The Bee Gees is the epic family saga of brothers Barry, Robin, and Maurice Gibb, and it's riddled with astonishing highs—especially as they became the definitive band of the disco era, fueled by Saturday Night Fever and crashing lows, including the tragic drug-fueled downfall of youngest brother, Andy. In recent years, a whole new generation of fans has rediscovered the undeniable grooves and harmonies that made the Bee Gees and songs like Stayin' Alive, How Deep is Your Love, To Love Somebody, and I Started a Joke timeless.

    As musicians across Canada prepare for the nation's biggest folk festival, held on Toronto Island, a series of events unfold that will transform the country politically, psychologically--and musically. As Bidini explores the remarkable week leading up to Mariposa, he also explores the life and times of one of the most enigmatic figures in Canadian music: Gordon Lightfoot, the reigning king of folk at the height of his career. Through a series of letters, Bidini addresses Lightfoot directly, questioning him, imagining his life, and weaving together a fascinating, highly original look at a musician at the top of his game. By the end of the week, the country is on the verge of massive change and the '72 Mariposa folk fest--complete with surprise appearances by Bob Dylan, Neil Young, Joni Mitchell, and yes, Lightfoot--is on its way to becoming legendary.

    When Stuart sends Fiona a pair of crusty old boots and a declaration of love 16 days into their fledgling relationship, it's the start of a love story that endures – in spite of distance, the strain of Stuart's cotton farm entering its fourth year of drought, and Fiona's issues with commitment.Something's got to give, and eventually Fiona makes the life-changing decision to move from her comfortable Sydney life to Stuart's farm where the nearest township is Jandowae, population 700.Here, Fiona must become accustomed to snakes on the doorstep, frogs in the toilet, feral cats in the roof, and the perils of the bush telegraph. Gradually, she begins to love her life on the land and finds the courage to face her fears. But as Stuart struggles to balance environmental and commercial realities, she realises that farming isn't quite as simple as she first imagined. Ultimately, Fiona has to learn how to cope with the devastating impact of the drought that grips the countryside, and what it means for Stuart, the farm and their future together.Love in the Age of Drought is a delightful fish-out-of-water story about the city/rural culture clash overcome by the course of true love. Written with heart and humour, it's also a moving tribute to country Australia's strength and capacity for survival and renewal amid a drought that won't be broken.

    Poetry can have both a rhyme and a rhythm. Sometimes it is obvious; sometimes it is hidden. But either way, make no mistake, poetry is as vibrant and exciting as it gets. And when you find yourself clapping your hands or tapping your feet, you know you've found poetry with a beat!Like Poetry Speaks to Children, the New York Times Bestselling classic poetry book and CD that started it all, Hip Hop Speaks to Children is meant to be the beginning of a journey of discovery. READ more than 50 remarkable poems and songs!HEAR poetry's rhymes and rhythms from Queen Latifah to Gwendolyn Brooks, Langston Hughes to A Tribe Called Quest and more!Book Details: Format: Book+CD Publication Date: 10/1/2008 Pages: 80 Reading Level: Age 8 and Up

    She sang before she talked and learned to play piano at a very young age. With the support of her family and community, she received music lessons that introduced her to classical composers like Bach who remained with her and influenced her music throughout her life. She loved the way his music began softly and then tumbled to thunder, like her mother's preaching, and in much the same way as her career. During her first performances under the name of Nina Simone her voice was rich and sweet but as the Civil Rights Movement gained steam, Nina's voice soon became a thunderous roar as she raised her voice in powerful protest in the fight against racial inequality and discrimination.

    From singing karaoke in local pubs to a live performance with an eighty-piece orchestra in Japan’s legendary Budokan Arena and a record-breaking debut album, Susan Boyle has become an international superstar. This astonishing transformation has not always been easy for her, faced with all the trappings of celebrity, but in the whirlwind of attention and expectation, she has always found calm and clarity in music. Susan was born to sing. Now, for the first time, she tells the story of her life and the challenges she has struggled to overcome with faith, fortitude, and an unfailing sense of humor.

