Lives will be destroyed, families will be torn apart. Trust will be broken.When the war is over, some will return to a changed world. Will they discover that glory is a lie?Claire G. Coleman's new novel takes us to a familiar world to ask what we have learned from the past. The Old Lie might not be quite what you expect.

    From career struggles to astronomical student debt to climate change angst, there's a lot to worry about. Look I Bought Plants: And Other Poems about Life and Stuff was dreamt up by two twenty-somethings—Taylor Garron and Eva Victor—who love jokes and sex, in that order. From silly slices of life to R-rated encounters, their witty, irreverent, and satirical poetry reflects on everyday challenges, relationships, and everything else there is to be anxious about.For the millennial trying to put together their IKEA furniture, your cool niece with the septum piercing, or anyone who has ever dated someone in their head, Look I Bought Plants is a funny, charming reminder that you aren't alone and we can all commiserate.• TIMELY AND RELATABLE CONTENT: Millennials may be exhausted, but their own amusing attitudes towards their exhaustion never tire! This book takes a cynical yet laughable approach—the millennial experience perfectly encapsulated in verse. Each poem is highly relatable and you may find yourself saying, "Okay, this is me."• RISING STAR AUTHORS: Eva Victor's writing is published in The New Yorker and she has appeared on various media outlets including Forbes. Taylor Garron's work has been featured in The New Yorker, The Onion, and Vulture.• GREAT PRESENT OR SELF-PURCHASE: With a vivid design, a low price point, and relatable content, Look I Bought Plants begs to be shared with all of your friends and gifted to you by your family. It's trendy and affordable—just the way millennials like it!

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

    Coleman, Omar Sakr, Future D. Fidel, Karen Wyld, Khalid Warsame, Kaya Ortiz, Roanna Gonsalves, Sarah Ross, Zoya Patel, Michelle Law and Hannah Donnelly. Edited by Michael Mohammed Ahmad. Original concept by Lena Nahlous.Published by Affirm Press in partnership with Diversity Arts Australia and Sweatshop Literacy Movement.

    

    East Asia Studies. Women's Studies. Translated from the Korean by Don Mee Choi. "Her poems are not ironic. They are direct, deliberately grotesque, theatrical, unsettling, excessive, visceral and somatic. This is feminist surrealism loaded with shifting, playful linguistics that both defile and defy traditional roles for women"--Pam Brown

    In an effort to understand desire, beauty, and love as transient anodynes to metaphysical loneliness, he invokes Constantine Cavafy, Pablo Neruda, Anna Akhmatova, and Dante Rossetti.from “Jewel-Tongued”   The stillness of a lover’s mouth   assaulted me. I never wearied of anecdotes   on the Commons, gesturing until I scattered   myself into a luminance, shining over a city   of women. Was I less human or more? I hear still   my breathing echoing off their pillows. So many   eyes like crushed flowers. Our fingers splayed   over a bed’s edge. We were blown away.

    From Aunty Boo’s surveillance of the local farmers’ sheep dip alliance to Aunty Bubby’s fireside tales of the Punic Wars, the women in this book offer sage advice to their nieces about growing up as Aboriginal girls in a white country town. Farming is not an easy pursuit for anyone, but the Aunties take all the challenges in stride, facing torrential rain, violent neighbors, and injured dogs with an equal mix of humor and courage.

    When Stephanie Wood meets a sweet man who owns a farm and property, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man?When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation. She also finds she is not alone; that the world is full of smart, sassy women who have suffered at the hands of liars, cheats, narcissists, fantasists and phonies, men who are enormously skilled at deception.In this brilliantly acute and broad-ranging book, Wood, an award-winning writer and journalist, has written a riveting, important account of contemporary love, and the resilience of those who have witnessed its darkest sides.

