When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    The story is a simple one but the overtones are immediately present. "Natalie Waite who was seventeen years old but who felt that she had been truly conscious only since she was about fifteen lived in an odd corner of a world of sound and sight, past the daily voices of her father and mother and their incomprehensible actions." In a few graphic pages, the family is before us—Arnold Waite, a writer, egotistical and embittered; his wife, the complaining martyr; Bud, the younger brother who has not yet felt the need to establish his independence; and Natalie, in the nightmare of being seventeen. The Sunday afternoon cocktail party, to which Arnold Waite has invited his literary friends and neighbors, serves to etch in the details of this family's life, and to draw Natalie into the vortex. The story concentrates on the next few critical months in Natalie's life, away at college, where each experience reproduces on a larger scale the crucial failure of her emotional life at home. With a mounting tension rising from character and situation as well as the particular magic of which Miss Jackson is master, the novel proceeds inexorably to the stinging melodrama of its conclusion. The bitter cruelty of the passage from adolescence to womanhood, of a sensitive and lonely girl caught in a world not of her own devising, is a theme well suited to Miss Jackson's brilliant talent.

    He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. He hoped it wouldn’t end like this, not for him.Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the homicide detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake. Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men.

    Armentrout delivers the unforgettable story of a woman whose new life has just begun—but may end in murder...  Julia Hughes has always played it safe until she learned a very painful lesson. Now Julia’s starting over with a job in the Louisiana bayou—and a scorching encounter with a stranger, only to discover he’s Lucian de Vincent... her new employer. The de Vincent brothers share a massive fortune and a dark reputation. Julia cares for their troubled sister, but a menacing presence in the mansion—and the ever-present temptation of Lucian—prove dangerously distracting.Lucian’s grandmother claimed de Vincent men fall in love once—and hard. Apparently, it’s Lucian’s turn. Julia’s compassionate care of his twin makes Lucian want to lay himself bare. But some secrets are better for Julia not to know.The recent “suicide” of Lucian’s father is the latest in a string of deaths on the estate. Someone is eliminating the de Vincents. And the best way to get to Lucian may be through Julia...

    Ellison’s pulse-pounding new psychological thriller examines the tenuous bonds of friendship, the power of lies and the desperate lengths people will go to in order to protect their secrets.Goode girls don’t lie…Perched atop a hill in the tiny town of Marchburg, Virginia, The Goode School is a prestigious prep school known as a Silent Ivy. The boarding school of choice for daughters of the rich and influential, it accepts only the best and the brightest. Its elite status, long-held traditions and honor code are ideal for preparing exceptional young women for brilliant futures at Ivy League universities and beyond.But a stranger has come to Goode, and this ivy has turned poisonous.In a world where appearances are everything, as long as students pretend to follow the rules, no one questions the cruelties of the secret societies or the dubious behavior of the privileged young women who expect to get away with murder.When a popular student is found dead, the truth cannot be ignored. Rumors suggest she was struggling with a secret that drove her to suicide.But look closely…because there are truths and there are lies, and then there is everything that really happened.Don’t miss this fast-paced suspense story from New York Times bestselling author J.T. Ellison!

    His arrival causes cheeks to flush and arms to fold in disapproval. No one in the village - living or dead - will tell what happened to the teenage mother who abandoned him as a baby, despite Mahony's certainty that more than one of them has answers. Between Mulderrig’s sly priest, its pitiless nurse and the caustic elderly actress throwing herself into her final village play, this beautiful and darkly comic debut novel creates an unforgettable world of mystery, bloody violence and buried secrets.