Henry, Jack London, and Stephen Crane. Includes multiple stories per author, their most famous short works, along with biographical notes.Complete contents:YOUNG GOODMAN BROWN, by Nathaniel HawthorneTHE CELESTIAL RAILROAD, by Nathaniel HawthorneTHE GREAT STONE FACE, by Nathaniel HawthorneETHAN BRAND, by Nathaniel HawthorneRIP VAN WINKLE, by Washington IrvingTHE LEGEND OF SLEEPY HOLLOW, by Washington IrvingAUTOBIOGRAPHY OF A POCKET-HANDKERCHIEF by James Fenimore CooperTHE DAMNED THING, by Ambrose BierceAN OCCURRENCE AT OWL CREEK, by Ambrose BierceTHE FALL OF THE HOUSE OF USHER, by Edgar Allan PoeTHE CASK OF AMONTILLADO, by Edgar Allan PoeTHE PURLOINED LETTER, by Edgar Allan PoeTHE PIT AND THE PENDULUM, by Edgar Allan PoeTHE PREMATURE BURIAL, by Edgar Allan PoeTHE MURDERS IN THE RUE MORGUE, by Edgar Allan PoeTHE LUCK OF ROARING CAMP, by Bret HarteTHE OUTCASTS OF POKER FLAT, by Bret HartevHANDS, by Sherwood AndersonI’M A FOOL, by Sherwood AndersonTHE MAN THAT CORRUPTED HADLEYBURG, by Mark TwainTHE CELEBRATED JUMPING FROG OF CALAVERAS COUNTY, by Mark TwainTHE GIFT OF THE MAGI, by O. HenryTHE RANSOM OF RED CHIEF, by O. HenryTHE COP AND THE ANTHEM, by O. HenryA RETRIEVED REFORMATION, by O. HenryTHE DUPLICITY OF HARGRAVES, by O. HenryTO BUILD A FIRE, by Jack LondonAN ODYSSEY OF THE NORTH, by Jack LondonLOVE OF LIFE, by Jack LondonTHE HEATHEN, by Jack LondonTHE PEARLS OF PARLAY, by Jack LondonTHE BRIDE COMES TO YELLOW SKY, by Stephen CraneTHE MONSTER, by Stephen CraneTHE BLUE HOTEL, by Stephen CraneAnd don't forget to search your favorite ebook store for Megapack to see the other great entries in this series -- covering science fiction, fantasy, horror, mysteries, westerns, children's literature, and much, much more!

    The author discusses the inspiration for his phenomenally successful book, a touching story of a widow and the young family who moves in with her, and their discovery of the first gift of Christmas and what Christmas is really about.

    

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    Literature and film adaptations studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on several film versions and adaptations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors, critics and others linked with the chosen film and text.

    The cold and gloom of the Russian environment cannot compare to the relationship that Pavel Andreitch, a rich aristocratic, has with his wife, who is no longer in love, or even tolerant of her husband, although helplessly reliant on his financial support. Their disintegrating relationship is set to the backdrop of the starving peasants of the lower classes, illuminating the perennial tension of an egotistical, self-centered man and the struggling goodness of a woman who cares about more than just herself.

    Charles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented fame, and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular. Born in Portsmouth, England, Dickens was forced to leave school to work in a factory when his father was thrown into debtors' prison. Although he had little formal education, his early impoverishment drove him to succeed. Over his career he edited a weekly journal for 20 years, wrote 15 novels, five novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. Dickens sprang to fame with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly installments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. The installment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens went on to improve the character with positive features. Fagin in Oliver Twist apparently mirrors the famous fence Ikey Solomon; His caricature of Leigh Hunt in the figure of Mr Skimpole in Bleak House was likewise toned down on advice from some of his friends, as they read episodes. In the same novel, both Lawrence Boythorne and Mooney the beadle are drawn from real life-Boythorne from Walter Savage Landor and Mooney from 'Looney', a beadle at Salisbury Square. His plots were carefully constructed, and Dickens often wove in elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.

    Anderson also authored several works of fantasy, historical novels, and a prodigious number of short stories. He received numerous awards for his writing, including seven Hugo Awards and three Nebula Awards. This volume collects 8 classic stories:WITCH OF THE DEMON SEAS (1951)DUEL ON SYRTIS (1951)SECURITY (1953)SENTIMENT, INC. (1953)THE SENSITIVE MAN (1954)THE CHAPTER ENDS (1954)THE VALOR OF CAPPEN VARRA (1957)INDUSTRIAL REVOLUTION (1963)And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the more than 170 entries in the MEGAPACK™ ebook series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!

    Among contributions by Gwendolyn Bennett, Countee Cullen, Langston Hughes, and Wallace Thurman, "Sweat" stood out both for its artistic accomplishment and its exploration of rural Southern black life. In "Sweat" Hurston claimed the voice that animates her mature fiction, notably the 1937 novel Their Eyes Were Watching God; the themes of marital conflict and the development of spiritual consciousness were introduced as well. "Sweat" exemplifies Hurston's lifelong concern with women's relation to language and the literary possibilities of black vernacular.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of "Sweat," and a second story, "The Gilded Six-Bits." Published in 1932, this second story was written after Hurston had spent years conducting fieldwork in the Southern United States. The volume also includes Hurston's groundbreaking 1934 essay, "Characteristics of Negro Expression," and excerpts from her autobiography, Dust Tracks on a Road. An article by folklorist Roger Abrahams provides additional cultural contexts for the story, as do selected blues and spirituals. Critical commentary comes from Alice Walker, who led the recovery of Hurston's work in the 1970s, Robert Hemenway, Henry Louis Gates, Gayl Jones, John Lowe, Kathryn Seidel, and Mary Helen Washington.

    Texts are in the original Middle English, and each has an introduction, detailed notes and a glossary. Selected titles are also available as CD recordings.

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    "The Jewelry" is a short tale of a poor man whose beloved wife abruptly passes away, who finds himself with several thousand francs worth of her jewelry on his hands.

    According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.