A firsthand exploration of war and the people who survive it in three of the most war-ravaged countries on earth: Sierra Leone, Chechnya, and Bougainville.

    There, the interaction of power and space is dramatically different from what occurred in Europe. In his groundbreaking book, Jeffrey Herbst places the African state-building process in a truly comparative perspective, examining the problem of state consolidation from the precolonial period, through the short but intense interlude of European colonialism, to the modern era of independent states. Herbst's bold contention--that the conditions now facing African state-builders existed long before European penetration of the continent--is sure to provoke controversy, for it runs counter to the prevailing assumption that colonialism changed everything.In identifying how the African state-building process differs from the European experience, Herbst addresses the fundamental problem confronting African leaders: how to extend authority over sparsely settled lands. Indeed, efforts to exert control over vast, inhospitable territories of low population density and varied environmental and geographical zones have resulted in devastating wars, millions of refugees, and dysfunctional governments perpetrating destructive policies.Detailing the precise political calculations of distinct African leaders, Herbst isolates the basic dynamics of African state development. In analyzing how these leaders have attempted to consolidate power, he is able to evaluate a variety of policy alternatives for dealing with the fundamental political challenges facing African states today.

    Listening to his sermons, sharing coconut-flavored ices on their walks through town, roaming through the house that held together many members of a colorful extended family, Edwidge grew profoundly attached to Joseph. He was the man who “knew all the verses for love.” And so she experiences a jumble of emotions when, at twelve, she joins her parents in New York City. She is at last reunited with her two youngest brothers, and with her mother and father, whom she has struggled to remember. But she must also leave behind Joseph and the only home she’s ever known. Edwidge tells of making a new life in a new country while fearing for the safety of those still in Haiti as the political situation deteriorates. But Brother I’m Dying soon becomes a terrifying tale of good people caught up in events beyond their control. Late in 2004, his life threatened by an angry mob, forced to flee his church, the frail, eighty-one-year-old Joseph makes his way to Miami, where he thinks he will be safe. Instead, he is detained by U.S. Customs, held by the Department of Homeland Security, brutally imprisoned, and dead within days. It was a story that made headlines around the world. His brother, Mira, will soon join him in death, but not before he holds hope in his arms: Edwidge’s firstborn, who will bear his name—and the family’s stories, both joyous and tragic—into the next generation. Told with tremendous feeling, this is a true-life epic on an intimate scale: a deeply affecting story of home and family—of two men’s lives and deaths, and of a daughter’s great love for them both.

    Gerard Prunier sets out the ethnopolitical make-up of the Sudan and explains why this rebellion is regarded as a key threat to Arab power in the country.

    His journeys took him from the back kitchens of Belfast, where men joked while making two-thousand-pound bombs, to prisons for interviews with men serving life sentences, and to the graveyards where mourners weep. Each chapter explores a world where history, faith, and human savagery determine life and death. At once moving and harrowing, Rebel Hearts is the most authoritative and insightful book ever written on the IRA.

    During the years when Brazil, India, China and the other “emerging markets” have transformed their economies, Africa's resource states remained tethered to the bottom of the industrial supply chain. While Africa accounts for about 30 per cent of the world's reserves of hydrocarbons and minerals and 14 per cent of the world's population, its share of global manufacturing stood in 2011 exactly where it stood in 2000: at 1 percent.In his first book, The Looting Machine, Tom Burgis exposes the truth about the African development miracle: for the resource states, it's a mirage. The oil, copper, diamonds, gold and coltan deposits attract a global network of traders, bankers, corporate extractors and investors who combine with venal political cabals to loot the states' value. And the vagaries of resource-dependent economies could pitch Africa's new middle class back into destitution just as quickly as they climbed out of it. The ground beneath their feet is as precarious as a Congolese mine shaft; their prosperity could spill away like crude from a busted pipeline.This catastrophic social disintegration is not merely a continuation of Africa's past as a colonial victim. The looting now is accelerating as never before. As global demand for Africa's resources rises, a handful of Africans are becoming legitimately rich but the vast majority, like the continent as a whole, is being fleeced. Outsiders tend to think of Africa as a great drain of philanthropy. But look more closely at the resource industry and the relationship between Africa and the rest of the world looks rather different. In 2010, fuel and mineral exports from Africa were worth 333 billion, more than seven times the value of the aid that went in the opposite direction. But who received the money? For every Frenchwoman who dies in childbirth, 100 die in Niger alone, the former French colony whose uranium fuels France's nuclear reactors. In petro-states like Angola three-quarters of government revenue comes from oil. The government is not funded by the people, and as result it is not beholden to them. A score of African countries whose economies depend on resources are rentier states; their people are largely serfs. The resource curse is not merely some unfortunate economic phenomenon, the product of an intangible force. What is happening in Africa's resource states is systematic looting. Like its victims, its beneficiaries have names.

