Morlan, Robert Silverberg, Michael Swanwick, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions —all of which adds up to an invaluable reference source, and a font of fabulous reading.

    As everyone knows, he is a specialist in the macabre and bizarre. Askes to explain his approach to fictional crime, he wrote:"The blunt instrument, the gang murder, the paid assassin have always seemed to me positively indelicate. Murder is a fine art and needs the embellishment of a sophisticated imagination. The true aficionado prefers to have his nerves ruffled by the implied thread--the Borgias rather than the Syndicate. What is more delightful than a domestic crime, when it is executed with subtlety and imagination? I leave to other more pedestrian talents materials based on newspaper accounts. True crimes, ugh! Alas, most of them are dull and give no evidence of the careful planning and loving thought that should go into any human activity as rewarding as murder."

    This revised edition now includes entries from Bram Stoker's recently discovered diaries, the amazing tale of Nicolae Ceausescu's attempt to make Vlad a national hero, and an examination of recent adaptations in fiction, stage and screen.

    He traces how the press depicted the murder of men by other men from the end of World War I to the Stonewall era, when gay men came to be seen as a class both historically victimized and increasingly visible.Indecent Advances tells the story of how homosexuals were criminalized in the popular imagination—from the sex panics of the 1930s, to Kinsey study of male homosexuality of the 1940s, and the Cold War panic of Communists and homosexuals in government. Polchin illustrates the vital role crime stories played in circulating ideas of normalcy and deviancy, and how those stories were used as tools to discriminate and harm the gay men who were observers and victims of crime. More importantly, Polchin shows how this discrimination was ultimately transformed by activists to help shape the burgeoning gay rights movement in the years leading up to Stonewall Riots of 1968.A cast of noted public figures—Leopold & Loeb, J Edgar Hoover, Alfred Kinsey, Jack Kerouac, William Burroughs, Patricia Highsmith, James Baldwin, and Gore Vidal—is threaded through this complex subject. Politicians, law enforcement officials, and psychologists weigh in to explain the dangerous relationship between homosexuality and violence.

    Morlan, Robert Silverberg, Michael Swanwick, Jane Yolen, and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions-all of which adds up to an invaluable reference source, and a font of fabulous reading.

    A dramatic series that captures, culture by culture, the information that never makes it into the history books: strange stories, mystic rites, angry gods, vision quests.

    From the earliest whispers of eternal evil in ancient Mesopotamia, Greece, and Rome, vampire tales flourished through the centuries and around the globe, fueled by superstition, sexual mystery, fear of disease and death, and the nagging anxiety that demons lurk everywhere.In Vampire Forensics, Mark Jenkins probes vampire legend to tease out the historical truths enshrined in the tales of terror: sherds of Persian pottery depicting blood-sucking demons; the amazing recent discovery by National Geographic archaeologist Matteo Borrini of a 16th-century Venetian grave of a plague victim and suspected vampire; and the Transylvanian castle of "Vlad the Impaler," whose bloodthirsty cruelty remains unsurpassed.Jenkins navigates centuries of lore and legend, adding new chapters to the chronicle and weaving an irresistibly seductive blend of superstition, psychology, and science sure to engross everyone from Anne Rice's countless readers to serious students of archaeology and mythology.

    Now, Marvel collects the first 15 issues of the classic, spooky series--plus Werewolf by Night #15 and Giant-Size Chillers #1.Featuring the first appearance of Blade, the Vampire-Slayer! Plus: Dracula vs. Werewolf by Night--two of Marvel's most macabre super-stars in a battle of the monsters!

    

    Bad television--predictable, commercial, exploitative--simply yields to the forces. Good television, like the character of Buffy the Vampire Slayer, fights them. Fighting the Forces explores the struggle to create meaning in an impressive example of popular culture, the television series phenomenon Buffy the Vampire Slayer. In the essays collected here, contributors examine the series using a variety of techniques and viewpoints. They analyze the social and cultural issues implicit in the series and place it in its literary context, not only by examining its literary influences (from German liebestod to Huckleberry Finn) but also by exploring the series' purposeful literary allusions. Furthermore, the book explores the extratextual, such as fanfiction and online discussion groups. The book is additionally supplemented by an online journal Slayage (www.slayage.tv), created by the book editors in acknowledgement of the ongoing nature of television art. Rhonda V. Wilcox and David Lavery have written and edited several books and articles exploring the social, literary, and artistic merit of quality television. In addition to Buffy the Vampire Slayer, their work has covered a variety of programs including Twin Peaks, Northern Exposure, The X-Files, and The Sopranos.

