • Stephen Graham JonesGlamour of Madness • Peter BellBigfoot on Campus • Jim ButcherEverything Must Go • Brooke WondersNightside Eye • Terry DowlingEscena de un Asesinato • Robert HoodGood Hunting • Ken LiuGo Home Again • Simon StrantzasThe Bird Country • K. M. FerebeeSinking Among Lilies • Cory SkerryDown in the Valley • Joseph BruchacArmless Maidens of the American West • Genevieve ValentineBlue Lace Agate • Sarah MonetteThe Eyes of Water • Alison LittlewoodThe Tall Grass • Joe R. LansdaleGame • Maria Dahvana HeadleyPearls • Priya SharmaForget You • Marc LaidlawWhen Death Wakes Me to Myself • John ShirleyDahlias • Melanie TemBedtime Stories for Yasmin • Robert ShearmanHand of Glory • Laird Barron

    Morlan, Robert Silverberg, Michael Swanwick, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions —all of which adds up to an invaluable reference source, and a font of fabulous reading.

    Although there was no evidence that the Spanish were responsible, yellow newspapers such as William Randolph Hearst's New York Journal whipped Americans into frenzy by claiming that Spain's "secret infernal machine" had destroyed the battleship. Soon after, the blandly handsome and easily influenced President McKinley declared war, sending troops not only to Cuba but also to the Philippines, Spain's sprawling colony on the other side of the world.As Evan Thomas reveals in his rip-roaring history of those times, the hunger for war had begun years earlier. Depressed by the "closing" of the Western frontier and embracing theories of social Darwinism, a group of warmongers that included a young Teddy Roosevelt and Henry Cabot Lodge agitated loudly and incessantly that the United States exert its influence across the seas. These hawks would transform American foreign policy and, when Teddy ascended to the presidency, commence with a devastating war without reason, concocted within the White House—a bloody conflict that would come at tremendous cost.Thrillingly written and brilliantly researched, THE WAR LOVERS is the story of six men at the center of a transforming event in U.S. history: Roosevelt, Lodge, Hearst, McKinley, William James, and Thomas Reed, and confirms once more than Evan Thomas is a popular historian of the first rank.

    "...a major work by a major writer, a superb re-creation of the twelve crucial months that opened the Civil War."--The New York Times.

    On the ridge five companies of United States cavalry - 262 soldiers, comprising officers and troopers - fought desperately but hopelessly. When the guns fell silent, no soldier - including their commanding officer, Lt Col. George Armstrong Custer - had survived. Custer's Last Stand is among the most enduring events in American history - 130 years after the fact, books continue to be written and people continue to argue about even the most basic details surrounding the Little Bighorn. Evan S. Connell, whom Joyce Carol Oates has described as 'one of our most interesting and intelligent American writers', wrote what continues to be the most reliable - and compulsively readable - account of the subject. Connell makes good use of his research and novelist's eye for story and detail to re-create the heroism, foolishness and savagery of this crucial chapter in the history of the West.

    The rise and fall of Fritz Kuhn and his German-American Bund at the hands of these disparate fighters is a sometimes funny, sometimes harrowing, and always compelling story from start to finish.

    Patriots celebrated their departure and the confirmation of U.S. independence. But for tens of thousands of American loyalists, the British evacuation spelled worry, not jubilation. What would happen to them in the new United States? Would they and their families be safe? Facing grave doubts about their futures, some sixty thousand loyalists—one in forty members of the American population—decided to leave their homes and become refugees elsewhere in the British Empire. They sailed for Britain, for Canada, for Jamaica, and for the Bahamas; some ventured as far as Sierra Leone and India. Wherever they went, the voyage out of America was a fresh beginning, and it carried them into a dynamic if uncertain new world.A groundbreaking history of the revolutionary era, Liberty’s Exiles tells the story of this remarkable global diaspora. Through painstaking archival research and vivid storytelling, award-winning historian Maya Jasanoff re-creates the journeys of ordinary individuals whose lives were overturned by extraordinary events. She tells of refugees like Elizabeth Johnston, a young mother from Georgia, who spent nearly thirty years as a migrant, searching for a home in Britain, Jamaica, and Canada. And of David George, a black preacher born into slavery, who found freedom and faith in the British Empire, and eventually led his followers to seek a new Jerusalem in Sierra Leone. Mohawk leader Joseph Brant resettled his people under British protection in Ontario, while the adventurer William Augustus Bowles tried to shape a loyalist Creek state in Florida. For all these people and more, it was the British Empire—not the United States—that held the promise of “life, liberty, and the pursuit of happiness.” Yet as they dispersed across the empire, the loyalists also carried things from their former homes, revealing an enduring American influence on the wider British world.Ambitious, original, and personality-filled, Liberty’s Exiles is at once an intimate narrative history and a provocative new analysis—a book that explores an unknown dimension of America’s founding to illuminate the meanings of liberty itself.

    annexation of Texas, ended with the military occupation of Mexico City by General Winfield Scott. In the subsequent treaty, the United States gained territory that would become California, Nevada, New Mexico, Arizona, Utah, and parts of Wyoming and Colorado. In this highly readable account, John S.D. Eisenhower provides a comprehensive survey of this frequently overlooked war.