. . . I think we are in the presence of a true spirit.” Poetry lovers agree! Rose has gone on to sell more than eighty thousand copies, and Li-Young Lee has become one of the country’s most beloved poets.Breaking the Alabaster Jar: Conversations with Li-Young Lee is a collection of the best dozen interviews given by Li-Young Lee over the past twenty years. From a twenty-nine-year-old poet prodigy to a seasoned veteran in high demand for readings and appearances across the United States and abroad, these interviews capture Li-Young Lee at various stages of his artistic development. He not only discusses his family’s flight from political oppression in China and Indonesia, but how that journey affected his poetry and the engaging, often painful, insights being raised a cultural outsider in America afforded him. Other topics include spirituality (primarily Christianity and Buddhism) and a wide range of aesthetic topics such as literary influences, his own writing practices, the role of formal and informal education in becoming a writer, and his current life as a famous and highly sought-after American poet.

    Frontiersman and adopted Shawnee, Jeremiah Ring, promises to guide Clare through the wilderness and help her recover Jacob. Once they reach the Shawnees and discover Jeremiah's own Shawnee sister, Rain Crow, has taken custody of Jacob--renaming him Many Sparrows--keeping his promise becomes far more complicated, the consequences more wrenching, than Jeremiah could have foreseen.

    The poems in One Times One have as their theme "oneness and the means (one times one) whereby that oneness is achieved—love," in the words of Cummings's biographer Richard S. Kennedy. Besides new expressions of universal concerns, Cummings writes here in a lyric and optimistic mode, drawing portraits of people dear to him in New Hampshire and New York City's Greenwich Village. This new edition joins other individual uniform Liveright paperback volumes drawn from the Complete Poems, most recently Etcetera and 22 and 50 Poems.

    An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

    (novel-length 320 pages)Hannah's used to giving all of herself and expecting nothing in return. Her career as nurse is thankless and unforgiving, her family is cold and distant, and her ex boyfriend Sloan is a violent and manipulative sociopath. After their breakup she's desperate to move on with her life, willing to do whatever it takes to distance herself from the bruises, fear, and pain of the abusive relationship.The only way Hannah knows to cope is to absorb herself in work, she'll be less likely to give in to Sloan's constant advances if she has no time to herself. Things start to look up when she answers a craigslist ad for a private duty assignment to care for the dying mother of a very wealthy and powerful employer, Lukas Roth.When Hannah shows up for her interview, Lukas realizes that he's made a mistake, he never meant to interview a nurse as young as her—there's no way she could relate to his elderly mother. But as the interview moves along he begins to see something special in Hannah, she's a genuinely beautiful person and she carries herself with a level of confidence and respect that's rare to find. He can't deny his physical attraction to her and perhaps that worries him the most...It's been a long time since he let someone in. After his wife and children were brutally slaughtered in front of him, he vowed to never love another soul, to never be that vulnerable again. In his line of work, softness equals death.He's learned that love is weakness and has no place in the heart of a man who's lost everything.When Hannah takes the job, she and Lukas fall headfirst into a working relationship that quickly becomes less and less—professional. They each carry deep visceral wounds, damaged from the pain of past relationships and horrific tragedies, but neither can deny the intense physical attraction and yearning sexual desire building between them.Can they each allow their own hearts to heal and let raw passion, desire, and love overcome? Will Hannah be able to accept Lukas for all of his flaws, his dark past and even darker present, or will his mysterious life be too disastrous to unravel?

    Fusing family memoir with a meditation on creative block, depression, solitude, class, place and the intractable politics of our present moment, Dan Fox draws upon his experiences as a writer to consider the role that fallow periods and states of impasse play in art and life. LIMBO is an essay about getting by when you can't get along, employing a cast of artists, exiles, ghosts, hermits and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and how these are also crucial to our understanding of inspiration, flow and productivity. From Thomas Aquinas to radical behavioural experiments, from creative constraints to the social horrors of THE TWILIGHT ZONE and Get Out's SUNKEN PLACE, LIMBO argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal.

