I partied in every capital in Europe and basked on all the world's most famous beaches'. Frank W Abagnale, alias Frank Williams, Robert Conrad, Frank Adams and Ringo Monjo, was one of the most daring con men, forgers, imposters and escape artists in history. In his brief but notorious career, Abagnale donned a pilot's uniform and co-piloted a Pan Am jet, masqueraded as a member of hospital management, practised law without a licence, passed himself off as a college sociology professor, and cashed over $2.5 million in forged checks all before he was twenty-one. Known by the police of twenty-six foreign countries and all fifty states as 'The Skywayman', Abagnale lived a sumptuous life on the run - until the law caught up with him. Now recognised as the nation's leading authority on financial foul play, Abagnale is a charming rogue whose hilarious, stranger-than-fiction international escapades and ingenious escapes - including one from an aeroplane - make CATCH ME IF YOU CAN an irresistable tale of deceit.

    During her time in the prison system, and together with her dear friend and colleague, Larry Fitzgerald, she came to know and like some of the condemned men and women she saw die. She began to query the arbitrary nature of the death penalty and ask the question: do executions make victims of all of us?An incredibly powerful and unique look at the complex story of capital punishment, as told by those whose lives have been shaped by it, Death Row: The Final Minutes is an important take on crime and punishment at a fascinating point in America's political history.

    Regularly beaten and starved, she tried to get herself taken into care without success and even drank bleach. When she was 13, her mother left her to fend for herself but Constance found the courage to survive and this is her story.

    Or to be told that the condemned to the guillotine won't have a last drink for fear of "completely losing his head." The business of death can be absurd, and nothing illustrates this better than these tales of the gruesome and frankly ridiculous ways in which a number of ill-fated unfortunates met (or failed to meet) their maker.Did you know:When Sir Thomas More was ordered to position his head on the block, he said "though you have warrant to cut off my head, you have none to cut off my beard?"When the guillotine took three strokes to sever the neck of Isabeau Herman, the mob attempted to stone the executioner to death for cruelty?After the English hanged the pirate Captain Kidd they chained his body to a stake on the Thames River as a warning to seafarers?From the strange to the gruesome, from the weird to the completely unbelievable, The Executioner Always Chops Twice is popular history at its best: witty, lively, and wonderfully bizarre.

    It begins with an overview of how profiling was first developed as a viable technique, followed by illustrated chapters that describe the specific parts of the profiling process:- The FBI's crime scene analysis procedure- Crime scene facts and evidence- The organized and disorganized classifications of violent serial offenders- Geographical profiling- Types of rape and the clues they leave- A serial killer's crime signature- Identifying child abductors and abusers- Profiling criminals through written documents- How profilers work with other investigators and interrogatorsProfiling focuses on 50 notorious true crimes to explain profiling, describing how crime scene evidence is processed and revealing the psychological clues and how the profilers helped to solve the case. Some of these headline-grabbing cases are:- The Black Dahlia murder investigation- David Carpenter, the Trailside Killer- Robert Hansen, a highly organized killer who abducted prostitutes and left them in the Alaska wilderness so he could hunt them with a rifle- Ted Bundy- Jeffrey DahmerProfiling is the gripping behind-the-scenes story of a topic that has had fans of Criminal Minds and the CSI series glued to their television screens for many years.

    Why do these people do it? What motivates them? Wildly deviant behavior can sometimes be 'understood' when it is displayed by a lone madman, but what about the killers who are judged normal, or those who act despicably in tandem with others? Charlotte Greig addresses such difficult questions in this compelling examination of the crimes of fifty of the world's most notorious serial killers.Charlotte Greig graduated with an MA in Intellectual History from Sussex University, and started freelancing as a writer and editor for a variety of magazines and newspapers, including New Musical Express and the Guardian. In 1989 she wrote her first book, and since then has written four more and contributed to several others, including Horrible Histories and Twentieth-Century Crime Fiction. In addition to teaching media studies for several years she has built a reputation as a specialist in popular music, writing the best-selling Icons of Black Musicand both creating and presenting 'Will You Still Love Me Tomorrow', a series on girl groups which was nominated for a Sony award.