    The trial created an enormous amount of controversy because it was almost unknown for Europeans to be charged with the murder of Aborigines. It would become the most serious trial of mass murder in Australia’s history. The trial’s prosecutor was the Attorney General of New South Wales, John Hubert Plunkett. It proved to be Plunkett’s greatest test, as it pitted his forensic brilliance and his belief in equality before the law against the combined forces of the free settlers, the squatters, the military, the emancipists, the newspapers, and even the convict population. From the bestselling author of Kidnapped and Eugenia, Murder at Myall Creek follows the journey of the man who who arguably achieved more for modern-day civil rights in Australia than anyone else before or since.

    He has affirmed his innocence ever since--his case was made fully and famously in Peter Matthiessen's bestselling In the Spirit of Crazy Horse--and many remain convinced he was wrongly convicted. Prison Writings is a wise and unsettling book, both memoir and manifesto, chronicling his life in Leavenworth Prison in Kansas. Invoking the Sun Dance, in which pain leads one to a transcendent reality, Peltier explores his suffering and the insights it has borne him. He also locates his experience within the history of the American Indian peoples and their struggles to overcome the federal government's injustices.

    But behind the glamour of a public life is a private woman. And a survivor. A Bold Life is the tale of a Sandgate girl who chased her dream of being a cabaret star to New York, only to find herself stranded in a violent marriage to a dangerous drug addict. It's the journey of a unique and driven woman who built a remarkable 50-year career in one of the most fickle and male-dominated industries of all, and instigated some of the most iconic moments in Australian TV history along the way.Yet away from the spotlight Kerri-Anne has stared down a series of personal crises with grace and dignity, the latest in 2016 when a freak fall left John, her devoted husband of 33 years, a quadriplegic. On their long road to recovery Kerri-Anne found herself reflecting on a lifetime's memories, good and bad.Honest, fabulous, powerful and poignant, this is Kerri-Anne Kennerley's own extraordinary and inspiring story of A Bold Life.

    It is especially a cry from the heart. As if the tenderness and poetry were dumbfounded before the eruption of a volcano. Natasha Kanapé Fontaine reveals herself as a poet and Innu woman. She loves. She cries. She shouts ... to come into the world again. "A beautiful collection of poems that has the reader enter the Borean “countryside” and walk through it, almost spiritually, and brings us to very roots of a tradition that reunites the dead and living, and with it, the burning ancestral memories that provide a possibility of endless secrets of stones and matter." —Hugues Corriveau, Le Devoir This collection is primarily a search within oneself, of love, the body en route to expectation and ecstasy; a search supported by a lively writing, an explosion of impressions towards nature evocative of a Dali painting. The energy of the image surprises here, one is amazed by the force of this bright and concise language. "Natasha Kanapé Fontaine speaks of blades, vertebrae, back, nerves; she uses a whole lexicon of the skeleton that evokes the structure of the body, its frame, which supports it, which gives it its strength. A call to movement, her poetry is one of action rather than contemplation: we dance, we are walking, we are standing. "—Cousins ​​de personnes (Paris) "Natasha Kanapé Fontaine has written a book as pure as a diamond taken from coal, like the first sentence uttered after awakening from being drunk the night before. She has succeeded, in these deeply moving pages, to begin to ask the fundamental questions of origins, beauty, death and the passage of time.” —Maxime Catellier, Le Libraire (Quebec)

    This new selection of Gwen Hardwood's work includes poems from The Present Tense, published shortly before her death in 1995, as well as poems not included in earlier editions of Selected Poems.

    When an old friend convinces her to give two adolescent boys a temporary home, she is torn between a growing love for these orphans and the grief in her past.After his marriage fell apart, Roman Taylor has focused on his career. An unexpected phone call sends him rushing to Abby's side where he is drawn into his estranged wife's new life - a life that could offer a future he thought he'd lost forever.Will they seize this second chance to have a family of their own? Or will fate once again destroy their dreams?Welcome to Bindarra Creek - A Town Reborn, a fictional town set on the western slopes of the New England tablelands. Take me Home is the first book in a eight book series by best-selling authors. With a community full of quirky characters, the books feature compelling romance, heart-warming family life, drama, and even suspense.