    It’s the best possible memorial for Zachary Hill and everything he thought was awesome. Tracy and Genesse did a fantastic job finishing this excellent book filled with samurai robots, evil megacorporations, jetpacks, espionage, hacker battles, anime fights, cyber nukes, bullet bikes—all with a badass, headbanging, horn-throwing, stage-diving soundtrack, blessed by the goddess of heavy metal herself. I loved it.”—Larry Correia, NYT bestselling author of HOUSE OF ASSASSINS “A hard-rocking literary mosh pit about a heavy-metal android who becomes both the hero and villain of a brutal cyberpunk thriller. Sakura is loaded with more computers, guns, music, and hard-edged futurism than any five other books working together, and it gives you both barrels straight to the face. STOP HOGGING ALL THE AWESOME, SAKURA; LET THE REST OF US HAVE SOME.”—Dan Wells, NYT bestselling author of BLUESCREEN “Sakura: Intellectual Property lands like a power chord from a world-class rock opera. From the first chapter, we are card-carrying members of the Sakura fan club. The story is tighter than a lead guitarist’s E string and twice as resonant. Any fan of outstanding science fiction will be rocked. Just press ‘play’ on Sakura.”—Michael Darling, #1 Amazon Bestselling Author of GOT LUCK“ Sakura is a myth-tinted, hard-rock Japanese cyberpunk thriller that starts with a bang and gets louder. Full of mystery, mayhem, guitars, and swagger, recommended for readers who like THINGS THAT ARE AWESOME.”—D.J. Butler, author of WITCHY EYE “Heavy metal with hints of Ghost in the Shell, Do Androids Dream of Electric Sheep?, and the Illuminati. It’s a super fun ride.”—Joe Monson, coeditor of TRACE THE STARS “A cybernetic tour de force starring a plucky heavy-metal heroine—in which we find out if music really can save us all.”—Julie Frost, award-winning author of the PACK DYNAMICS series "A stunning book, and not only because of its fast-paced, action-driven story, thrilling plot twists, gorgeous illustrations, and meticulously crafted playlists that engage the readers’ senses in ways other books never could. What makes this volume so exceptional is its capacity to make the readers interrogate both their own humanity and the personhood of others, to delve deep into the different and surprising aspects of being human and experience the wide spectrum of ways in which we show up in the world: imperfect, flawed, and broken, yes, but also brave, glorious, and alive in more ways than one. This work teaches us that the soul is never lost but may be hiding in the most unexpected of places, patiently waiting to be rediscovered and recognized for what it is: a “spiritual electricity,” as Rilke describes it. This is a book not to be missed.——Dr. Masha Shukovich, multiple award winning author “A high-octane story, fueled by rocket-grade heavy metal. Sakura: Intellectual Property tells a high-tech tale of intrigue, action, and rock and roll. The main character, an android/rock star/Manchurian candidate, is written in vivid 3-D. This book is a page-turner from beginning to end. It reads like a full-stack Marshall amplifier. If I could, I would plug my guitar right into this book and shake down the rafters.” —Craig Nybo, author, musician, and creator of CHOPS: THE OFFICIAL GUIDEBOOK TO AN ALTERNATE ROCK AND ROLL UNIVERSE SAKURA is the most famous android rock star of all time.

    Respected and admired for her obvious parenting success, she leads a popular mothers’ group at her church, passing along wisdom gained through years of experience. until she woke up in a mother’s worst nightmare. Then the unthinkable happens. Sixteen-year-old Tristan, the quiet “good girl” of the family, disappears–and the search brings to light unpleasant truths that prompt Serena to question nearly everything she believes about her children, her marriage, and her faith. “Where did we go wrong?” Brokenhearted by her daughter’s behavior and her husband’s angry response, Serena struggles to see God’s hand of grace in their lives. Initially determined to rescue Tristan from whatever trouble she’s in, Serena learns the painful lesson that true strength won’t be found in regaining control of her daughter’s choices but in finally learning when to let go.

    After serial publication in Spirou the complete story was published, along with the Marsupilami short story Touchez pas aux rouges-gorges, in a hardcover album in 1957.

    He's loved her since high school. She's holding on to the past. He's worked hard to overcome his. Brooks knew better than to fall in love with Jaclyn. She's a trust fund kid, and he's from the wrong side of the tracks. Guys like him never end up with girls like her. His head understood the rules. His heart was another story.

    Carly desperately hopes Teddy will take them in and save them from going into foster care—and forgive them for the lies told by their mother.But when the starving girls get caught stealing food on a Native American reservation, their journey gets put on hold. While the girls work off their debt, Carly becomes determined to travel onward—until Jen confesses a terrible secret that leaves both sisters wondering if they can ever trust again.Set against the backdrop of the American Southwest, Walk Me Home and its resilient heroines will inspire readers and renew their faith in recovery and redemption.

    Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

    We at Zoo are eminently pleased to have such a fine book of verse for our inaugural Kenyon Review Prize volume. Fennelly's poems are well poised in their witty and sometime sassy ruminations, often "maximalist" in their scope (see "From L' HUtel Terminus Notebooks") and the pleasure one takes within them is of the rarest breed: it is the pleasure of unexpected revelation. Open House comes introduced by series judge and Kenyon Review poetry editor, David Baker.

    Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark.

    Richard Wilbur explores the philosophical depth of verse more widely noted for its macabre and gothic surfaces and uniquely matches the whole canon of Poe's mature poetry with a judicious selection of essays and stories that illuminate his poetic goals.