    Expanded and updated, this new edition of The Mammoth Book of Unsolved Crime includes such recent cases as British backpacker Peter Falconio, lost in the Australian outback, and reporting as diverse as Colin Wilson's look at the Zodiac Killer of California and Russell Miller's examination of the ongoing obsession with LA's Black Dahlia Killer, to Sydney Horley on the woman who was cleared of murdering her husband and went on to become a Broadway star, and Philip Sugden on that most mythic criminal enigma of them all, Jack the Ripper. Nearly all the cases involve one or more acts of murder, and all are left with a question mark hanging over them—real-life whodunits that offer a continuing challenge to all who find fascination in the criminal mind.

    . . The book works on two levels, much like a good Holmes case."--TimeFor all the scores of biographies of Arthur Conan Doyle, creator of the most famous detective in the world, there is no recent book that tells this remarkable story--in which Conan Doyle becomes a real-life detective on an actual murder case. In Conan Doyle for the Defense, Margalit Fox takes us step by step inside Conan Doyle's investigative process and illuminates a murder mystery that is also a morality play for our time--a story of ethnic, religious, and anti-immigrant bias.In 1908, a wealthy woman was brutally murdered in her Glasgow home. The police found a convenient suspect in Oscar Slater--an immigrant Jewish cardsharp--who, despite his obvious innocence, was tried, convicted, and consigned to life at hard labor in a brutal Scottish prison. Conan Doyle, already world famous as the creator of Sherlock Holmes, was outraged by this injustice and became obsessed with the case. Using the methods of his most famous character, he scoured trial transcripts, newspaper accounts, and eyewitness statements, meticulously noting myriad holes, inconsistencies, and outright fabrications by police and prosecutors. Finally, in 1927, his work won Slater's freedom.Margalit Fox, a celebrated longtime writer for The New York Times, has "a nose for interesting facts, the ability to construct a taut narrative arc, and a Dickens-level gift for concisely conveying personality" (Kathryn Schulz, New York). In Conan Doyle for the Defense, she immerses readers in the science of Edwardian crime detection and illuminates a watershed moment in the history of forensics, when reflexive prejudice began to be replaced by reason and the scientific method.Praise for Conan Doyle for the Defense"Splendid . . . The ingredients are too good to pass up: a famous detective novelist actually playing detective, a man serving time for a murder he did not commit, and a criminal justice system slowly, and reluctantly, reckoning with the advent of forensic science." -- Sarah Weinman, The New Republic "Entertaining."--Newsday

    It looked like just another family gathering. An attractive house in west London, a large dining room, two brothers, their mother, one wife. But the subject they were discussing was anything but ordinary. At the head of the group sat the elderly mother. She stared proudly around, smiling at her children, then raised her hand for silence. ‘It’s decided then,’ the old lady announced. ‘We have to get rid of her.’‘Her’ was Surjit Athwal, Sarbjit’s sister-in-law. Within three weeks of that meeting, Surjit was dead: lured from London to India, drugged, strangled, and her body dumped in the Ravi River, never to be seen again.After the killing, risking her own life, Sarbjit fought secretly for justice for nine long, scared years. Eventually, with immense bravery, she became the first person within a murderer’s family ever to go into open court in an honour killing trial as the Prosecution’s key witness, and the first to waive her anonymity in such a trial. As a result of her testimony, the trial led to the first successful prosecution of an honour killing without the body ever being found.But her story doesn’t end there. Since the trial, her life has been threatened; her own husband arrested after an allegation of intimidation. Shamed is a story of fear and of horror – but also of immense courage, and a woman who risked everything to see that justice was done.

    What’s it like to work in a morgue? This book describes, first hand, coping with mutilated or decomposed bodies and the carnage of large-scale disasters like the Bali bombings. Equally as traumatic, the suicides, accidental drownings, car accidents and murders. But forensic counsellors do much more, witnessing autopsies, attending crime scenes and coronial enquiries. It’s all in a day’s work. Find out what it’s like behind the scenes. Those working at the morgue come face to face with death on a daily basis, and forensic counsellors like John have to find the compassion and kindness to ease the grief of those left behind.

