D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.

    She's eighteen, works for a tabloid newspaper in Chicago and has a brother, Danny who is a lazy mooch. They live a pretty normal dull life with hippie parents and a normal existence. Then the moon dissapears and people start to go missing only to reappear later, but different. Sherry has an abusive ex-boyfriend who shows up and claims to be one of these beings that have been showing up around the world. He's no longer the same person in that body. He tells her he has come to protect her and her brother and takes her underground, against her will to save her, where they meet others like them. She begins to unravel the truth about Merrick, about what he's really doing here, about the way he looks at her, about the crazy dangerous world they live in. Can he convince her that he's here to help? Will she like what she finds when she opens up to the truth? Will he be the one to love her when everyone else has failed her? Will he be able to protect her?

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

    Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter's teachings—his Bible is their "book of strange new things." But Peter is rattled when Bea's letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea's faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.

    Jean McClellan is in denial—this can't happen here. Not in America. Not to her.This is just the beginning.Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.But this is not the end.For herself, her daughter, and every woman silenced, Jean will reclaim her voice.

    Americans worship their infallible Emperor, and nobody believes that Japan’s conduct in the war was anything but exemplary. Nobody, that is, except the George Washingtons – a shadowy group of rebels fighting for freedom. Their latest subversive tactic is to distribute an illegal video game that asks players to imagine what the world might be like if the United States had won the war instead.   Captain Beniko Ishimura's job is to censor video games, and he's working with Agent Akiko Tsukino of the secret police to get to the bottom of this disturbing new development. But Ishimura's hiding something... He's slowly been discovering that the case of the George Washingtons is more complicated than it seems, and the subversive videogame's origins are even more controversial and dangerous than either of them originally suspected. Part detective story, part brutal alternate history, United States of Japan is a stunning successor to Philip K Dick’s The Man in the High Castle. File under: Science Fiction [ Gamechanger | Area #11 | Robot Wars | Strike Back the Empire ]

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    Millie 942B has spent her entire life locked away with her criminal parents and countless other inmates. She believes in the Nation, in its strict laws and harsh punishments. But when Millie is released on her eighteenth birthday, she finds things are nothing as she was taught. People vanish, never to be seen again. Lies cover every word. Trust is as fragile as ice.And then there is Reed. Born and raised outside the Prison walls, his dreams and thoughts cause Millie to doubt everything she has ever believed. What is truly worth fighting for? If she pushes too hard, she could lose her freedom. If she stays silent, she could lose herself. The clock is ticking, and Millie must find the truth before it is too late.

    It's meant to be a paradise, a place where we are all content. Vulgarity, violence, insanity, and other ills are but a distant memory, and even death no longer plagues us.I was once content too, but now I'm different. Now I hear a voice in my head, and she tells me things no imaginary friend should know. Her name is Phoe, and she is my delusion.Or is she?Note: This book contains some strong language. We felt it was important for the censorship theme of the novel. If such words offend you, you might not enjoy this book.

    He is employed by Freeground station as a port traffic controller, a job he took after completing a tour in the military. His only real joy in life is his participation in true-to-life military simulations with a cadre of friends who come together regularly to defeat challenges made to test the brightest military cadets and officers alike. These restricted scenarios stand as an addictive preoccupation that is so enticing that they ignore the potential repercussions of breaking in to participate. When someone betrays their identities to the Freeground Fleet Admiralty, Jonas and his friends are faced with a far greater challenge: to venture out into the more populated regions of the galaxy to acquire technology and knowledge. They are tasked with laying the groundwork for the Freeground Nation in their efforts to reconnect with the rest of humanity, and to secure the armaments they might need to defend themselves from encroaching enemies. Spinward Fringe Broadcast 0: Origins is a collected trilogy that chronicles the early adventures of an ambitious crew. Their leader, Jonas Valent, has the least to lose and everything to gain as he tells the tale of his first tour as Captain of a ship tasked with making allies and discovering new technologies for the good of his people. This simple mission becomes more complicated as the crew ventures further into the settled fringes of the galaxy. This trilogy spawned the best selling Spinward Fringe eBook series. This is where it all began, when one man was challenged to aspire for more than an idle life. A Space Opera Adventure enjoyed across the globe by all ages.

