Over the course of almost 50 years, he created 150 poems, including nonsense verse, parodies, burlesques, acrostics, inscriptions, and more, many of them hilarious lampoons of some of the more sentimental and moralistic poems of the Victorian era. This carefully chosen collection contains 38 of Carroll's most appealing verses, including such classics as "The Walrus and the Carpenter," "The Mock Turtle's Song," and "Father William," plus such lesser-known gems as "My Fancy," "A Sea Dirge," "Brother and Sister," "Hiawatha's Photographing," "The Mad Gardener's Song," "What Tottles Meant," "Poeta Fit, non Nascitur," "The Little Man That Had a Little Gun," and many others. Filled with Carroll's special brand of imaginative whimsy and clever wordplay, this original anthology will delight fans of the author as well as other readers who relish a little laughter with their lyrics.

    This Penguin Classics edition of Sonnets and A Lover's Complaint is edited by John Kerrigan.'Shall I compare thee to a summer's day?'The language of Shakespeare's sonnets has become inseparable from the language of love in English; but the force and tenderness of these poems is undiminished by age. When this volume of Shakespeare's poems first appeared in 1609, he had already written most of the great plays that made him famous. The 154 sonnets - all but two of which are addressed to a beautiful young man, 'Mr W.H.', or a treacherous 'dark lady' - contain some of the most exquisite and haunting poetry ever written, and deal with eternal subjects such as love and infidelity, memory and mortality, and the destruction wreaked by Time. Also included is A Lover's Complaint, originally published with the sonnets, in which a young woman is overheard lamenting her betrayal by a heartless seducer.In his illuminating introduction, John Kerrigan examines how the sonnets are intertwined, the ways in which these works have been interpreted and the themes running through them. This edition also includes further reading, commentaries on each poem, a textual history, variant and further sonnets and an index of first lines.If you enjoyed Sonnets and A Lover's Complaint, you might like John Milton's Paradise Lost, also available in Penguin Classics.'Shakespeare led a life of allegory: his works are the comments on it'John Keats

    His own libretto to the operas, translated by Andrew Porter, is an intricate system of metric patterns, imaginative metaphors and alliteration,combining to produce the music in text.'Andrew Porter's utterly natural, often poetic, faithfully rendered English text should be a revelation...The immediacy of instant comprehension gives the entire drama an added dimension.'--The New York Times

    Originally titled Children’s and Household Tales, The Complete Grimm’s Fairy Tales contains the essential bedtime stories for children worldwide for the better part of two centuries. The Brothers Grimm, Jacob and Wilhelm, were German linguists and cultural researchers who gathered legendary folklore and aimed to collect the stories exactly as they heard them. 2012 marked the 200th anniversary of Grimm’s Fairy Tales, and what better way to celebrate than to include all 211 stories into the Knickerbocker Classic Series?Featuring all your favorite classics, including “Hansel and Gretel,” “Cinderella,” “The Frog Prince,” “Rapunzel,” “Snow White,” “Rumpelstiltskin,” and dozens more, The Complete Grimm’s Fairy Tales is also accompanied by 40 color plates and 60 black and white illustrations from award-winning English illustrator Arthur Rackham, whose books and prints are now highly sought-after collectibles.The third title in the Knickerbocker Classic series has 800 pages of classic fairy tales to enjoy and will also feature a full-cloth binding, ribbon marker, and will fit neatly in an elegant slipcase for your personal library collection.Also includes a selection of stunning color reproductions by the famous illustrator, Arthur Rackham.

    But it is also a product of the times in which she grew up—dark, grotesque, often surprisingly bawdy, and a far cry from the polished, sparkling novels of manners for which she became famous. Drunken heroines, babies who bite off their mothers’ fingers, and a letter-writer who has murdered her whole family all feature in these highly spirited pieces. This edition includes all of Austen’s juvenilia, including her “History of England” and the novella Lady Susan, in which the anti-heroine schemes and cheats her way through high society. With a title that captures a young Austen’s original idiosyncratic spelling habits and an introduction by Christine Alexander that shows how Austen was self-consciously fashioning herself as a writer from an early age, this is a must-have for any Austen lover.

