She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary.Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries. Hayley is faking it till she makes it, and one of her plans to breathe new life into the Society is actually taking flight--an Agatha Christie fan fiction writers group is paying dues to meet up at Middlebank House.But when one of the group is found dead in the venerable stacks of the library, Hayley has to catch the killer to save the Society and her new job.

    After the death of her sister, the young actress turned to pills and booze to numb the pain. Desperate to reconnect with her husband and get her life back on track, they take a luxurious second honeymoon cruise. Everything is going well, until she makes a surprising discovery in their cabin: $20 million in bonds! Ruby knows stock fraud when she sees it, and it reeks of the Russian mafia. When she’s set up for a crime she didn’t commit, her only chance is a series of impossible escapes to clear her name. With the help of a few surprise allies, and a bit of luck, Ruby might just have a shot… if she can live long enough to solve the mystery. Dangerous Allies is the first book in a series of gripping financial thrillers.

    Now, surrounded by family, she’s finally found peace and a promising career opportunity—until her babysitter is killed and her neighbor asks her to defend his son, Nick, who stands accused of the murder.Tessa was the ultimate girl next door, and the community is outraged by her death. But Morgan has known Nick for years and can’t believe he’s guilty, despite the damning evidence stacked against him. She asks her friend Lance Kruger, an ex-cop turned private eye, for help. Taking on the town, the police, and a zealous DA, Morgan and Lance plunge into the investigation, determined to find the real killer. But as they uncover secrets that rock the community, they become targets for the madman hiding in plain sight.In a new series from Wall Street Journal bestselling author Melinda Leigh, former prosecutor Morgan Dane faces the most personal—and deadly—case of her lifetime.

    But after receiving a photo of a three-year-old kidnapped from Los Angeles twenty-five years ago, Jessica is stunned to recognize the little girl as herself.Eager for answers, Jessica heads to LA's dark underbelly. When she learns that her biological mother was killed the night she was abducted, Jessica's determined to solve a case the police have forgotten. Meanwhile, veteran LAPD detective Jason Pryce is in the midst of a gruesome investigation into a murdered college student moonlighting as a prostitute. A chance encounter leads to them crossing paths, but Jessica soon realizes that Pryce is hiding something about her father's checkered history and her mother's death.To solve her mother's murder and her own disappearance, Jessica must dig into the past and find the secrets buried there. But the air gets thinner as she crawls closer to the truth, and it's getting harder and harder to breathe.

    The next day, the child’s body is found on the banks of Penhale Wood. A year later, Sophie’s mother, Iris Flynn, appears on the doorstep of investigating officer Rob McIntyre, determined to make him reopen the case. McIntyre has his own personal demons, but Iris hijacks his life in order to find the person responsible for her daughter’s death. Following the slimmest of leads, they are soon confronting ghosts from the past and a chameleon-like killer who will do anything to stay hidden.

    He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years.Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark, is a taut, compelling novel set in rural Kentucky from the Korean War to 1970.

    An escape from a lucrative but botched bank robbery lands him bleeding and on the verge of collapse in a college town in New Hampshire. How can he find a place to hide out in this innocent setting? Peering into the window of the nearest house, he sees a glimmer of hope: a man in his mid-thirties, obviously some kind of academic, is rolling around on the living room floor with an attractive high-school student. Professor Elias White is then blackmailed into harboring a dangerous fugitive, as Dixon with a cool quarter-million in his bag and dreams of Canada in his head gets ready for the last phase of his escape.But the last phase is always the hardest. Attractive and persistent FBI agent Denise Lupo is on his trail. As for Elias White, his surprising transition from respected academic to willing accomplice poses a ruthless threat that Dixon would be foolish to underestimate.

    His idealistic teacher Diagoras is convinced the pupil's death is not as accidental as it appears, and asks the famous Heracles Pontor, the "Decipherer of Enigmas," to investigate. As the death toll rises, the two men find themselves drawn into the dangerous underworld of the Athenian aristocracy, risking their own lives to solve the riddle of these young men's deaths. Simultaneously, a second plot unfolds: that of the modern-day translator of the ancient text, who, as he proceeds with his work, becomes convinced that the original author has hidden a second meaning in the text, one that can be interpreted through certain repeated words and images. As the story advances, however, the translator is alarmed to discover references to himself, which seem to address him personally in an increasingly menacing fashion.

