MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook.   At a ferry stop along the Rio Conchos, the line of cars waiting to cross stretches to the horizon. Because of a bureaucratic blunder, the boat has been stalled, with no relief in sight for the drivers—many of them American, many growing impatient to reach the border. That kind of tension can do funny things to a person’s head . . . to a trembling killer looking over his shoulder . . . to a married man escorting a beautiful stranger on an ill-advised sabbatical . . . to a honeymooner determined to have her love returned. Many others are waiting, too. Some are desperate for a second chance. And it’s only a matter of time until someone snaps—especially when they’ve all been pushed too far under the scorching Mexican sun.   Features a new Introduction by Dean Koontz   Praise for John D. MacDonald   “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King   “My favorite novelist of all time.”—Dean Koontz   “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut   “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

    Red dress, black hair, body like a knife. He takes her back to his room and wakes the next morning in a bathtub full of blood and ice, missing a kidney.Dragging himself from a hospital bed, Phineas discovers he wants to be with Jude like a hunger -- and he wants to find her and kill her. Falling for her is the start of a twisted love story that takes him from the snowy streets of Denver to the high plains of Texas where the boundaries between torturer and victim, killer and accomplice, become nightmarishly distorted.

    So, Grant Fargo argues to his grandfather Lincoln, it's perfectly all right that he's desperately in love with his first cousin, Bella—she's the only source of intelligent conversation for miles, and in a town like Verdon, it would be hard not to end up with a relative of one kind or another.Before it all plays out, men will be murdered, jailed, tarred and feathered or worse, and while everyone in the Fargo clan would kill for the family deeds, God might just end up with them instead. In Heed the Thunder, one of Thompson's earlier works, Thompson's signature style collides with a sweeping picaresque of the American prairie, in a multigenerational saga that's one part Steinbeck, two parts Dostoyevsky, and all Jim Thompson.

     La Brava, Cat Chaser, and Split Images received rave reviews and make it clear why this New York Times bestselling author has been hailed coast to coast as the hottest thriller writer of our time.

    The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

    Cain hammered high art out of the crude matter of betrayal, bloodshed, and perversity.

    With steadily increasing doses of a strange new hallucinogen, Eric finds that the drug allows him to reassemble his past in broken fragments. But as he begins to lose touch with the present, his distinction between truth and fantasy begins to crumble, creating a world where divisions between love and loss, violence and tenderness, and fact and fiction are less discernible than they ought to be.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    Until the day a shadowy rival known only as The Trader has her abducted and scarred for life as a warning to stay out of his way.Now Cay’s on her way to Mazatlan, where one of The Trader’s men has been spotted. There’s a big deal going down – but she’s not there to make a score. Just to settle one.

    Nick, an ex-bouncer, Dex, a charismatic sociopath, and Lisa, a motor-mouth junkie femme fatale. Their prey is a powerful, local businessman with an obsession for the poet Rilke. Thing is, each kidnapper has a very different agenda. Which means it's only a matter of time before the joking stops, and the ever threatening violence begins. Rilke on Black is an eerie, crooked tale of sex, obsession and betrayal. Ken Bruen's dark contemporary thriller matches a razor sharp vernacular with a country music soundtrack to create a truly intoxicating and original mix.

    He’s got a beautiful wife, but he can’t get enough of other women. And instead of bedtime stories, he regales his daughters with bloody crime stories. He’s a thinking man’s cop with a dark past and an obsessive drive to hunt down monsters who prey on the innocent. Now, there’s something haunting him. He sees a connection in a series of increasingly gruesome murders of women committed over a period of twenty years. To solve the case, Hopkins will dump all the rules and risk his career to make the final link and get the killer.

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney's office. Lora's comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past. Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice's personal history and possibly jealous of Alice's hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of drugs, prostitution, and ultimately, murder. Lora's fascination with Alice's "sins" increases in direct proportion to the escalation of her own relationship with Mike Standish, a charmingly amoral press agent who appears to know more about his old friend Alice than he reveals. The deeper Lora digs to uncover Alice's secrets, the more her own life begins to resemble Alice's sinister past -- and present. Steeped in atmospheric suspense and voyeuristic appeal, Die a Little shines as a dark star among Hollywood lights.

    It's a tough-guy mystery to please even the most bloodthirsty of fans!

    Perhaps your best friend is dating her, getting himself into debt by taking her out to fancy restaurants and buying her expensive gifts. Yet you see her for what she is... Or maybe he's the guy who has perfectly good excuses for not finding a job, so he lets his live-in girlfriend support them. She works hard to keep a roof over their head and food on the table...and in the meantime, she's running herself ragged emotionally and financially. Of course you know people like this. Everybody knows at least one. They're not who you think they are. They are charismatic, sexually attractive, and they'll completely drain you emotionally, financially, and physically. And then they'll move on to the next person. Don't let that next person be you. They're not human. They're something else...something too terrifying to imagine...