    Biographer and novelist Richard Francis looks at the familiar drama with fresh eyes, grasping the true significance of this cataclysm through the personal story of Samuel Sewall, New England Puritan, Salem trial judge, antislavery agitator, defender of Native American rights, utopian theorist, campaigner against periwigs, family man, gallant wooer.Sewall's life encompassed the tensions that faced the second-generation colonists, caught between the staunch conservatism of the Puritans and the possibilities their new world offered. Everywhere there was conflict, schism, and violence; the new Americans were pitted against the Native Americans, whose pagan ways terrified them, and a hostile mother country intent on imposing her control over the colony. Out of the struggle to maintain unity emerged the forces that drove the Salem tragedy. For the first time, Francis reveals the nature and scale of the threat the authorities believed they were facing.Five guilt-wracked years after pronouncing judgment at the trials, Sewall walked into his church in Boston and recanted the guilty verdicts, praying for forgiveness. This extraordinary act not only proved a turning point for Sewall, it marked the moment when modern American values and attitudes came into being -- the shift from an almost medieval and allegorical view of good and evil to a respect for the mysteries of the human heart.Drawing on Sewall's copious diaries, Francis enables us to see the early colonists not as grim ideologues but as flesh and blood idealists, striving for a new society while coming to terms with the desires and imperfections of ordinary life. Through this unsung hero of conscience, we gain access to the first lost frontier of the New World.

    Visit places where one might expect to find the dark — in a house where love was shared and lost, a milky-white pool in an Australian cave, the trenches of World War I, the deep woods. You would not be surprised to find the dark in a cheap apartment on the wrong side of town, down mean streets, under a gallows-tree, along dank passageways, trapped underground, in the near future, or among the mysteries of old New Orleans. Dunes, lakes, isolated cabins, old books, and Old West saloons — well, the darkness might easily be there. But we've also found locales you thought were safe from shadows — a rib joint with good blues playing, inside an old wardrobe, on a baseball diamond, the Beverly Wilshire Hotel...Travel into the best dark fantasy and horror from 2011 with more than five-hundred pages of tales from some of today's best-known writers of the fantastique as well as new talents — stories that will take you to a diverse assortment of dark placesContents Hair • (2011) • shortstory by Joan AikenRakshasi • (2011) • shortfiction by Kelley ArmstrongWalls of Paper, Soft as Skin • (2011) • shortstory by Adam CallawayThe Lake • (2011) • shortfiction by Tananarive DueTell Me I'll See You Again • (2011) • shortstory by Dennis EtchisonKing Death • (2011) • shortfiction by Paul FinchThe Last Triangle • (2011) • shortfiction by Jeffrey FordNear Zennor • (2011) • novella by Elizabeth HandCrossroads • (2011) • shortstory by Laura Anne GilmanAfter-Words • (2011) • novelette by Glen HirshbergRocket Man • (2011) • shortfiction by Stephen Graham JonesThe Maltese Unicorn • (2011) • shortfiction by Caitlín R. KiernanThe Dune • (2011) • shortfiction by Stephen KingCatastrophic Disruption of the Head • (2011) • shortfiction by Margo LanaganThe Bleeding Shadow • (2011) • shortfiction by Joe R. LansdaleWhy Light? • (2011) • novelette by Tanith LeeConservation of Shadows • (2011) • shortstory by Yoon Ha LeeA Tangle of Green Men • [Chronicles of the Borderlands] • (2011) • novella by Charles de LintAfter the Apocalypse • (2012) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Why Do You Linger? • (2011) • shortfiction by Sarah MonetteLord Dunsany's Teapot • (2011) • shortstory by Naomi NovikMysteries of the Old Quarter • (2011) • novelette by Paul ParkVampire Lake • (2011) • shortfiction by Norman PartridgeA Journey of Only Two Paces • (2011) • shortstory by Tim PowersFour Legs in the Morning • (2011) • shortfiction by Norman PrentissThe Fox Maiden • (2011) • shortfiction by Priya SharmaTime and Tide • (2011) • shortstory by Alan Ryan [as by Alan Peter Ryan ]Sun Falls • (2011) • shortstory by Angela SlatterStill • (2011) • shortfiction by Tia V. TravisObjects in Dreams May Be Closer Than They Appear • (2011) • shortstory by Lisa TuttleThe Bread We Eat in Dreams • (2011) • shortstory by Catherynne M. ValenteAll You Can Do Is Breathe • (2011) • shortstory by Kaaron WarrenJosh • (2011) • shortfiction by Gene Wolfe

