. .Taking as its starting point the classic 'wheel of balance' life-coach model, this beautifully packaged collection of extracts and short poems gathers wisdom old and new in a perfect gift for anyone who needs comfort in this f**ked up world of ours.'This is not a poetry book as you know it, this is a life raft.' Emerald Street on Poems for a World Gone to Sh*t.

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    Wright's short lyrics, in Charles Simic's words, "achieve a level of eloquence where the reader says to himself, if this is not wisdom, I don't know what is" (The New York Review of Books). The poems in Buffalo Yoga are pristine examples of the Tennessee poet's deft, painterly touch-"crows in a caterwaul" are "scored like black notes in the bare oak"-and his oblique, expansive, and profound interrogation of mortality, as in the title sequence, where the soul is "a rhythmical knot. / That form unties. Or reties."

    It is one part the account of a refugee family who barely survived explosions and hunger while seeking safety during World War II, and includes vivid descriptions of the hardships Mike, his siblings, and parents endured. It is another part the story of an immigrant family who came to the United States (by way of Argentina) after the war and with great ingenuity and industry worked their way up to levels of success that had been unimaginable during the darkest days of war. Finally, it is also the chronicle of a loyal and valiant soldier who sought to pay back his debts to the United States for defeating fascism and communism through distinguished service in the U.S. Air Force's intelligence operations. In sum, it is a riches-to-rags-to-riches story that testifies both to the resilience of one man and to the ideals of the nation that inspired him.

    With the help of new friends, Jace the captain of the football team and Beth, his twin sister, along with a strange Labrador Retriever named Troubles, Conor has to discover who he really is and how he is tied to the mystery of the 'Dark Ones'. They are the children the town is protecting from an ancient river demon and a shapeshifter in the nearby Indian Burial mound. Into the midst of Conor's hunt for the truth comes DIOGENE, a biogenetics company with a scientist willing to do anything to unravel the mystery of the 'Dark Ones'. Conor finds himself caught in a web of lies where myth and science war for humanity's soul.

    As she grows older, and her make-believe worlds are not enough to protect her, she descends into drug addiction and eventual resignation. When this finally leads her to be physically beaten near the point of death, she is saved by a compassionate neighbor named Sam who gives Cinnamon the opportunity to reclaim her life. Now, working at Sam s vineyard in the beautiful Dry Creek Valley, Cinnamon Monday attempts to put her life in order, find the will to overcome past demons, and utilize her strengths to live a positive, successful life on her own terms.

    Her father served in the military, and she traveled the world with him and her family. His assignments took them to Alaska, Virginia, Japan, Texas, and Germany, as part of the US Army's responsibilities in policing the world. This candid memoir recounts her family's life in new places and cultures following World War II. What was it like to be a child living in Japan seven years after the war? What was it like to be a thirteen-year-old living in Germany twelve years after the war? What was it like to grow up moving between cultures? This is the story of one family bound to service in the military at a time when the world was being redefined. For a young girl, it was the adventure of a lifetime as she learned the secrets of finding her own way in that new world. The author's story was informed by reading her father's diary, which offers up intimate and candid insight into the life of a typical soldier in a time of war. His entries describe his time serving aboard a battleship built for 800 soldiers--but carrying 6,000 to war. His tales--told from the perspective of a young soldier in southern England, Wales, and Scotland from 1943 to 1945--are glimpses into a life many will never know firsthand.

    For Sam, years of infertility, followed by an unthinkable tragedy, have left her despairing of ever having a child. Money is tight, and IVF is expensive. Sam’s only hope may be to ask her sister to be a surrogate. Alex will do anything for Sam, but when the sisters embark upon an unorthodox route to surrogacy, jealousy, guilt, and legal complications soon follow.As the limits of sisterly devotion are tested, the family’s hidden wounds and secret addictions come to light, shaking the foundation of their marriages and their lives.An emotional story of a woman’s struggle with infertility and a riveting book about the complexities of family, Across the Street makes an excellent selection for book clubs.

    

    In an upstairs bedroom: an elderly woman and the family dog, both of them shot as well. The only person missing is the husband, father, son, and prime suspect, John Hartman, who's got a three-week jump on the police. Through the eyes of almost two dozen characters, including the neighbor who reports the crime, Hartman’s mistress, a dogged state investigator, the family minister, and some of the characters Hartman meets on his escape route, we piece together not only what happened and how these shocking murders affect the community, but how John Hartman evades capture, where he’s headed, and maybe even why he committed this gruesome crime in the first place. Based on the notorious John List murders and already compared to works by Norman Mailer and Russell Banks, Devil in the Hole is gripping, literate, and haunting.

    For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.

    Her uniquely true and mystical voice is like a glass of pure water: refreshing, healing, and oh, so necessary."—Nin Andrews"Her poems are an intense vision of the power of art to heal, to help us understand ourselves and our world. Agodon invokes artists as disparate as Kahlo and Cornell, Picasso and Pollock, as a way into the world she creates for us in her deft and musical poems. She brilliantly succeeds."—Wyn CooperKelli Russell Agodon is the author of two previous collections of poetry and lives in Kingston, Washington.

    THE SINGING KNIVES, originally published in 1971 by Broughton's Mill Mountain Press, is Frank Sanford's first collection of poetry. Reprinted by his own press, Lost Roads Publisher, after his death, THE SINGING KNIVES, debuts the work of a twenty-something year old boy way ahead of his time and in a state of unrest, capturing "poetry's more primal and mysterious possibilities"-David Clewell. "It is astonishing to me that I was not even aware of this superbly accomplished and moving poet. There is a great deal of pain in the poems, but it is a pain that makes sense, a tragic pain whose meaning rises from the way the poems are so firmly molded and formed from within"- James Wright.

    The poorly-dressed prince is sure that the Spiffs will take one look at him and laugh him out of their kingdom...And that's exactly what they do! But then Puggly meets Francesca, the bookish Princess of Spiff, and together the two set out to teach Francesca’s Spiffian countrymen an absurd lesson in style.