Lata, in the meantime, nervously awaits the meeting between her parents and Viswas, the young man she wishes to marry. When the four meet, and in the conversations and discussions that follow, the fissures in the relationship between Jairaj and Ratna begin to explode into high-strung battles which lead back to their own youth and the tragedy that lies at the heart of their discord. The younger couple have their own issues to contend with: the obvious mismatch between the two sets of parents, the arguments over Lata's career as a dancer after marriage and, most unsettling of all, Lata's attempt to balance her parents' ambition with her own needs and desires. A brilliant study of human relationships and weaknesses framed by the age-old battle between tradition and youthful rebellion, Dance Like a Man has been hailed as one of the best works of the dramatic imagination in recent times.

    It's 1959 and the school bristles with bullies and sadistic staff. Tommy, a quirky loner, obsessed with cowboys and Indians, needs all the bravery he can summon.Salvation comes when his glamorous actress sister is swept off to Hollywood by one of his heroes, TV cowboy Ray Montane. But with the Cold War looming, the sinister side of Tinseltown seeps through and Tommy and Diane soon find themselves in jeopardy. Forty years on, Tommy has to confront his boyhood ghosts when his own son finds himself charged with murder.

    Whether in southern Italy, where as a boy he has a crush on his parents’ cabinet maker, or on a snowbound campus in New England, where his enduring passion for a girl he’ll meet again and again over the years is punctuated by anonymous encounters with men; on a tennis court in Central Park, or a sidewalk in early spring New York, his attachments are ungraspable, transient and forever underwritten by raw desire—not for just one person’s body but, inevitably, for someone else’s as well. In mapping the most inscrutable corners of desire, Aciman proves to be an unsparing reader of the human psyche and a master stylist of contemporary literature. With language at once lyrical, bare-knuckled, and unabashedly candid, he casts a sensuous, shimmering light over each facet of desire to probe how we ache, want, and waver, and ultimately how we sometimes falter and let go of those who may want only to offer what we crave from them. Behind every step the hero takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love always casts its luminous halo. We may not always know what we want. We may remain enigmas to ourselves and others. But sooner or later we discover who we’ve always known we were.

    With these tumultuous events as inspiration, Jane’s breathtaking first novel adapts her story for a truly epic romance that captures the hope and the heartbreak that have made the television drama so beloved. Snow Falling is a sweeping historical romance set in 1902 Miami—a time of railroad tycoons, hotel booms, and exciting expansion for the Magic City. Working at the lavish Regal Sol hotel and newly engaged to Pinkerton Detective Martin Cadden, Josephine Galena Valencia has big dreams for her future. Then, a figure from her past reemerges to change her life forever: the hotel’s dapper owner, railroad tycoon Rake Solvino. The captivating robber baron sets her heart aflame once more, leading to a champagne-fueled night together. But when their indiscretion results in an unexpected complication, Josephine struggles to decide whether her heart truly belongs with heroic Martin or dashing Rake. Meanwhile, in an effort to capture an elusive crime lord terrorizing the city, Detective Cadden scours the back alleys of the Magic City, tracking the nefarious villain to the Regal Sol and discovering a surprising connection to the Solvino family. However, just when it looks like Josephine’s true heart’s desire is clear, danger strikes. Will her dreams for the future dissolve like so much falling snow or might Josephine finally get the happy ever after she’s been dreaming of for so long?

    She has just moved to Bangalore to head a project. Always engaged in work, somewhere she has imagined a list of qualities her guy should have. But as her fate would have it, she bumps into a guy who works in the same office as hers. And not only that, he's a flirt, a prankster, who calls himself the Avi Malhotra, who not only misfits the list, but also manages to get a rise out of the generally very easy going Shewali.What follows is, daily fights, gradual friendship, sudden likeness, and then–? All the rules of the artist's sketch of their better half are thus broken.But, what rules do you follow when you start falling in love? Will the phrase "Opposites attract" hold true for them?

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    Peanut, the battles escalate, fuelled by their vastly divergent views on raising a child. Will their many differences – so endearing at the start of their romance – actually turn out to mean that they are just incompatible? Will they ever manage to agree on anything? Or have they just bitten off more than they can chew?A fresh and honest take on marriage and parenthood, and all the chaos that comes with it. This is a story of self-discovery that will have you laughing out loud – and sympathizing wholeheartedly with its quirky and likeable cast of characters.

    This collection will appeal to a new generation of Nora Roberts fans.Tonight and AlwaysWhen a renowned anthropologist agreed to help a writer research his new novel, she wasn't prepared for the passion their collaboration would spark...A Matter of ChoiceAn international smuggling ring traps a beautiful antiques dealer and a New York City cop in a web of danger and desire...Endings and BeginningsTwo Washington television reporters try to protect their love from their own professional rivalry-and the hazards of their celebrity...

