Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

    The city lies under the dark cloud of the Troubles, and hatred fills the air like smoke. But Tony Macaulay has just turned twelve and he’s got a new job. He’s going to be a paperboy. And come rain or shine – or bombs and mortar – he will deliver…Paperboy lives in Upper Shankill, Belfast, in the heart of the conflict between Loyalists and Republicans. Bombings are on the evening news, rubble lies where buildings once stood, and rumours spread like wildfire about the IRA and the UDA.But Paperboy lives in a world of Doctor Who, Top of the Pops and fish suppers. His battles are fought with all the passion of Ireland’s opposing sides – but against acne, the dentist and the ‘wee hoods’ who rob his paper money. On his rounds he hums songs by the Bay City Rollers, dreams about outer space and dreams even more about the beautiful Sharon Burgess.In this touching, funny and nostalgic memoir, Tony Macaulay recounts his days growing up in Belfast during the Troubles, the harrowing years which saw neighbour fighting neighbour and brother fighting brother. But in the midst of all this turmoil, Paperboy, a scrappy upstart with a wicked sense of humour and sky-high dreams, dutifully goes about his paper round. He is a good paperboy, so he is.Paperboy proves that happiness can be found even in the darkest of times; it is a story that will charm your socks off, make you laugh out loud and brings to life the culture, stories and colourful characters of a very different – but very familiar – time.

    In particular one girl, whose family has paramilitary links, is calling her a rat. Even though Paula might not know why her mother went missing five years before, she's sure she's no traitor's daughter.But words are nothing compared to what her policeman father, PJ, is dealing with. The hot summer is simmering with violence and the entire force is focused on finding a bomber leaving devices on the routes of Orange parades.When PJ is injured at the scene of a crime, Paula is shocked to find herself next in the perpetrator's crosshairs. The threats at school don't feel so empty now, but what connection could there be? As the possibility of first love appears, will Paula be able to find out in time to save herself and follow her heart?

    Each chapter takes the title of a traditional tune, and as in a session played by brilliant improvising musicians, each tune leads into another, melodies and variations weaving in and out in a haze of talk and memory. Carson's inspired jumble of recording history, poetry, tall tales, and polemic captures the sound and vigor of a ruthlessly unsentimental music. A leading Irish poet who is also an accomplished flute player, he tells of his Belfast childhood, of learning to play music, of his travels in Ireland and America, of poteen, pub life, and the special pleasure taken in a well-made Fry "the morning after the night before." Loosely interpreted standards, as Carson points out, achieve a special kind of profundity and resonance - a tune can never be played the same way twice - so this is also a book about the poignancy of lost airs, about music as "a way of renegotiating lost time" and recognizing mortality.

    to the twentieth century. Celtic legends, the evolution of Christianity, the coming of the Vikings, and the time of the Tudors are just some of the topics covered in these pages. Juilene Osborne-McKnight addresses the events leading up to the An Gorta Mor--or the Great Hunger--which initiated the Irish immigration to America. She then follows the Irish as they travel to the new country and establish themselves as Irish-Americans. Accenting each part are whimsical yet complex Celtic drawings and an annotated bibliography of recommended books and movies.

    She has just lost her mother Tess and brother Mikey, her marriage to Joe is coming apart at the seams and her thirty-year friendship with Karen is on the rocks.While clearing out her childhood home, Carmel discovers that her mother gave birth to a baby in an Irish Mother and Baby home when she was sixteen, a place notorious for its mass burial of babies and illegal adoptions.Carmel goes on a quest for the truth about her troubled mother’s past. Her roller-coaster journey takes her from her comfortable Manchester home to the west of Ireland and to London's theatre land. It’s a journey that leads her to ask: Can we ever escape our own family history or is our destiny in our DNA?

    The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it."Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

    

    Comprehensive and engaging, The Story of Ireland is an eye-opening account of a nation that has long been shaped by forces beyond its coasts.The Story of Ireland re-examines Irish history, challenging the accepted stories and long-held myths associated with Ireland. Transporting readers to the Ireland of the past, beginning with the first settlement in A.D. 433, this is a sweeping and compelling history of one of the world's most dynamic nations. Hegarty examines how world events, including Europe's 16th century religious wars, the French and American revolutions, and Ireland's policy of neutrality during World War II, have shaped the country over the course of its long and fascinating history. With an up-to-date afterword that details the present state of affairs in Ireland, this is an essential text for readers who are fascinated by current events, politics, and history.Spanning Irish history from its earliest inhabitants to the country's current financial crisis, The Story of Ireland is an epic and brilliant re-telling of Ireland's history from a new point of view.

