The museums, the cafs, the parks. An artist like Lucy can really enjoy Paris in January. If only she can stop griping at her mother. This comic journal details a mother and daughters month-long stay in a small apartment in the fifth arrondissement. Lucy is grappling with the onslaught of adulthood. Her mother faces fifty. They are both dealing with their shifting relationship. All the while, they navigate Paris with halting French and dog-eared guidebooks.

    Susan Cheever's latest work, however, brings new life to the well-known literary personages who produced such cherished works as "The Scarlet Letter, Moby-Dick, Walden," and "Little Women." Rendering in full color the tumultuous, often scandalous lives of these volatile and vulnerable geniuses, Cheever's dynamic narrative reminds us that, while these literary heroes now seem secure of their spots in the canon, they were once considered avant-garde, bohemian types, at odds with the establishment. These remarkable men and women were so improbably concentrated in placid Concord, Massachusetts, that Henry James referred to the town as the "biggest little place in America." Among the host of luminaries who floated in and out of Concord's "American Bloomsbury" as satellites of the venerable intellect and prodigious fortune of Ralph Waldo Emerson were Henry David Thoreau -- perpetual second to his mentor in both love and career; Louisa May Alcott -- dreamy girl and ambitious spinster; Nathaniel Hawthorne -- dilettante and cad; and Margaret Fuller -- glamorous editor and foreign correspondent.Perhaps inevitably, given the smallness of the place and the idiosyncrasies of its residents, the members of the prestigious circle became both intellectually and romantically entangled: Thoreau serenaded an infatuated Louisa on his flute. Vying with Hawthorne for Fuller's attention, Emerson wrote the fiery feminist love letters while she resided (yards away from his wife) in his guest room. Herman Melville was, according to some, ultimately driven mad by his consuming and unrequited affection for Hawthorne.Far from typically Victorian, this group of intellectuals, like their British Bloomsbury counterparts to whom the title refers, not only questioned established literary forms, but also resisted old moral and social strictures. Thoreau, of course, famously retreated to a plot of land on Walden Pond to escape capitalism, pick berries, and ponder nature. More shocking was the group's ambivalence toward the institution of marriage. Inclined to bend the rules of its bonds, many of its members spent time at the notorious commune, Brook Farm, and because liberal theories could not entirely guarantee against jealousy, the tension of real or imagined infidelities was always near the surface. Susan Cheever reacquaints us with the sexy, subversive side of Concord's nineteenth-century intellectuals, restoring in three dimensions the literary personalities whose work is at the heart of our national history and cultural identity.

    who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could write his biography despite never having written--or even read--a biography herself. The next seven years of intimate conversations, intercontinental research, and peculiar cat-and-mouse games resulted in Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch? De Beauvoir and Beckett despised each other--and lived essentially on the same street. While quite literally dodging one subject or the other, and sometimes hiding out in the backrooms of the great caf�s of Paris, Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile. Drawing on Bair's extensive notes from the period, including never-before-told anecdotes and details that were considered impossible to publish at the time, Parisian Lives is full of personality and warmth and give us an entirely new window on the all-too-human side of these legendary thinkers.

    One year later, a struggling writer named Edgar Allan Poe decided to take on the case-and sent his fictional detective, C. Auguste Dupin, to solve the baffling murder of Mary Rogers in "The Mystery of Marie Rog�t."

    Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."

    He endures January's frosty mistral as it comes howling down the Rhône Valley, discovers the secrets of goat racing through the middle of town, and delights in the glorious regional cuisine. A Year in Provence transports us into all the earthy pleasures of Provençal life and lets us live vicariously at a tempo governed by seasons, not by days.

    Spanning the Middle Ages to the present, Yalom explores a love-obsessed culture through its great works of literature—from Moliere’s comic love to the tragic love of Racine, from the existential love of Simone de Beauvoir and Jean-Paul Sartre to the romanticism of George Sand and Alfred de Musset. A thoroughly engaging homage to French culture and literature interlaced with the author’s delicious personal anecdotes, How the French Invented Love is ideal for fans of Alain de Botton, Adam Gopnik, and Simon Schama.

    Flappers is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing through to the end of the decade when the Wall Street crash signal led another cataclysmic world change. It focuses on six women who between them exemplified the range and daring of that generation’s spirit.Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka were far from typical flappers. Although they danced the Charleston, wore fashionable clothes and partied with the rest of their peers, they made themselves prominent among the artists, icons, and heroines of their age. Talented, reckless and willful, with personalities that transcended their class and background, they re-wrote their destinies in remarkable, entertaining and tragic ways. And between them they blazed the trail of the New Woman around the world.

    Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays -- teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago's most diverse neighborhood.As Biss moves across the country from New York to California to the Midwest, her essays move across time from biblical Babylon to the freedman's schools of Reconstruction to a Jim Crow mining town to post-war white flight. She brings an eclectic education to the page, drawing variously on the Eagles, Laura Ingalls Wilder, James Baldwin, Alexander Graham Bell, Joan Didion, religious pamphlets, and reality television shows.These spare, sometimes lyric essays explore the legacy of race in America, artfully revealing in intimate detail how families, schools, and neighborhoods participate in preserving racial privilege. Faced with a disturbing past and an unsettling present, Biss still remains hopeful about the possibilities of American diversity, "not the sun-shininess of it, or the quota-making politics of it, but the real complexity of it."

    The feud that erupted as a result has continued for over a century. Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons, and reveals Emily as a very different woman from the pale, lovelorn recluse that exists in the popular imagination. Thanks to unprecedented use of letters, diaries, and legal documents, Gordon digs deep into the life and work of Emily Dickinson, to reveal the secret behind the poet's insistent seclusion, and presents a woman beyond her time who found love, spiritual sustenance, and immortality all on her own terms. An enthralling story of creative genius, filled with illicit passion and betrayal, "Lives Like Loaded Guns" is sure to cause a stir among Dickinson's many devoted readers and scholars.

    For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. And although Lahiri studied Italian for many years afterward, true mastery had always eluded her. So in 2012, seeking full immersion, she decided to move to Rome with her family, for “a trial by fire, a sort of baptism” into a new language and world. In Rome, Lahiri began to read, and to write—initially in her journal—solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice. Presented in a dual-language format, it is a book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Nabokov. A startling act of self-reflection and a provocative exploration of belonging and reinvention.

    In this collection of correspondence—letters to publishers, editors, friends, and fellow writers—the writer shares his insights on the art of creation.On Writing reveals an artist brutally frank about the drudgery of work and canny and uncompromising about the absurdities of life—and of art. It illuminates the hard-edged, complex humanity of a true American legend and counterculture icon—the “laureate of American lowlife” (Time)—who stoically recorded society’s downtrodden and depraved. It exposes an artist grounded in the visceral, whose work reverberates with his central ideal: “Don't try.”Piercing, poignant, and often hilarious, On Writing is filled not only with memorable lines but also with Bukowski’s trademark toughness, leavened with moments of grace, pathos, and intimacy.

    At twenty-three, after leaving graduate school to pursue her dreams of becoming a poet, Joanna Rakoff moves to New York City and takes a job as assistant to the storied literary agent for J. D. Salinger. She spends her days in a plush, wood-paneled office, where Dictaphones and typewriters still reign and old-time agents doze at their desks after martini lunches. At night she goes home to the tiny, threadbare Williamsburg apartment she shares with her socialist boyfriend. Precariously balanced between glamour and poverty, surrounded by titanic personalities, and struggling to trust her own artistic instinct, Rakoff is tasked with answering Salinger’s voluminous fan mail. But as she reads the candid, heart-wrenching letters from his readers around the world, she finds herself unable to type out the agency’s decades-old form response. Instead, drawn inexorably into the emotional world of Salinger’s devotees, she abandons the template and begins writing back. Over the course of the year, she finds her own voice by acting as Salinger’s, on her own dangerous and liberating terms. Rakoff paints a vibrant portrait of a bright, hungry young woman navigating a heady and longed-for world, trying to square romantic aspirations with burgeoning self-awareness, the idea of a life with life itself. Charming and deeply moving, filled with electrifying glimpses of an American literary icon, My Salinger Year is the coming-of-age story of a talented writer. Above all, it is a testament to the universal power of books to shape our lives and awaken our true selves.

    She felt herself to be at a crossroads: “I shall be miserable, or happy; a wordy sentimental creature, or a writer of such English as shall one day burn the pages.”Today her prose is still blazing; perhaps it burns brighter than ever. This is the story of how a determined young woman with a notebook became one of the greatest writers of all time. It is a story that sparkles with wit and friendship, language and love, wicked jokes and passionate appreciation of ordinary things.In this illuminating new account, Alexandra Harris uses vivid flashes of detail to evoke Woolf’s changing backgrounds and preoccupations. We move from the close-packed rhythms of a Victorian childhood to the experiments of Bloomsbury and Woolf’s trial-and-error answers to the pressing question of how to live. We see her tackling challenging forms of writing, trying out different voices, following flights of fancy, and returning to earth. Above all, we see her making conscious decisions about what to do next.The book considers each of the novels in context, gives due prominence to a range of Woolf’s dazzlingly inventive essays, traces the contentious course of her “afterlife,” and shows why, seventy years after her death, Virginia Woolf continues to haunt and inspire us.

    Indeed, no artistic movement has ever been quite so controversial. The drama of its birth, played out on canvas and against the backdrop of the Franco-Prussian War and the Commune, would at times resemble a battlefield; and as Ross King reveals, it would reorder both history and culture, and resonate around the world.