    She doesn’t know how to tell her parents the truth about her marriage and return to India. But then her brother’s wedding leaves her no choice.Entrepreneur Chef Niraj (Niru) Karthik is in charge of catering for his best friend's wedding. He isn't looking forward to meeting his childhood crush—the one that got away—but he finds himself drawn to her again.Shweta has only thought of Niru as her older brother's best friend, but now she’s falling head over heels in love with him. As both try to come to terms with their true feelings, they realize that a lot more than friendship is at stake.And then, there’s Shweta’s family, mixed up in a dilemma: an overbearing father, an over-anxious mother, and three very disparate yet close siblings.Will Shweta get the love and acceptance she yearns for? Or will upholding the family honour be more important?

    . . Jenny Cavilleri, a sharp-tongued, working-class beauty studying music at Radcliffe . . .Opposites in nearly every way, Oliver and Jenny are kindred spirits from vastly different worlds. Falling deeply and powerfully, their attraction to one another defies everything they have ever believed—as they share a passion far greater than anything they dreamed possible . . . and explore the wonder of a love that must end too soon.One of the most adored novels of our time, this is the book that defined a generation—a story of uncompromising devotion, of life as it really is . . . and love that changes everything.

    Right has always meant Mr. Rich. A twenty seven-year-old publicist, she's barely able to afford her fashionable and fabulous lifestyle and often has to foot the bill for dates with Struggling Writer Nick, a sexy but perpetually strapped-for-cash guy she's dating (no commitments – really). So when Ed, Britain's wealthiest but stodgiest bachelor, enters the picture, her idea of the fairy tale romance is turned on it's head. Mr. Maybe is the tale of her heartfelt but hilarious deliberation, irresistibly chronicled by bestselling author Jane Green. On one hand, Nick makes up for his low bank-account balance by his performance in the sack, or in the bathtub, as the case may be. But life with him means little more than nightly trips to the bar, a dark and grungy apartment, and plenty of dull political tirades to boot. But those blue eyes, and that tender heart...On the other hand, there's Ed, whose luxurious house and gargantuan bank account are quite tempting to the starving Libby. But his unsavory mustache and bumbling ways make Libby wonder if the platinum AMEX and unlimited "retail therapy" are worth it. He may have fallen in love with her at first sight, but nothing seems to solve his lackluster performance in the sack – even speed reading The Joy of Sex. When the diamond shopping commences, Libby is forced to realize that the time for "maybe" is up. Taking romantic comedy to a hip, sparkling new level, Mr. Maybe is a classic tale of what happens to one girl when her heart and her head aren't looking for the same thing. With a laugh and minute and a heroine whose struggles in the dating jungle will remind you of your own, Mr. Maybe is a story that all will leave you smitten.

    But he’s harboring a secret from his daughter, a love affair he’s keeping all to himself. In “A Choice of Accommodations,” a husband’s attempt to turn an old friend’s wedding into a romantic getaway weekend with his wife takes a dark, revealing turn as the party lasts deep into the night. In “Only Goodness,” a sister eager to give her younger brother the perfect childhood she never had is overwhelmed by guilt, anguish, and anger when his alcoholism threatens her family. And in “Hema and Kaushik,” a trio of linked stories—a luminous, intensely compelling elegy of life, death, love, and fate—we follow the lives of a girl and boy who, one winter, share a house in Massachusetts. They travel from innocence to experience on separate, sometimes painful paths, until destiny brings them together again years later in Rome. Unaccustomed Earth is rich with Jhumpa Lahiri’s signature gifts: exquisite prose, emotional wisdom, and subtle renderings of the most intricate workings of the heart and mind. It is a masterful, dazzling work of a writer at the peak of her powers.

    Hetty doesn't mind; at least she can be miserable in private. But 'private' is a relative term in a village which revolves around the big house. Particularly when you are expected to thwart Great Uncle Samuel's awful heir, and his nefarious plans for his inheritance.Pitchforked into the community's fight to save the manor, Hetty has no time to wallow. And once she has shared her troubles with one neighbour (Caroline: a very understanding shoulder, despite her glamorous appearance and impossibly long legs), and cast an appreciative eye over another (Peter: equally long-legged, but offering rather more practical help), she wonders if her heart is irretrievably broken after all...

    But little does she know that her newfound love is only the harbinger of greater changes to come. Meanwhile, across town, Clare Hobbs—eleven years old and abandoned by her erratic mother—goes looking for her lost father. She crosses paths with Cornelia while meeting with him at the café, and the two women form an improbable friendship that carries them through the unpredictable currents of love and life.