    Along the way, she details the struggles in her life, such as the pressure to support her family as a teenager, divorcing Lachey, enduring what she describes as an emotionally abusive relationship with musician John Mayer, being body-shamed in an overly appearance-centered industry, and going through bouts of heavy drinking. But Simpson ends on a positive note, discussing her billion-dollar apparel line and marriage with professional football star Eric Johnson, with whom she has three children.

    Dre, co-founded the notorious rap group N.W.A. The group was one of the most successful hip-hop groups of the late 1980s and, most importantly, started what the media quickly dubbed Gangsta Rap. His departure from N.W.A. was a story right out of a pulp fiction novel. His new mentor, Suge Knight, allegedly used guns, baseball bats and a kidnap threat to get Dr. Dre released from his contract. Dre and Knight went on to build Death Row Records and turned it into a multi-billlion dollar company. Yet despite its unprecedented success with stars such as Snoop Doggy Dogg and Tupac Shakur, the company quickly unraveled in a firestorm of rivalries, greed, violence, and scrutiny by both the government and the media. Not one to fade into the background, Dr. Dre's next move was to start his own record company, Aftermath Entertainment. As CEO, he discovered and created new stars like Eminem, 50 Cent, The Game, and Eve. In this essential addition to any music section, award-winning author Ronin Ro details the rise, fall, and resurrection of one of the biggest names in rap music.

    Their first album, the landmark In the Court of the Crimson King, co-produced by Greg, featured the iconic song '21st Century Schizoid Man'. King Crimson pioneered progressive rock and paved the way for many famous bands that followed, from Yes and Genesis to the Red Hot Chilli Peppers.In 1970 Greg met fellow legend Keith Emerson during a North American tour; the two shared common bonds: European musical influences and a desire to reinterpret classical works while creating a new musical genre. After being introduced to drummer Carl Palmer, they formed the first progressive rock supergroup Emerson, Lake and Palmer.To date ELP has sold over 50 million records. Lake produced Emerson, Lake & Palmer, Tarkus, Pictures at an Exhibition, Trilogy, Brain Salad Surgery, Works Vol. 1 and 2, and two different live albums. All went platinum and featured a series of hit singles, most written and all sung by Lake. The three created a unique live theatrical performance which featured Emerson attacking his keyboards with knives, Palmer playing a 2.5 ton stainless steel kit and Lake performing on a £6,000 Persian rug which had its own roadie. One of their very first performances was at the historic Isle of Wight Festival in 1970 and they went on to headline California Jam, one of the biggest concerts of the 1970s, attended by 350,000 people.Probably the voice of his generation, Greg fronted the greatest rock supergroup of the 1970s but never held with the 'progressive' tag that attached itself to both the music and the excess. Lucky Man not only charts the highs and lows of a career in rock music but also reflects on the death of Keith Emerson last year, living with terminal cancer and the end of life. Greg can best be summed up by his now-famous line: 'Material wealth is a very fleeting pleasure ... when you can buy anything you want and do anything you want, you soon discover that you actually don't want any of it.'

    Peter discovered the Grateful Dead in 1985, at the age of 15, through friends who exchanged bootleg tapes of live Grateful Dead concerts. A teenager living in the suburbs of Rochester, New York, he became exposed to an entirely new way of life, and friends who were enjoying more freedom and less parental guidance. At the age of 16, he attended his first Grateful Dead concert on June 30, 1987 - he was hooked. Between 1987 and 1995, Conners would attend Dead 'shows' all over the United States. He traveled with a makeshift 'family' of other Deadheads in a Volkswagen camper, selling drugs and whatever else would provide gas money to the next concert. His hair was a wild, unkempt bush and baths were infrequent. In short, he had progressed from suburban kid, to Grateful Dead fan, to full-blown Deadhead. Chronicling this progression, which culminates with the 1995 death of Jerry Garcia, Conners reveals the truth behind Deadhead culture and history. The result is a riveting insight into the obsessive fandom that made The Grateful Dead the most successful touring band of all time, as well as a cultural phenomenon.

