But behind closed doors, his wife is cheating on him; his daughter’s relentless screaming deprives them of sleep; and he drinks heavily.Struggling to maintain balance in his life, cracks start to appear. Unable to deal with the mounting pressure, he hires a private investigator to spy on his wife. He is prepared to do anything to maintain the idyll.As the conclusion of Duggan’s trial looms, he must come to terms with what he has done and why he is facing a life behind bars. He is about to learn a valuable lesson: not every fairy tale has a happy ending…Betrayal, revenge, regret and suspense: TELL NO LIES is a heart-breaking thriller, exploring what fathers will do when driven to desperation.(Also considered a standalone novel.)

    Women were being abducted and murdered, then their corpses were displayed in open shallow graves. Marshall's FBI partner, Jessie Kent, was taken. During the hunt for her, Marshall tracked the killer down, but he was shot five times and left for dead. Less than an hour later, the killer took his own life. None of the remaining victims were ever found. Until now. A female detective comes down to Marshall's home town to ask for his help. Somebody has found the decomposed victims and is displaying them. Despite no longer being with the FBI, Marshall sees this as a chance to find Jessie, and take her home for a proper burial. And to lay to rest the feelings of guilt he's been carrying for the past four years. He agrees to go back with Dani Fox, but it's soon clear somebody doesn't want him back in town. He's warned off, but he ignores it. Then the killings start. Somebody has just accelerated the game from displaying corpses to adding new victims. And this time, he's making it personal...

    Leaving behind three distressed women. The shocked mother, Sagota. The hapless wife, Kalpana. And the paranoid paramour, Shayantika.Sukanto wasn’t brutally murdered. On the contrary, he was found dead in his study, sleeping peacefully. His autopsy report too indicated organ failure. And, Sukanto left an intriguing letter under his favourite crystal jug, which reads like a suicide note.Baffled and clueless the about-to-retire Superintendent of Police, Mr Roy after spending months on the investigation reluctantly closes the case in absence of evidence. Even though his colleague Inspector Malakar is unconvinced.This is when the three women narrate their stories of loving, hating and wanting Sukanto.Only one of them is a killer.But the question is who and why?

    A USA TODAY BESTSELLING SERIES THE MAN WHO STANDS TALL - BOOK 10 THE MAN WHO WORKS ALONE - BOOK 11 A MAN BUILT FOR JUSTICE - BOOK 12

    Sheriff Colt Harper believes he's colorblind in his enforcement of the law. But is he? When a black man is murdered, it ignites age-old anger in the African-American community over the injustices they've endured and forces Harper to confront his own personal demons. Harper's single-minded pursuit of justice for the dead man thrusts him between two volatile groups -- furious blacks who don't know if they can trust him and racist whites who want to use the controversy to spark a bloody race war."Old Anger has some sweet echoes of the past while being something modern at the same time. Pacing is outstanding and the story is engaging. It has a western rash under it's skin. Recommended." Joe R. Lansdale""Phillip Thompson combines the visceral verbal skills of Craig Johnson with the white knuckle tension of Stephen Hunter. Old Anger will leave you soaked in sweat and gasping for air" S.A. Cosby author of Blacktop Wasteland."Old Anger is a modern Southern novel in the best sense-exploring issues of race, privilege, and generational mistrust with candor and grace. It's also a fiercely engaging mystery. Thompson's lawman, Colt Harper, is a man of honor in a world that could use more of 'em. Consider me a fan." Chris Holm, Anthony Award winning author of The Killing Kind"In Thompson's well-wrought third crime novel featuring Mississippi sheriff Colt Harper. Thoughtful prose is matched by solid characterizations. Thompson delivers a timely tale of racial violence." Publishers Weekly

    Contains all 8 episodes of the international sensation THE INCIDENT, a Sam Jameson Serial Thriller. Where do you run when even the good guys want you dead? Special Agent Sam Jameson is having a bad week. People are trying to kill her.
 
That would be business as usual in the counterespionage world, except that it’s the good guys who have her in the crosshairs. Why are the DC Metro police trying to kidnap her? Do her bosses at Homeland want her in a body bag, too? And why does everyone she talks to seem to end up in the morgue? Will a ruthless mercenary, a hapless American traitor, and a dead man’s cryptic clue hold the key to Sam’s survival? As the noose tightens around her neck, Sam must uncover a brutal and deadly conspiracy before she becomes its next victim. Interview with author Lars Emmerich Q - So, what makes the Special Agent Sam Jameson series special? A - It's a mix of things, really. When I set out to write these books, I wanted to create something that mirrored exactly the kind of books I like to read. My top picks are usually espionage and private detective novels, any of the thousands of thrillers and mysteries best sellers, and, of course, books featuring classic pulp heroes. I also like heroes with problems and villains who are frighteningly human, maybe a little too much like us. The Sam Jameson books are a mix of these genres. The series focuses on the mystery and thriller / espionage genre overall, with a couple of themes borrowed from financial thrillers thrown in for good measure, a healthy dose of the stuff that makes political thrillers great, and a serial killer novel or two to keep things interesting. Why such a mixing of themes? Because life isn't monolithic and book genres are arbitrary. There's murder in spy novels and there's espionage in political conspiracy thrillers. Overall, the Sam Jameson series is designed to keep you turning the pages. I've done my best to make sure there's never a dull moment, and I think Sam's chutzpah and attitude makes for good entertainment. But I'm probably a little biased. Q - What order should I read the books in? A - I’ve written the series so you can read the books in any order, and all the story threads will tie up nicely by the time you're finished. The Incident is a standalone story, and it occurs before the Devolution series. If you do want to read them in order, I'd suggest the following sequence: - The Incident Season 1 - The Incident Season 2 - Devolution - Meltdown - Mindscrew - Balls Deep (A Peter Kittredge espionage and suspense thriller) Q - So, why should readers give these books a try? A - Because the Sam Jameson series is a fast, fun thrill-ride that never lets up! Each of the books has hit the top ten bestsellers list on Kindle for Women Sleuths, and each have been featured on Amazon's Thrillers 100 Must Reads list - which is no mean feat. Ultimately, readers who enjoy a blazing pace, characters with depth and distinctive voices, and a plot that twists and turns all the way to the end will enjoy this series.