    From goblins and fairies to dragons and Dracula, this encyclopedia covers them all with sparkling, readable text and stunning illustrations. Discover how the magic of stories throughout the centuries has kept these creatures alive in traditions and cultures around the world. Using a highly visual approach, featuring more than 400 photographs and illustrations, this book will introduce readers to each fantasy character within its habitat and genre. Cross-reference boxes direct readers to popular books and movies starring these fantastical creatures. This is a must-have for any fantasy enthusiast!

    Lansdale, Tanith Lee, and Gene Wolfe, and bestsellers such as Holly Black, Neil Gaiman, and Sarah Langan. Includes a 36,000 word novella by George R.R. Martin set in his A Song of Fire and Ice universe.Contents How Bria Died • (2009) • shortstory by Michael AronovitzOaks Park • (2010) • shortfiction by M. K. HobsonHurt Me • (2010) • shortfiction by Daniel Abraham [as by M. L. N. Hanover ]He Said, Laughing • (2010) • shortstory by Simon R. GreenThe Thing About Cassandra • (2010) • shortfiction by Neil GaimanTragic Life Stories • (2010) • shortfiction by Steve DuffyThe Dog King • (2010) • shortstory by Holly BlackThimbleriggery and Fledglings • (2010) • shortfiction by Steve BermanThe Broadsword • (2010) • novella by Laird BarronFrumpy Little Beat Girl • shortfiction by Peter AtkinsCrawlspace • (2010) • shortfiction by Stephen Graham JonesAs Red as Red • (2010) • shortfiction by Caitlín R. KiernanMother Urban's Booke of Dayes • (2010) • shortstory by Jay LakeA Thousand Flowers • (2010) • novelette by Margo LanaganAre You Trying To Tell Me This Is Heaven? • (2010) • shortstory by Sarah LanganThe Stars Are Falling • (2010) • novelette by Joe R. LansdaleSea Warg • (2010) • shortfiction by Tanith LeeThe Mystery Knight: A Tale of the Seven Kingdoms • [Dunk and Egg • 3] • (2010) • novella by George R. R. MartinThe Naturalist • (2010) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Raise Your Hand If You're Dead • (2010) • shortstory by John ShirleyLesser Demons • (2010) • novelette by Norman PartridgeParallel Lines • (2010) • shortstory by Tim PowersThe Moon Will Look Strange • (2010) • shortstory by Lynda E. RuckerYou Dream • (2010) • shortstory by Ekaterina SediaRed Blues • (2010) • shortfiction by Michael SkeetBrisneyland by Night • (2010) • shortstory by Angela SlatterMalleus, Incus, Stapes • (2010) • shortfiction by Sarah TottonThe Return • (2010) • shortfiction by S. D. TullisThe Dire Wolf • (2010) • shortfiction by Genevieve ValentineThe Things • (2010) • shortstory by Peter WattsBloodsport • (2010) • shortfiction by Gene Wolfe

    However, more than just "tales," this city of mystery has spawned numerous paranormal investigations and drawn countless ghost hunters to its ancient streets. Additionally, New Orleans also has the reputation of being the most vampirically active city in the country. In 1994, native New Orleanian Sidney Smith created HAUNTED HISTORY TOURS, a company dedicated to studying and touring properties alleged to be haunted. The results of many years of research have led to the creation of this body of work. First printed in 1997, the book is the most definitive to date on hauntings and vampire activity in New Orleans. Kalila Smith is the author and principal researcher of the material within these pages and is the founder of the New Orleans Paranormal and Occult Research Society. Kalila has been interviewed many times by the History Channel, Travel Channel, Discovery, Fox News, Sci Fi, MTV, CNN and more. Additionally, Haunted History Tours has been recommended by the Travel Channel as "The #1 Tour in New Orleans!" In addition, MTV called the tour... "a must do...an event not to miss!"