    Dawood in Penguin Classics.The tales told by Scheherazade over a thousand and one nights to delay her execution by the vengeful King Shahryar have become among the most popular in both Eastern and Western literature. From the epic adventures of 'Aladdin and the Enchanted Lamp' to the farcical 'Young Woman and her Five Lovers' and the social criticism of 'The Tale of the Hunchback', the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are also anchored to everyday life by their bawdiness and realism, providing a full and intimate record of medieval Eastern world.In this selection, N.J. Dawood presents the reader with an unexpurgated translation of the finest and best-known tales, preserving their spirited narrative style in lively modern English. In his introduction, he discusses their origins in the East and their differences from Classical Arabic literature, and examines English translations of the tales since the eighteenth century.If you enjoyed Tales from the Thousand and One Nights, you might like Snorri Sturlson's The Prose Edda, also available in Penguin Classics.

    Readers the world over know his poignant tale of "The Little Mermaid," who sacrifices everything for love, and "The Steadfast Tin Soldier," whose affection for a paper ballerina is symbolized by his transformation into a small tin heart. Several of Andersen's stories are so well known—among them "The Emperor's New Clothes" and "The Ugly Duckling"—that their titles alone have become meaningful figures of speech. Hans Christian Andersen: Classic Fairy Tales collects 100 of Andersen's incomparable fairy tales and stories, among them "Thumbelina," "The Little Match Girl," "The Princess and the Pea," "The Red Shoes," "The Wild Swans," and his fantasy masterpiece, "The Snow-Queen." The book is abundantly illustrated with more than 100 hundred drawings and color plates by Dugald Stewart Walker and Hans Tegner, two of Andersen's best-known illustrators.

    New Hardcover with dust jacket

    But they also constitute a complex literary work of art in which the whole of Kipling's philosophy of life is expressed in miniature. They are best known for the 'Mowgli' stories; the tale of a baby abandoned and brought up by wolves, educated in the ways and secrets of the jungle by Kaa the python, Baloo the bear, and Bagheera the black panther. The stories, a mixture of fantasy, myth, and magic, are underpinned by Kipling's abiding preoccupation with the theme of self-discovery, and the nature of the 'Law'.

    With a timeless charm it tells the story of a little boy who leaves the safety of his own tiny planet to travel the universe, learning the vagaries of adult behaviour through a series of extraordinary encounters. His personal odyssey culminates in a voyage to Earth and further adventures.Letter to a Hostage, which contains certain themes that were to appear in The Little Prince, is Saint-Exupery's optimistic and humane open letter to a Jewish intellectual hiding in occupied France in 1943.

    First introduced into the West in 1704, the stories of The Thousand and One Nights are most familiar to American readers in sanitized children's versions. This modern edition, based on Richard F. Burton's unexpurgated translation, restores the lushness of the original Arabic. Here are the famous adventures of Sinbad, "Ali Baba and the Forty Thieves," and "Aladdin and the Magic Lamp." Here too are less familiar stories, such as "Prince Behram and the Princess Al-Datma," a delightful early version of The Taming of the Shrew, and "The Wily Dalilah and her Daughter Zaynab," a hilarious tale about two crafty women who put an entire city of men in their place. Intricate and imaginative, these stories-within-stories told over a thousand and one nights continue to captivate readers as they have for centuries. "Arabian Nights: The Marvels and Wonders of The Thousand and One Nights, Volume 2 of 2, Adapted By Jack Zipes"

    Robin Hood is the best-loved outlaw of all time.In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest - Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.

    Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

    This retelling brings to life King Arthur and the adventures of his Knights, from the quest for the Holy Grail to the final tragedy of the Last Battle.