    He just wanted a quiet life. Something his mother was not going to allow. There again he never for one moment imagined he would have to look into the death of a 90-year-old lady who was gambling away her family fortune. The Hayden Detective Agency has no need of clients. The very existence of the Agency allows Martin Hayden to claim his large monthly allowance from the family fortune - without lifting a finger. Martin’s biggest problem is his interfering mother, who understands her idle son too well. She takes steps to find him not just clients but also a personal assistant to keep an eye on him. Under pressure from the women in his life, Martin agrees to take on his first client. How hard can it be to follow a 90-year-old woman who spends her time losing money at roulette tables? As it turns out harder than Martin ever thought possible, especially with the old lady dying in strange circumstances. Soon the Reluctant Detective is grappling with shady estate agents, an intellectual artist, missing charity money and an irritating Indian waiter. Luckily for Martin there is help in the form of Colin, a transvestite who, apart from having very good fashion sense, is an expert at breaking into houses.

    It’s a lie, of course. What I mean is, I remember so very little.’ Tom Haworth is struggling against the fragility of his own mind as it surrenders to what seems an increasingly hostile world. He begins to be haunted by vivid dreams that transport him into a different life and to a treeless forest, high in the stark moorland of industrial England around the time of the First World War. There he meets family he never knew existed and a girl called Clara, whom he recognises as the blueprint for every woman he has ever loved. Back in the present, he discovers he is losing days: vaguely remembered yesterdays in which he has acted out of character, as if someone were taking his place. Tom traces back through his family tree and discovers the characters in his dreams to be real and not just products of his unstable subconscious. Where are the ‘memories’ coming from? Has madness finally taken hold? And is Clara lost to him forever, or will she be his salvation? A story of redemption and rebirth that weaves compellingly between different times and different lives. Inspired by a gravestone in a remote Pennine cemetery, this story had been nagging at the author for over a decade. Eventually he gave in.

    They’ve just hung out their shingle when a disturbing case falls in their laps. Three young women have been kidnapped and are being brutally tortured live on webcams from somewhere in Miami Beach. While Austin initially shirks the idea of investigating, believing the police are in the best position to solve the case, it soon becomes apparent there is more going on than meets the eye. A conspiracy in the police department and false leads drive Austin and Maria deep into the disturbing world of the dark web. And when one of the girls is murdered live on camera, Austin must determine how far he’s willing to go to seek justice.

     Working in St. Jude's Hospital, our anti-heroine is often overlooked by her colleagues and patients as awkward and insignificant, but little do they know that behind her strict exterior is a woman on the verge, as dangerous as a black widow spider. Nurse Agnes is currently stuck on the children's ward and, not a naturally warm person, she is desperate to escape the little ankle-biters. Standing in her way is the cruel Superintendent Nurse, but not for long... Despite her morally questionable choices, it is impossible not to admire our ruthless nurse as she punishes wrongdoers in this addictive mystery series. Praise for The Nurse Agnes Mysteries: ‘Continues to be one of the most original chiller series around’ - Mail on Sunday ‘Distinctly unsettling portrait of a murderer among us … baleful and persuasive psychology projects the action from the criminal’s point of view. Anthea Cohen is doing something quite remarkable here’ - Literary Review ‘A medical shocker in the grand tradition of P.D. James’ - Chicago Sun-Times

    

    

    This one starts out with eight stories of women who have murdered their partners (husbands, boyfriends or significant others). It also tells 25 stories of women who have murdered their children. These 25 stories were originally published in Hell 2.5 which has since been unpublished. Many of the high profile cases were covered in the first two books in the series. Hell 3 holds many cases that may not have made national headlines but are no less chilling than the headline grabbers.The book closes with two stories from what we might call the lighter side of hell.

    

    Twenty miles up the Hudson River from Manhattan and the contemporary art scene Lissa wants to avoid, Tarrytown has a charming Main Street where she can set up her easel and paint, immersed in her subject, the way her beloved French Impressionists did. Charismatic cop Nick Bellini, whose family owns the ice cream shop she's painting, soon notices her expertise and asks her to be on the lookout for phony masterpieces he's heard are being made in town. She hesitates, afraid of being sued by unhappy art collectors, but takes the plunge after seeing a questionable Monet in the home of a local power couple. The danger goes from professional to personal when, responding to a vague request for help from another artist, she walks into his studio and finds him dead. Is there a link to the forgeries? Is someone in the arts community a murderer? Will Lissa be the next target?