    Incorporating the latest advances in brain scanning and neuroscience, Dutton demonstrates that the brilliant neurosurgeon who lacks empathy has more in common with a Ted Bundy who kills for pleasure than we may wish to admit, and that a mugger in a dimly lit parking lot may well, in fact, have the same nerveless poise as a titan of industry.Dutton argues that there are indeed “functional psychopaths” among us—different from their murderous counterparts—who use their detached, unflinching, and charismatic personalities to succeed in mainstream society, and that shockingly, in some fields, the more “psychopathic” people are, the more likely they are to succeed. Dutton deconstructs this often misunderstood diagnosis through bold on-the-ground reporting and original scientific research as he mingles with the criminally insane in a high-security ward, shares a drink with one of the world’s most successful con artists, and undergoes transcranial magnetic stimulation to discover firsthand exactly how it feels to see through the eyes of a psychopath.As Dutton develops his theory that we all possess psychopathic tendencies, he puts forward the argument that society as a whole is more psychopathic than ever: after all, psychopaths tend to be fearless, confident, charming, ruthless, and focused—qualities that are tailor-made for success in the twenty-first century. Provocative at every turn, The Wisdom of Psychopaths is a riveting adventure that reveals that it’s our much-maligned dark side that often conceals the trump cards of success.

    Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn't alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others -- no one knows the precise number -- have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.Jonathan Harr embarks on a journey to discover the long-lost painting known as The Taking of Christ -- its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.

    The female nests, creates, and nurtures doesn’t she or is it that we just want to believe in the intrinsic non-threatening nature of women? Yet, history is full of instrumentally violent women: women who have fought wars and battles throughout the world, with no less ferociousness than men, women such as Dynamis of Bosphorous, who starved her husband to death and took control of his kingdom, or Artemisia, the queen of Halicarnassus in the 5th century, who conducted a brilliant but brutal military campaign against the Greeks. Mary Tudor, Queen Mary 1 of England, in 1553 became known as “Bloody Mary,” for her extreme cruelty and willingness to execute people. In this short book meet 17 less known but equally murderous cold blooded women. After reading it you may find your perception of the gentler sex changed irrevocably. Enjoy.

    She claims a "husky Negro" did it, and the sheriff, the infamous racist Willis McCall, does not hesitate to round up a herd of suspects. But within days, McCall turns his sights on Jesse Daniels, a gentle, mentally impaired white nineteen-year-old. Soon Jesse is railroaded up to the state hospital for the insane, and locked away without trial. But crusading journalist Mabel Norris Reese cannot stop fretting over the case and its baffling outcome. Who was protecting whom, or what? She pursues the story for years, chasing down leads, hitting dead ends, winning unlikely allies. Bit by bit, the unspeakable truths behind a conspiracy that shocked a community into silence begin to surface.Beneath a Ruthless Sun tells a powerful, page-turning story rooted in the fears that rippled through the South as integration began to take hold, sparking a surge of virulent racism that savaged the vulnerable, debased the powerful, and roils our own times still.

    So when Sam heard a woman telling his mum that her cat had just had kittens, Sam pleaded to go and see them.Helen's heart melted as Sam held one of the kittens in his hands with a look of total adoration. In a trice the deal was done - the kitten would be delivered when she was big enough to leave her mother.A week later, Sam was dead. Not long after, a little black kitten was delivered to the grieving family. Totally traumatised by Sam's death, Helen had forgotten all about the new arrival. After all, that was back in another universe when Sam was alive.Helen was ready to send the kitten back, but Sam's younger brother wanted to keep her, identifying with the tiny black kitten who'd also lost her brothers. When Rob stroked her fur, it was the first time Helen had seen him smile since Sam's death. There was no choice: the kitten - dubbed Cleo - had to stay.Kitten or not, there seemed no hope of becoming a normal family. But Cleo's zest for life slowly taught the traumatised family to laugh. She went on to become the uppity high priestess of Helen's household, vetoing her new men, terrifying visiting dogs and building a special bond with Rob, his sister Lydia, Helen - and later a baby daughter.