When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    He's forty-three, newly single, and still enduring the aftershocks of a surprise divorce. He has a younger brother, Forrest, who redefines the notion of a family's black sheep.And he has a father, a very sick old man who lives alone in the ancestral home in Clanton, Mississippi. He is known to all as Judge Atlee, a beloved and powerful official who has towered over local law and politics for forty years. No longer on the bench, the Judge has withdrawn to the Atlee mansion and become a recluse.With the end in sight, Judge Atlee issues a summons for both sons to return home to Clanton, to discuss the details of his estate. It is typed by the Judge himself, on his handsome old stationery, and gives the date and time for Ray and Forrest to appear in his study.Ray reluctantly heads south, to his hometown, to the place where he grew up, which he prefers now to avoid. But the family meeting does not take place. The Judge dies too soon, and in doing so leaves behind a shocking secret known only to Ray.And perhaps someone else.

    Nobody. But when neuropsychiatrist Dr. Emma Lewis is invited to assess him, she discovers he does recall something about her own past that no one else knows.

    Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.

    Not a word, actually. A name… Everyone in the small American town of Denton is searching for Isabelle Coleman, a missing seventeen-year-old girl. All they’ve found so far is her phone and another girl they didn’t even know was missing. Mute and completely unresponsive to the world around her, it’s clear this mysterious girl has been damaged beyond repair. All Detective Josie Quinn can get from her is a name: Ramona. Currently suspended from the force for misconduct, Josie takes matters into her own hands as the name leads her to evidence linking the two girls. She knows the race is on to find Isabelle alive, and she fears there may be others… The trail leads Josie to another victim, a girl who escaped but whose case was labelled a hoax by authorities. To catch this monster, Josie must confront her own nightmares and follow her instinct to the darkest of places. But can she make it out alive? Fans of Angela Marsons, Helen Fields and Robert Dugoni will be utterly gripped and sleeping with the lights on once they discover the first in this unputdownable new crime thriller series.

    Tonight the audience waits to hear Miles discuss recent developments in his sister's case -- unaware that pieces of this complex puzzle of violence, unknown even to the author, are about to be revealed.Six years earlier, life was much simpler for everyone involved, especially seventeen-year-old Ashley Spencer, a popular high school soccer star. Then one night an intruder entered Ashley's home and murdered her father and her best friend. Traumatized and suffering from a crippling sense of survivor guilt, Ashley is ready to give up on both soccer and life until help comes from an unexpected source -- a scholarship to an elite private school is extended to her by school dean Casey Van Meter. The school quickly becomes a haven for both Ashley and her mother, Terri. As Ashley regains her sense of self through the school's soccer program, Terri joins a writing group for adults led by Joshua Maxfield, a former literary wunderkind who has disappeared from the bestseller lists since his second book was panned by both critics and fans.Then tragedy strikes again and Ashley has to run for her life, unaware that the key to her survival is in the one book she's afraid to read -- Sleeping Beauty.

    He is the Chocolate Man, a methodical serial killer who has already abducted seven children. But with number eight the Chocolate Man makes a terrible mistake: the child he takes is a little girl. Desperate and confused, this obsessive psychopath doesn't know what to do next--and neither do the police.While they scramble to predict the Chocolate Man's next move, terrified yet resourceful nine-year-old Emily Lookinland struggles to survive the clutches of a madman who is both grown-up monster and lonely child. And, caught in the middle of it all is Emily's grief-torn mother, a woman propelled by vengeance and hope, who will stop at nothing to rescue her daughter."Gripping suspense and a moving psychological portrait.. Turns the stereotype of the unstoppable, mechanical serial killer upside-down." - Publishers Weekly

    At age thirty-five he’s living in Key West, owner of a forty-two-foot charter fishing boat, The Maine. Mac served five years in the Army as an infantry officer with two tours in Afghanistan. He returned with the Silver Star, two Purple Hearts, scars that don’t tan, and a boat with a big bank loan. Truth be told, Mac’s finances are more than a little shaky.One day, Mac is sitting in the famous Green Parrot Bar in Key West, contemplating his life, and waiting for Carlos, a hotshot Miami lawyer heavily involved with anti-Castro groups. Carlos wants to hire Mac and The Maine for a ten-day fishing tournament to Cuba at the standard rate, but Mac suspects there is more to this and turns it down. The price then goes up to two million dollars, and Mac agrees to hear the deal, and meet Carlos’s clients—a beautiful Cuban-American woman named Sara Ortega, and a mysterious older Cuban exile, Eduardo Valazquez.What Mac learns is that there is sixty million American dollars hidden in Cuba by Sara’s grandfather when he fled Castro’s revolution. With the “Cuban Thaw” underway between Havana and Washington, Carlos, Eduardo, and Sara know it’s only a matter of time before someone finds the stash—by accident or on purpose. And Mac knows if he accepts this job, he’ll walk away rich…or not at all.Brilliantly written, with his signature humor, fascinating authenticity from his research trip to Cuba, and heart-pounding pace, Nelson DeMille is a true master of the genre.