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

    Rules have been broken, and the protected wildlife is behaving strangely.On a diving expedition, Laura is separated from her colleague. She emerges into an ice cave where, through the blue shadows, she is shocked to see an anguished figure, crying for help.But in this freezing, lonely landscape there are ghosts everywhere, and Laura begins to sense that her own eyes cannot be trusted. Is her mind playing tricks? Has she been in the ice too long?Back at base, Laura’s questions about the whaling station go unanswered, blocked by unhelpful scientists, unused to questions from an outsider. And Laura just can’t shake what happened in the ice cave.Piecing together a past and present of cruelty and vulnerability that can be traced all around the globe, from Norway, to Nantucket, Europe and Antarctica, Laura will stop at nothing to unearth the truth. As she sees the dark side of endeavour and human nature, she also discovers a legacy of love, hope and the meaning of family. If only Laura can find her way...Out of the ice.

    LAPD Homicide Detective Davie Richards is an outlier, a cop who killed a suspect to save her partner’s life.While she waits for the police commission to rule her shooting was within policy, she’s called out to probe the gruesome homicide of Anya Nosova, a nineteen-year-old Russian beauty whose body is found in the Los Angeles sewer system. With her own case in limbo, Davie knows that any mistakes in the investigation could end her career. Meanwhile, as she hunts for the murderer, somebody from her past is hunting her. Knowing she’s in the crosshairs, Davie must bring Anya’s killer to justice before her life and the lives of those she loves are destroyed.

    Raised by a philosophical and cantankerous killer named Old Raccoon in his crime headquarters, The Library, Reseng has always been surrounded by plots--and by books that no one ever reads. But, when Reseng steps out of line on a job, he risks his future. And when he uncovers an extraordinary plot being cooked up by an eccentric trio of young women--a convenience store clerk, her wheelchair-bound sister, and a cross-eyed obsessive knitter--he will have to decide whether he will be used as a pawn, or if he can take control of the game.Un-su Kim has written that rarest of novels, a cracking commercial crime novel that sings with the soul, wit, and lyricism of real literary craft. The Plotters is page-turning, hilarious, soul-searching, and deeply entertaining. It is a wake-up call to genre lovers and literary readers alike.

    This renowned Internet blogger, daytime sleeper, and dedicated hedonist is yanked into family business matters when the president of the business, his older, accomplished brother, disappears. Thus begins The Best Thing That Can Happen to a Croissant, an easy-riding, reluctant-detective story. Tusset's prodigious talents as both a satirist and creator of one of the most hilarious underachievers in recent memory make this an exquisitely entertaining read.

    It's up to homicide detective J.W. Ragsdale to solve these seemingly unconnected crimes without scaring away the tourists who are arriving in droves. That's not going to be easy. Ragsdale's investigation pits him against a crack-dealing gang in the midst of a bloody drug war, a Memphis BBQ king struggling to hold on to his crumbling empire, a shotgun-wielding assassin, an East Coast mobster with a taste for BBQ and the blues, and the newly crowned Maid of Cotton, who will do anything to keep her tiara.

    While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically diverse collection will make you squirm in your seat, stay up at night, laugh out loud, and inevitably wish for more.Featuring brand-new stories by: Joyce Carol Oates, Margaret Atwood (poems), Valerie Martin, Aimee Bender, Edwidge Danticat, Sheila Kohler, S.A. Solomon, S.J. Rozan, Lucy Taylor, Cassandra Khaw, Bernice L. McFadden, Jennifer Morales, Elizabeth McCracken, Livia Llewellyn, Lisa Lim, and Steph Cha.From the introduction by Joyce Carol Oates:“The particular strength of the female noir vision isn’t a recognizable style but rather a defiantly female, indeed feminist, perspective. Cutting Edge brings together a considerable range of twenty-first-century female voices, from sociological realism (Cha) to Grand Guignol surrealism (Oates); from erotic playfulness (Bender) to dark fairy-tale determinism (Khaw). Here is a brilliantly deadpan graphic story by Lisa Lim, and here are brilliantly executed poems by Margaret Atwood. Artwork by Laurel Hausler is striking and original, sinister and triumphant; Noir Dame (on the front cover) is the perfect image of a mysterious beauty, far more than merely skin-deep, and essentially unknowable.”Cover and interior art by Laurel Hausler.