Whether it is taking a troublesome cow to be mated with a prime bull; dealing with a rat-infested hayrick; learning the ways and means of maggot farming; or describing the fine art of poaching pheasants using nothing but raisins and sleeping pills, Roald Dahl brings his stories of everyday country folk and their strange passions wonderfully to life. Lacing each tale with dollops of humor and adding a sprinkling of the sinister, Dahl ensures that this short story collection celebrates the sweet mysteries of life."All the stories sparkle with vibrant characters, humorous dialogue, and sly rustic lore and cunning." -- Sunday Express"A sophisticated account of village life. The rural characters are molded by Dahl's dark, inquisitive imagination. Compelling and very funny." -- Time Out

    With language that is both lyrical and distinctly her own, Francesca Lia Block turns nine fairy tales inside out.Escaping the poisoned apple, Snow frees herself from possession to find the truth of love in an unexpected place.A club girl from L.A., awakening from a long sleep to the memories of her past, finally finds release from its curse.And Beauty learns that Beasts can understand more than men.Within these singular, timeless landscapes, the brutal and the magical collide, and the heroine triumphs because of the strength she finds in a pen, a paintbrush, a lover, a friend, a mother, and finally, in herself.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    The kids in "Get Down "are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in "Get Down "are just trying to hold it together. Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the crack and Reagan years, the stories in "Get Down "are antic, poignant, and utterly universal--they'll bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a sparkling new talent, a recent graduate of the Iowa Writers' Workshop whose work has been featured in "Vibe," "Essence," and the anthology "Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts.

    Channeling unexpected, eclectic voices in a collection perfectly suited to readers of Daniyal Mueenuddin, Alice Sebold, and Dave Eggers, Moffett delivers a nuanced, powerful, humorous, and moving meditation on the trials of transitions and liminal living in today’s modern world. Richard Russo says, “the first thing you notice reading the stories in Further Interpretations of Real-Life Events is the author’s extraordinary range—of expertise, technique, imagination and wit. There doesn’t seem to be much Kevin Moffett can’t do.”

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    At the center of the collection is a series of stories narrated by a young American woman in the wake of a divorce; wry and shy but never less than open to the world, she recalls the places and people she has been close to, the dreams she has pursued and those she has left unfulfilled. Interspersed with these intimate first-person stories are stand-alone pieces where the tight focus on the narrator's life gives way to closely observed accounts of the lives of others. A book about belonging, and how much of yourself to give up in the pursuit of that, Cities I've Never Lived In offers stories that reveal, with great sadness and great humor, the ways we are most of all citizens of the places where we cannot be.Cities I've Never Lived In is the second book in Graywolf's collaboration with the literary magazine A Public Space.

    After his exasperated wife, Victoria, leaves him, Ed finds consolation where he has always found it, in his own rich and eccentric imagination. Pursued by the demons of his own obsession, Ed embarks on a quixotic quest to find Victoria. As he prowls the city’s parking garages and motel strips, Ed begins a journey back into his past and is forced – most reluctantly – to confront the web of lies and self-deceptions he has woven to keep reality at bay – until even his fantasies start to turn against him. Keenly observant, humane, and darkly comic, My Present Age is an irresistible story about what happens when an Everyman becomes a casualty of modern life.

    These spare and unsentimental stories display how two very different people -- a tough-minded and tenderhearted woman and an urbane, old-fashioned older man -- fall in love despite their differences, get married, and give birth to a child.8 stories: Frank and Billy French Movie A Little Something Another Marvelous Thing A Country Wedding A Couple of Old Flames [originally titled Old Flames] Swan Song My Mistress

    Yousaf’s last collection of poetry, Sincerely. Struck by inspiration and overwhelmed by the response of dedicated fans, Yousaf wanted to continue this journey in a new collection. While tales of longing, uncertainty, and loss flow through each poem, Yousaf artfully captures the eternal question of how to face pain with courage and quiet resilience.Featuring 140 poems and accompanying illustrations, Serenity is the perfect escape from daily life, helping readers refocus energy and kindness toward themselves and their cherished relationships.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    This collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.

    In the seventeen wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection. In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge; in Dodge City, Kansas, he takes up residence at a roadside hotel and sees, firsthand, the ways in which the racial divide turns neighbor against neighbor. In each instance, Paterniti illuminates the full spectrum of human experience, introducing us to unforgettable everyday people and bygone legends, exploring the big ideas and emotions that move us. Paterniti reenacts François Mitterrand’s last meal in a rustic dining room in France and drives across America with Albert Einstein’s brain in the trunk of his rental car, floating in a Tupperware container. He delves with heartbreaking detail into the aftermath of a plane crash off the coast of Nova Scotia, an earthquake in Haiti, and a tsunami in Japan—and, in searing swirls of language, unearths the complicated, hidden truths these moments of extremity teach us about our ability to endure, and to love. Michael Paterniti has spent the past two decades grappling with some of our most powerful subjects and incomprehensible events, taking an unflinching point of view that seeks to edify as it resists easy answers. At every turn, his work attempts to make sense of both love and loss, and leaves us with a profound sense of what it means to be human. As he writes in the Introduction to this book, “The more we examine the grooves and scars of this life, the more free and complete we become.”

    The car is packed to capacity, and as midnight approaches, a family flees the city in a fit of panic and paranoid, conflicting emotions. The ensuing journey spans decades and offers a sharp-eyed perspective on a hardscrabble future, as a boy jettisons his family and all other ties in order to survive as a journeyman in an uncertain landscape. By turns led by love, larceny, and a new sexual order, he must avoid capture and imprisonment, starvation, pandemic, and some particularly bad weather. In Things We Didn’t See Coming, Steven Amsterdam links together nine luminous narratives through the mind of one peripatetic and resourceful wanderer who always has one eye on the exit door and the other on a future that shifts more drastically and more often than anyone would like to imagine.