    Chilling, moving and unputdownable, The Memory Wood is a thriller like no other. ************* Elijah has lived in the Memory Wood for as long as he can remember. It’s the only home he’s ever known. Elissa has only just arrived. And she’ll do everything she can to escape. When Elijah stumbles across thirteen-year-old Elissa, in the woods where her abductor is hiding her, he refuses to alert the police. Because in his twelve years, Elijah has never had a proper friend. And he doesn’t want Elissa to leave.Not only that, Elijah knows how this can end. After all, Elissa isn’t the first girl he’s found inside the Memory Wood.As her abductor’s behaviour grows more erratic, Elissa realises that outwitting strange, lonely Elijah is her only hope of survival. Their cat-and-mouse game of deception and betrayal will determine both their fates, and whether either of them will ever leave the Memory Wood . . .

    Her husband, Gray, loves her fiercely; together, they dote on their beautiful young daughter, Victory. But the bubble surrounding Annie is pricked when she senses that the demons of her past have resurfaced and, to her horror, are now creeping up on her. These are demons she can't fully recall because of a highly dissociative state that allowed her to forget. Disturbing events trigger strange and confusing memories for Annie, who realizes she has to quickly piece them together before her past comes to claim her future . . . and her daughter.

    Even though her own childhood has been plagued by deaths and disappearances.Her mother’s death, her father’s disappearance, and her boyfriend’s disappearance. The only cases that she hasn’t solved.Her obsession with finding out the truth behind her past was what led her to join the FBI.Now, she must face what may be her biggest case. In Cabin 13 there lies an uneasy feeling. The feeling of her movements being watched.When a knock on her door revealed a body on her porch and her name written on a piece of paper in the dead man’s hand. Suddenly her worlds collide.With the past still haunting her, Emma must fight past her own demons to stop the body count from rising.The woods have secrets. And this idyllic town has dark and murderous ones.Either she reveals them or risk them claiming her too.In Feathered Nest, nothing is what it seems.The Girl in Cabin 13 is about to find out that the dead may have secrets of their own.The Girl in Cabin 13 is the first book in the Emma Griffin Mystery series, it can be read as a standalone.

    So when Ruby Winter, a small girl in need of help, arrives in the middle of the night, it seems like fate.A devastating secret.But as the events behind Ruby’s arrival emerge – her mother’s death, her connection to Cat – Cat questions whether her decision to help Ruby has put her own daughter at risk.Do we get the children we deserve?Cat’s research tells her there’s no such thing as evil. Her history tells her she’s paranoid. But her instincts tell her different. And as the police fight to control a sudden spate of riots raging across the capital, Cat faces a race against time of her own…

    Maybe she’s ready now. Maybe she can trust again. Maybe it's time to let her terrifying secret past go. Then her daughter rescues a boy from drowning and their pictures are all over the news for everyone to see. Lisa's world explodes, and she finds everything she has built threatened. Not knowing whom she can trust, it's up to her to face her past to save what she holds dear.

    In the trunk of the car rests a cache of diaries dating back 200 years, tied and retied with strings through generations. The diaries carry the rules for survival that have been handed down from mother to daughter since the 19th century. But how can Hannah escape an enemy with the ability to look and sound like the people she loves? Stephen Lloyd Jones's debut novel is a sweeping thriller that extends from the present day, to Oxford in the 1970s, to Hungary at the turn of the 19th century, all tracing back to a man from an ancient royal family with a consuming passion -- a boy who can change his shape, insert himself into the intimate lives of his victims, and destroy them. If Hannah fails to end the chase now, her daughter is next in line. Only Hannah can decide how much she is willing to sacrifice to finally put a centuries-old curse to rest.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.