Whilst she is at court, passing judgement on the lives of others, Donald stays at home and looks after their two young sons. One morning a letter arrives; someone she has tried to forget has not forgotten her and Simone's private history is about to collide with her public world.

    And just like that, Susan Young is drawn into a living nightmare.A stranger has kidnapped Sue’s daughter, Veda. But he doesn’t want her money, only her suffering–and he will kill Veda if Sue doesn’t follow his every command. With detailed instructions, the faceless abductor leads Sue into a blinding snowstorm on the longest night of the year, to a place she has not traveled to since childhood. The voice on the other end of the line somehow knows Sue’s deepest, most chilling secret–an ominous incident from her past, buried long ago...Across the loneliest back roads of Massachusetts, in the black expanse of a New England winter, Sue is forced to confront her most awful fears as she is met at each step by ever increasing horrors created by a monster who is surely something less than human. In the hope of saving her daughter from a kidnapper whose origin seems darker than anything she could ever have imagined, Sue will discover just how much trauma and fright the human body is capable of absorbing.Set over the course of a single night, Chasing the Dead is a fast-paced, ferociously tense supernatural thriller. With the skill of masters like Dean Koontz and David Morrell, Joe Schreiber has created a tableau of shock and horror, death and destruction, that will draw you in and never let you go.From the Hardcover edition.

    But he's finding it difficult. Following a chance meeting with a man whose daughter has gone missing and an offer of payment to find her, Harry begins a search. The consequences of which, take him back into London's criminal underworld and where he encounters the ruthlessness of Russian organised crime, the cunning of his former crime boss and the police, wanting to arrest him for murder.The search becomes one of survival as Harry deals retribution and justice in equal measure, yet torn between whether or not to break his vow to save the girl.Harry's journey is one of self-discovery and dark secrets while facing fears to exorcise the demons of the past - but how will his journey end?(contains some violence)

    He grew up on Earth convinced he was the last of his kind. He was wrong. Superman, Supergirl, and the half-Kryptonian, half-human clone Superboy must now face their biggest threat: H'El on Earth.

    Since its publication it has spawned numerous film and stage adaptations, endless discourse on the dynamics of divorce as well as becoming part of the legal jargon describing the proceedings that follow. Adler's iconic tale takes us from suburban bliss to an incessant territorial battle. Jonathan and Barbara Rose are at first glance the perfect couple. Jonathan has a stable law career; Barbara is an aspiring gourmet entrepreneur with a promising pâté recipe. Their large home holds the rich antique collection that originally brought them together, as well as the loving familial bond that intertwines them with their children Eve and Josh. When Jonathan finds himself suddenly gripped by what is presumably a heart attack and Barbara confronts the loveless spelllingering between them, the sun-soaked sky that was once the Rose family union drifts into a torrential downpour. Their mutual hatred becomes ammunition in a domestic shootout that escalates in the most unpredictable ways while they helplessly eye their dwindling nuptial flame. In the chaos that unfolds Adler allows a moment of much needed contemplation on the shape of today's matrimonial bonds.The War of the Roses illuminates the relationship-shattering materialism, contempt and selfishness of husband and wife by posing a timeless question, how far are we willing to allow our material possessions the power to define who we are? Are today's marriages haunted by the struggle to get even?

    The film stars Katherine Heigl and James Marsden. The film was released January 10, 2008 in Australia and opened in the United States on January 18.

    With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle.As David Seidler writes in his introduction, "The King's Speech is about a great deal more than a speech impediment. It is about friendship. I'm talking about mentoring and support and a great deal of humor. We lose these deep, meaningful friendships at our peril."The Newmarket Press Book includes:A fascinating introduction by screenwriter David Seidler about how and why an idea that came to him almost thirty years ago evolved into the award-winning screenplayComplete Shooting ScriptComplete cast and crew credits

    He's still alienated from his closest friend, Karrin Murphy, and on exceedingly poor terms with Chicago's number one gangster, John Marcone. And that's just the small stuff — the creatures of the Nevernever don't take vacations and aren't particularly worried about Harry's friendships or love life

    Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere “thumbs up” or “thumbs down.” Readers could always sense the man behind the words, a man with interests beyond film and a lifetime’s distilled wisdom about the larger world. Although the world lost one of its most important critics far too early, Ebert lives on in the minds of moviegoers today, who continually find themselves debating what he might have thought about a current movie.The Great Movies IV is the fourth—and final—collection of Roger Ebert’s essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert’s daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert’s essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert. A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.

    Now he's got 50 years of hard time to look forward to. But Something powerful has been growing within Ethan, and on the day of his sentencing, it escapes at last. It will change a life that has already been completely changed. It will follow him into the savage setting of a maximum-security prison, where each day is a struggle for survival. Will it be a source of massive power, a chance for redemption, or the cruelest of curses?