The only thing getting her through the guilt of taking the trip against her father's wishes is the beautiful sunset in the hills and the echoes of her heartfelt conversations with Arjun. As she uncovers some secrets of her mother's life from the diary throughout the trip, she struggles against the fate decided for her and dares to hope for something more out of her life and with Arjun.But when her father's constant demands to come back home threaten to cut her trip short, Saanchi must make a choice. Will she go back to her restrictive life or take a chance at living life on her terms?***That Summer - Nivedita KarmaranAfter being forced to spend that summer at Bungalow No. 64, a thirteen-year-old recluse yet free-spirited Rashi Anand, who is bored of her parents’ monotonous lives forms an unexpected friendship with the maintenance man of her guarded society, Lalit. She should have nothing to do with him, yet they find themselves comforting and confiding in each other. But is such friendship considered forbidden? Would Rashi rebel to rescue her friendship and will their friendship stand the test of time?

    Her character is similar to that of many women we see in our lives. But what is different is the dramatic twist in the tale, which you won’t see coming. The protagonist Gauri is patient and persistent, with an undying love and affection for her husband, much like many women in the country. Indeed, Gauri’s story is the tale of many women in India, who sacrifice their needs, desires and dreams for the sake of people dear to them. This work of fiction is a tribute to every unsung woman in every household. A big salute to these strong women, without whom society will perish.

    

    When fortune deserts Jai and his carefully ordered life spins inexorably out of control, Jai stands on the brink of ruin. Only a delayed monsoon can save Jai’s biggest project from disaster, but there are millions across the land praying for the exact opposite. Reason seems to have its limits - the weather defies all prediction, let alone control. Will Jai relinquish the beliefs of a lifetime? Will he reconcile with the awful ambiguity about his past? Will he be able to save his crumbling marriage?

    His handicraft imports business has unexpectedly collapsed and cash is drying out quickly, his wife thinks he is a loser and society considers him irrelevant. Meanwhile, his closest friends and family all seem to be running flourishing businesses and living luxurious lives in Surat, the diamond capital of India. A trip to China to scout for a new consumer goods business offers a glimmer of hope. But Raghu instead gets sucked into the black-market trade in the back alleys of Beijing. Everything about this new opportunity goes against his god-fearing, vegetarian, middle-class mindset - can he quash his natural instincts to make a success of it? Darkly comical, 'Made in China' is a soul-stirring and thrilling entrepreneurial journey of a man willing to do anything he can to make it big.

    

    A paranormal investigator who doubles as a primary suspect…”Among the naked trees whose branches faced heavenwards in despair at the desolation surrounding them lies a woman whose death is violent every bit unnatural.Victoria Brooks - a leading homicide investigator is called for. As she races against time to solve the murders, the body count is on the rise and supernatural elements are at play. Her ability to see the dead causes her to unravel clues that point to her past. Accompanying her in this investigation is Paranormal Investigator Jonathan Steel.

When time almost runs out,Victoria's dark past might be the only way to survive this ordeal.With not-so-human entities at play, will they uncover the secrets behind these mysterious deaths?

    The novel starts with the news of theft of an ancient idol of Goddess Saraswati from a Hoysala temple. The journalist visits the place, which incidentally happens to be his ancestral town. The canvas of the novel encompasses almost the whole of India and most of the spheres like education, communal politics, business, political corruption and destruction of traditional moral values. The novel ends with the clamping of the so-called Emergency by Indira Gandhi in 1975.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    But MT Vasudevan Nair (popularly known as “MT”) turned him into a three-dimensional figure, more sensitive and thoughtful than he is usually given credit for. “He took familiar building blocks and created an entirely new, incredibly compelling construct from them,” says Prem Panicker, senior journalist, Rediff.com co-founder and a long-time admirer of MT’s work.

    The firstborn, the ‘original’ scion of Ikshvaku, the daughter of Dasharatha and Kaushalya, who came before Rama, Lakshmana, Bharata and Shatrughana. Shanta, as her named suggested, preferred solitude to her royal status of the princess of Ayodhya. She yearned for love—from her parents, who were obsessed with producing a male heir for their kingdom. After the passing of many years, when Dasharatha lies on his death bed pining for his son, Rama who has been banished to the forest for 14 long years, it is Shanta who is besides her father, but watches helplessly as Dasharatha doesn’t even recognize her. In this fascinating and hitherto unknown account, Shanta: The Story of Rama’s Sister, Anand Neelakantan tells the story of a woman who makes sacrifice her life’s mission, propelled by love, affection and a commitment to the land of her birth, Ayodhya.

     Three closely knit people, Karma, Diana & Ghazal meet at the crossroads of life, unaware of the cosmic conspiracy and its comical destiny. Heart is their road, love is their journey and the soul, the final destination. Sailing on the tides of emotions, they encounter deceit, with a tinge of poison and drop of bliss. Forever love; it is a myth? Or a reality? Is it stifling pain or undying love, that makes love eternal? Come, let us explore!

     Feeling stuck and overwhelmed by society's pressures, how can we learn, in today's fast paced and results driven world, to truly dream beyond shadows? Having touched the hearts of readers across the globe, Dream Beyond Shadows has now been published in its second edition, to celebrate the raw and compelling art of storytelling inscribed in its pages. The book chronicles a turning point in the author's life, a moment when he decided to turn against the current of his life and move in the opposite direction of social expectations and his own conditioned fears.

    Set in early 19th century Bengal, their old rivalry now manifests itself as a historical clash between a landed aristocracy declining under the Permanent Settlement system introduced by the British, and the newly rising comprador bourgeosie patronized by these very colonial masters. Yogayog (1929) is remarkable for its astonishingly strong feminist sentiments, marked by Tagore's insight into the emotions and aspirations of women caged in domesticity and strapped by conventional morality.

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.