Susan Au's lucid text covers the entire spectrum of dance, vividly describing the great performers and performances of the past as well as exploring in detail the dance world of today. A generous selection of illustrations completes the picture, taking the reader from the palaces of the Medici to the lofts of Manhattan, from the dancing of Louis XIV to the experimental choreography of Twyla Tharp and Pina Bausch. A completely new final chapter documents the work of the chief dancers and choreographers from the 1980s to the present, covering offshoots of modern dance such as Tanztheater and Butoh, and recent developments such as performance art and site-specific choreography. The author discusses the upsurge in the popularity of dances of the past, among them ballroom dancing and the Argentine tango, and notes the revival of tap dancing as well as the successful adaptation of Irish stepdancing to the theater. In addition, she records the uses dance and dancers have made of recent technological advances, including cinedance and videodance, CD-ROMs, and the Internet.

    But after leaving the boring village and foster home for the excitement of London, Raya finds out she’s a witch, with this annoying habit of time-travelling – by accident. And this sarcastic witch’s cat Oscar tags along for the ride. But why would she fling herself into the midst of the Essex Witch Trials in 1645 England? After being arrested by Matthew Hopkins, one of history’s most notorious witch hunters, her social worker and witch mentor Bryony goes back to try to save them from the gallows. But returning to present day London remains out of reach with Raya’s powers still out of control when they find themselves in 1645 Istanbul/Constantinople. There, life is more amazing than she ever dreamed. Can she stay? And at what cost?

    A painting of a corn dog. A clock made out of an old “mostly clean” cheese grater. All this and more await you in the pages of Regretsy, a veritable sideshow of handcrafts gone wrong. Based on the eponymous hit blog and arranged in categories such as Décor, Pet Humiliation, and Christmas, Regretsy showcases the best of the worst, ranging from the hilariously absurd to the purely horrifying. Each page of this jaw-dropping volume features the actual seller’s online listing with a light coat of snarky commentary to give it a good shellacking. So join us as we descend into handmade hell and gawk, gasp, and marvel at the disturbingly odd artifacts that Regretsy has collected for your viewing pleasure, proving that you can never have too much of a bad thing.

    And the moments are part of college basketball lore: the Sweater Game, Villanova Beats Georgetown, and Six Overtimes. But this is the story of the Big East Conference that you haven't heard before--of how the Northeast, once an afterthought, became the epicenter of college basketball.Before the league's founding, East Coast basketball had crowned just three national champions in forty years, and none since 1954. But in the Big East's first ten years, five of its teams played for a national championship. The league didn't merely inherit good teams; it created them. But how did this unlikely group of schools come to dominate college basketball so quickly and completely?Including interviews with more than sixty of the key figures in the conference's history, The Big East charts the league's daring beginnings and its incredible rise. It transports fans inside packed arenas to epic wars fought between transcendent players, and behind locker-room doors where combustible coaches battled even more fiercely for a leg up.Started on a handshake and a prayer, the Big East carved an improbable arc in sports history, an ensemble of Catholic schools banding together to not only improve their own stations but rewrite the geographic boundaries of basketball. As former UConn coach Jim Calhoun eloquently put it, "It was Camelot. Camelot with bad language."

    In this rollicking narrative, Nicholas K. Smith carries us through the long twentieth century as sneakers became the totem of subcultures from California skateboarders to New York rappers, the cause of gang violence and riots, the heart of a global economic controversy, the lynchpin in a quest to turn big sports into big business, and the muse of high fashion. Studded with larger-than-life mavericks and unexpected visionaries--from genius rubber inventor, Charles Goodyear, to road-warrior huckster Chuck Taylor, to the feuding brothers who founded Adidas and Puma, to the track coach who changed the sport by pouring rubber in his wife's waffle iron---Kicks introduces us to the sneaker's surprisingly influential, enduring, and evolving legacy.

    Cooper"... For every instance rationalized away, there is another that defies explanation...

    At the time, and for more than a decade after, Greiling was a Minnesota state legislator who struggled, along with her husband, to navigate and improve the state’s inadequate mental health system. Fix What You Can is an illuminating and frank account of caring for a person with a mental illness, told by a parent and advocate.   Greiling describes challenges shared by many families, ranging from the practical (medication compliance, housing, employment) to the heartbreaking—suicide attempts, victimization, and illicit drug use. Greiling confronts the reality that some people with serious mental illness may be dangerous and reminds us that medication works—if taken.  The book chronicles her efforts to pass legislation to address problems in the mental health system, including obstacles to parental access to information and insufficient funding for care and research. It also recounts Greiling’s painful memories of her grandmother, who was confined in an institution for twenty-three years—recollections that strengthen her determination that Jim’s treatment be more humane. Written with her son’s cooperation, Fix What You Can offers hard-won perspective, practical advice, and useful resources through a brave and personal story that takes the long view of what success means when coping with mental illness.