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    The last practitioner of an honored, centuries-old tradition, the Seanchai enthralls his assembled audience for three evenings running with narratives of foolish kings and fabled saints, of enduring accomplishments and selfless acts -- until he is banished from the household for blasphemy and moves on. But these three incomparable nights have changed young Ronan forever, setting him on the course he will follow for years to come -- as he pursues the elusive, itinerant storyteller . . . and the magical tales that are no less than the glorious saga of his tenacious, troubled, and extraordinary isle.

    Young and beautiful Alainn McCreary, healer in training to the powerful O'Brien Clan, is on the cusp of discovering she possesses vast and unusual supernatural powers, which she hopes will help her unlock the secrets of her past and break the curse on the O'Brien Clan. Alainn is counseled to hide her magical abilities, but how can she when dark forces rise up to threaten not only the O'Brien Clan, but Alainn and the life of the Chieftain's beloved, but forbidden nephew, Killian O’Brien, a man Alainn has loved as long as she can remember? The Witch's Daughter Healer, witch, and commoner Alainn McCreary battles valiantly to control her growing magical powers and to ignore her doomed yearning for noble Killian O’Brien, a man who is far above her station and betrothed to a noble, dark-eyed Scottish beauty. Alone, she continues her quest to break the bitter curse that dooms not only the powerful O’Brien Clan but also Alainn and Killian’s future happiness. Threatened by dark forces, a powerful chieftain, and a suspicious priest, loyal, valiant and handsomely virile Killian vows to fight at his beloved Alainn’s side even as he realizes time is running out for both of them. The Witch’s Daughter, set in the mystical landscape of ancient Ireland, weaves romance, adventure and the supernatural into a sensual tale of love and longing that darkly whispers “What wouldn’t you do for love?” The Chieftain's Daughter Young, pregnant witch, Alainn McCreary, is forced to rely on her mysterious and unpredictable magical powers in an attempt to protect the life of her strong and courageous new husband, Killian O’Brien, and the life of their unborn child, battling against all odds waged by a powerful and corrupt chieftain, a vengeful curse, and malevolent dark forces unleashed by a scheming demon. Set in mystically enchanting, but dark and dangerous 16th Century Ireland where fairies, witches, spirits, and demons dwell among humans, the Chieftain’s Daughter is an enticingly romantic and lustful tale of love, desire, danger, and adventure. The Chieftain's Wife As Alainn and Killian O'Brien begin their married life together, Alainn encounters many new and unexpected challenges. Stricken by the disturbing, reoccurring vision of Killian's death, she desperately seeks a way to prevent it from happening. In hope of providing a normal life for their unborn child Alainn turns from her own magical abilities, but soon realizes that doing so may endanger everyone she cares for. Set in 16th century Ireland, A Chieftain's Wife continues the captivating story of Alainn and Killian's passionate love. Past indiscretions, deep jealousy, a vindictive witch, and tragic hardships all threaten to disrupt Killian and Alainn's happiness and future together.

    or take it. Conor Doyle is a haunted man. In the winter of 1988, he returns from London to his old home town in Western Ireland, hoping to find a reason to stay. What he thought would be a joyful reunion becomes something more, as he's drawn into the fallout surrounding a shocking crime. While the Irish Garda are looking for the prime suspect, Conor's relationships are tested with jealousy and betrayal, and he must look deep inside himself to make the decision that will change his life forever.

    For much of that time the Troubles (1968–1998) dominated life in Ireland's second-biggest population centre, and during the darkest days of the conflict--in the 1970s and 1980s--riots, bombings, and indiscriminate shootings were tragically commonplace. The British army patrolled the streets in armoured vehicles and civilians were searched for guns and explosives before they were allowed entry into the shopping district of the city centre...Belfast is still a city divided...You can see Belfast's bloodstains up close and personal. This is the city that gave the world its worst ever maritime disaster, and turned it into a tourist attraction; similarly, we are perversely proud of our thousands of murders, our wounds constantly on display. You want noir? How about a painting the size of a house, a portrait of a man known to have murdered at least a dozen human beings in cold blood? Or a similar house-sized gable painting of a zombie marching across a post-apocalyptic wasteland with an AK-47 over the legend UVF: Prepared for Peace--Ready for War. As Lee Child has said, Belfast is still 'the most noir place on earth.'"