    Violent crime is a rarity.Hyper-intelligent Jayna is a star performer at top predictive agency Mayhew McCline, where she forecasts economic and social trends. A brilliant mathematical modeler, she far outshines her co-workers, often correcting their work on the quiet. Her latest coup: finding a link between northeasterly winds and violent crime.When a string of events contradicts her forecasts, Jayna suspects she needs more data and better intuition. She needs direct interactions with the rest of society. Bravely—and naively—she sets out to disrupt her strict routine and stumbles unwittingly into a world where her IQ is increasingly irrelevant…a place where human relationships and the complexity of life are difficult for her to decode. And as she experiments with taking risks, she crosses the line into corporate intrigue and disloyalty.Can Jayna confront the question of what it means to live a “normal” life? Or has the possibility of a “normal” life already been eclipsed for everyone?

    Clarke of Last and First Men. This masterpiece of science fiction by British philosopher and writer Olaf Stapledon (1886–1950) is an imaginative, ambitious history of humanity's future that spans billions of years. Together with its follow-up, Star Maker, it is regarded as the standard by which all earlier and later future histories are measured.The protagonist of this compelling novel is humanity itself, stripped down to sheer intelligence. It evolves through the ages: rising to pinnacles of civilization, teetering on the brink of extinction, surviving onslaughts from other planets and a decline in solar energy, and constantly developing new forms, new senses, and new intellectual abilities. From the present to five billion years into the future, this romance of humanity abounds in profound and imaginative thought.

    Among the survivors are eighteen-year-old Nico and her dog, on a voyage devised by Nico's father to find a mythical portal; a young artist named Kit, raised in an old abandoned cinema; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together. As swarms of infected Flies roam the earth, these few survivors navigate the woods of post-apocalyptic New England, meeting others along the way, each on their own quest to find life and love in a world gone dark. The Electric Kingdom is a sweeping exploration of art, storytelling, eternal life, and above all, a testament to the notion that even in an exterminated world, one person might find beauty in another.

    Welcome to the Biodome, where steel, rock and armed guards separate the privileged from the slaves ...Born and raised as a slave in the Pit, Sunny O’Donnell has always accepted that she'll spend her life working to keep the Dome running and, if she lives long enough, willingly meet her end in the annual Cull when she reaches the age of thirty-five. This was the price her ancestors paid for their place inside the Biodome, the only haven from the global nuclear war of 2024. But when Sunny’s mother is killed in the Cull, the hopeless reality of her existence becomes painfully clear. Bereft and disillusioned, she heads down a reckless path that sets off a riot in the Pit and leaves her accused of treason. Her only way of escaping public execution is to make a truce with her prison mate, who happens to be the heir to the dictatorship and hated enemy of the Pit. Now caught between two worlds on the brink of war, Sunny must weigh her own survival against risking everything to save the Pit. S.M. McEachern delivers the action and adventure of The Hunger Games, the intrigue of The City of Ember", and the romantic philosophical notes of Les Misérables in her debut novel set in a future that is disturbingly plausible.

    It’s a quiet life, until a local eccentric known as Spooky Ed shows up on their doorstep.Ed entrusts Jeffy with hiding a strange and dangerous object—something he calls “the key to everything”—and tells Jeffy that he must never use the device. But after a visit from a group of ominous men, Jeffy and Amity find themselves accidentally activating the key and discovering an extraordinary truth. The device allows them to jump between parallel planes at once familiar and bizarre, wondrous and terrifying. And Jeffy and Amity can’t help but wonder, could Michelle be just a click away?Jeffy and Amity aren’t the only ones interested in the device. A man with a dark purpose is in pursuit, determined to use its grand potential for profound evil. Unless Amity and Jeffy can outwit him, the place they call home may never be safe again.