    But, first and last, Mozart loved and respected women. His mother, his sister, his wife, her sisters, and his female patrons, friends, lovers and fellow artists all figure prominently in his life. And his experience, observation and understanding of women reappear, spectacularly, in the characters he created. As one of our finest interpreters of Mozart's work, Jane Glover is perfectly placed to bring these remarkable women -- both real and dramatized -- vividly to life. We meet Mozart's mother, Maria Anna, and his beloved and devoted sister, Nannerl, perhaps as talented as her brilliant brother but, owing to her sex, destined to languish at home while Wolfgang and their father entertained the drawing rooms of Europe. We meet, too, Mozart's "other family" -- his in-laws, the Webers: Constanze, his wife, much maligned by history, and her sisters, Aloysia, Sophie and Josefa. Aloysia and Josefa were highly talented singers for whom Mozart wrote some of his most remarkable music. Aloysia was the first woman whom Mozart truly and passionately loved, and her eventual rejection of him nearly broke his heart. Constanze, though a less gifted singer, proved a steadfast and loving wife and -- after Mozart's death -- his extremely efficient widow, consolidating his reputation and ensuring that his most enduring legacy, his music, never be forgotten.Mozart's Women is their story. But it is also the story of the women in his operas, all of whom were -- like his sister, his mother, his wife and his entire female acquaintance -- restrained by the conventions and strictures of eighteenth-century society. Yet through his glorious writing, he identified and released the emotions of his characters. Constanze in Die Entführung aus dem Serail; Ilia and Elettra in Idomeneo; Susanna and the Countess in Le nozze di Figaro; Donnas Anna and Elvira in Don Giovanni; Fiordiligi, Dorabella and Despina in Così fan tutte; Pamina and the Queen of the Night in Die Zauberflöte: are all examined and celebrated. They hold up the mirror to their audiences and offer inestimable insight, together constituting yet further proof of Mozart's true genius and phenomenal understanding of human nature. Rich, evocative and compellingly readable, Mozart's Women illuminates the music and the man -- but, above all, the women who inspired him.

    ANOTHER MISSING. THE VILLAGE HAS SEEN THIS BEFORE.On a warm evening in late summer, best friends Raymond and Cara camp out overnight in the garden. By morning, Raymond is dead and Cara is missing.Di Rita Cannan is called home to the sleepy seaside town of Green-on-the-Sea to investigate Raymond's murder and try to find Cara - alive. But the case carries eerie echoes of another girl's death that rocked the close-knit community, decades ago. If there's a connection, if history is repeating itself, who knows more than they're letting on? And how far will they go to cover their tracks?There are only so many lies a small town can hold and when everyone is a suspect, Cannan has nowhere to turn. To discover the truth, she must confront her own past. but can she do so in time to uncover the identity of the murderer and find Cara - before more innocent lives are lost?RUNNING TIME ⇒ 7hrs. and 35mins.©2020 by Gayle Curtis. (P)2020 Brilliance Publishing, Inc., all rights reserved.

    

    When the space age dawned in the late 1950s, Jackie Cochran held more propeller and jet flying records than any pilot of the twentieth century—man or woman. She had led the Women's Auxiliary Service Pilots during the Second World War, was the first woman to break the sound barrier, ran her own luxury cosmetics company, and counted multiple presidents among her personal friends. She was more qualified than any woman in the world to make the leap from atmosphere to orbit. Yet it was Jerrie Cobb, twenty-five years Jackie's junior and a record-holding pilot in her own right, who finagled her way into taking the same medical tests as the Mercury astronauts. The prospect of flying in space quickly became her obsession. While the American and international media spun the shocking story of a "woman astronaut" program, Jackie and Jerrie struggled to gain control of the narrative, each hoping to turn the rumored program into their own ideal reality—an issue that ultimately went all the way to Congress. This dual biography of audacious trailblazers Jackie Cochran and Jerrie Cobb presents these fascinating and fearless women in all their glory and grit, using their stories as guides through the shifting social, political, and technical landscape of the time.

    "The Morbid Anatomy Anthology" collects some of the best of this work in 28 lavishly illustrated essays. Included are essays by Evan Michelson (star of Science Channel's hit show "Oddities") on the catacombs of Palermo; Simon Chaplin (head of the Wellcome Library in London) on public displays of corpses in Georgian England; mortician Caitlin Doughty on demonic children; and Paul Koudounaris (author of "Empire of Death") on a truck stop populated with human skulls. In addition are pieces on books bound in human skin, death-themed cafes in fin-de-siecle Paris, post-mortem photography, eroticized anatomical wax models, taxidermied humans and other animals, Santa Muerte, "artist of death" Frederik Ruysch, and much more.

    To populate these "comfort stations," as they were euphemistically called, the Japanese army drafted or tricked around two-hundred thousand girls, most from rural Korea, into coming to work in military "factories." Instead, they were forced into sexual slavery.After the war, the surviving comfort women, gripped with a crushing sense of shame, rarely if ever spoke about their ordeals. As a result, their suffering has barely been acknowledged in the history books. Realizing that the survivors were dying off, the Council was formed to record their accounts before it was too late; before Japanese revisionists erased these unfortunate events from the history books forever."Story of a Comfort Girl" is the moving first-person account of one such survivor.

    Vesuvius, to the death of Socrates, to the Exxon Valdez oil spill--that have shaped the history of the world.

    The king cobra: That's an A-plus animal. The garden snail? D-minus. On a good day.In Animal Review, Jacob Lentz and Steve Nash give authoritative listings and ratings of dozens of your favorite (and least-favorite) animals. Expanded from their popular blog, the entries mix fascinating animal facts with hilarious assessments, set off with brilliantly captioned photos and enlightening charts and graphs. It's a perfect gift for animal lovers of any age, with sophisticated but kid-friendly humor and tons of interesting information.