    For the two years leading up to his murder, Ivers had hosted the underground but increasingly popular LA-based music and sketch-comedy cable show New Wave Theatre.The late '70s through early '80s was an explosive time for pop culture: Saturday Night Live and National Lampoon were leading a comedy renaissance, while punk rock and new wave were turning the music world on its head. New Wave Theatre brought together for the first time comedians-turned-Hollywood players like John Belushi, Chevy Chase, and Harold Ramis with West Coast punk rockers Black Flag, the Dead Kennedys, Fear, and others, thus transforming music and comedy forever. The show was a jubilant, chaotic punk-experimental-comedy cabaret, and Ivers was its charismatic leader and muse. He was, in fact, the only person with the vision, the generosity of spirit, and the myriad of talented friends to bring together these two very different but equally influential worlds, and with his death the improbable and electric union of punk and comedy came to an end.The magnetic, impishly brilliant Ivers was a respected musician and composer (in addition to several albums, he wrote the music for the centerpiece song of David Lynch's cult classic Eraserhead) whose sublime and bizarre creativity was evident in everything he did. He was surrounded by people who loved him, many of them luminaries: his best friend from his Harvard days was Doug Kenney, founder of National Lampoon; he was also close to Harold Ramis and John Belushi. Upon his death, Ivers was just beginning to get mainstream recognition.In Heaven Everything Is Fine is the first book to explore both the fertile, gritty scene that began and ended with New Wave Theatre and the life and death of its guiding spirit. Josh Frank, author of Fool the World: The Oral History of a Band Called Pixies, interviewed hundreds of people from Ivers's circle, including Jello Biafra, Stockard Channing, and David Lynch, and we hear in their own words about Ivers and the marvelous world he inhabited. He also spoke with the Los Angeles Police Department about Ivers's still-unsolved murder, and, as a result of his research, the Cold Case Unit has reopened the investigation. In Heaven Everything Is Fine is a riveting account of a gifted artist, his tragic death, and a little-known yet crucial chapter in American pop history.

    Now: actress, single working mother of teenage rock star, and weight-loss inspiration to millions. We all knew and loved Valerie Bertinelli years ago when she played girl-next-door cutie Barbara Cooper in the hit TV show "One Day at a Time," and then starred in numerous TV movies. From wholesome primetime in America's living rooms, Valerie moved to late nights with the hardest-partying band of the decadent eighties when she became, at twenty, wife to rock guitarist Eddie Van Halen. Losing It is Valerie's frank account of her life backstage and in the spotlight. Here are the ups and downs of teen stardom, of her complicated marriage to a brilliant, tormented musical genius, and of her very public struggle with her weight.

    He made the run every fortnight and was a lifeline to the isolated settlements and stations along the way, delivering everything from letters to essential supplies.

    By experimenting with new concepts of time, integrating Eastern philosophies into Western music, and exploring multiphonics and other new sounds on his saxophone, he opened avenues of expression that influenced musicians and composers from jazz to rock to avant-garde.Bill Cole focuses on two aspects of John Coltrane in this provocative study: Coltrane the musician and Coltrane the religious person. Deeply interrelated, both aspects are bound up with Coltrane's identification as an African- American. Coltrane accepted the traditional African belief in the magical powers of sound and connected his music to its African roots via a devout religiosity. Cole shows how Coltrane's influences extended from tribal tone languages to speeches by Martin Luther King, Jr. -- he even adapted King's rhythmic inflections into a saxophone solo.Bill Cole offers a lengthy musical analysis of Coltrane's career; it also includes a detailed discography with recording data and personnel and over two dozen photographs. Cole draws on quotes from Coltrane himself, transcriptions of his improvisations, analyses of his music, research into West African religion, and his own personal reminiscences of the man, to offer a stimulating perspective on Coltrane's music, life, and thought.

    Cynical Idealist reveals, for the first time, the spiritual odyssey of this extraordinary man. Out of a turbulent life, from his troubled, working-class childhood throughout his many roles -- Beatle, peace advocate, social activist, househusband -- Lennon managed to fashion a philosophy that elevates the human spirit and encourages people to work, individually and collectively, toward a better world. Like Socrates, Lennon wanted to stimulate people to think for themselves. "There ain't no guru who can see through your eyes," he sings in "I Found Out." Cynical Idealist beautifully articulates this and the other lessons John Lennon passed along through his songs and through the example of his life.