    My ancestors traveled the East African desert in search of grazing land for their livestock, and the most precious resource of all—water. When they exhausted the land and the clouds disappeared from the horizon, their accumulated ancestral knowledge told them where to move next to find greener pastures. They loaded their huts and belongings onto their most obedient camels and herded their livestock to a new home.” When Shugri Said Salh was six years old, she was sent to live with her nomadic grandmother in the desert, away from the city of Mogadishu. Leaving behind her house, her parents, her father’s multiple wives, and her many siblings, she would become the last of her family to learn a once-common way of life. The desert held many risks, from drought and hunger to the threat of predators, but it also held beauty, innovation, and centuries of tradition. Shugri grew to love the freedom of roaming with her goats and the feeling of community in learning the courtship rituals, cooking songs, and poems of her people. She was even proud to face the rite of passage that all “respectable” girls undergo in Somalia, a brutal female circumcision. In time, Shugri would return to live with her siblings in the city. Ultimately, the family was forced to flee as refugees in the face of a civil war—first to Kenya, then to Canada, and finally to the United States. There, Shugri would again find herself a nomad in a strange land, learning to navigate everything from escalators to homeless shelters to, ultimately, marriage, parenthood, and nursing school. And she would approach each step of her journey with resilience and a liveliness that is all her own. At once dramatic and witty, The Last Nomad tells a story of tradition, change, and hope.

    His immense talentand fortitude propelled him to a place as one of Europe’s most renownedphilosophers, theologians, and musicians in the early twentieth century. YetSchweitzer shocked his contemporaries by forsaking worldly success andembarking on an epic journey into the wildsof French Equatorial Africa, vowing to serve as a lifelong physician to “theleast of these” in a mysterious land rife with famine, sickness, and superstition. Enduring hardship, conflict, andpersonal struggles, he and his beloved wife, Hélène, became French prisoners of war during WWI, and Hélène later battled persistent illnesses. Ken Gire’s page-turning,novelesque narrative sheds new light on Schweitzer’s faith-in-action ethic andhis commitment to honor God by celebrating the sacredness of all life.The legacy of this 1952 NobelPrize honoree endures in the thriving African hospital community that began ina humble chicken coop, in the millions who have drawn inspiration from hisexample, and in the challenge that emanates from his life story into our day.Albert Schweitzer seemed destined for greatness—and he achieved it bymaking his life his greatest sermon to a world in desperate need of hope andhealing.

    The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror–its mechanisms, rationales, and intimate relation to United States foreign policy.As ash travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear," Didion gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.

    When Kevin and Jeff die within nine months of one another—Kevin, a student enrolled in the University of Kentucky’s Reserve Officers’ Training Corps program, commits suicide and Jeff, who served in the Army as a second lieutenant, dies as a result of an IED attack in Iraq—Mark and his wife Carol find themselves reeling after the loss of two of their three children. As they begin to gather their bearings and contemplate a life without their sons, they must also come to terms with the terrible stigma that surrounds suicide in the military. This stigma is brought into high relief through the Grahams’ own experience of how their tight-knit military community marked their sons’ very different deaths. The Grahams commit themselves to fighting the military’s suicide epidemic and making sure that the families of troops who take their own lives receive the dignity and compassion that were the hallmarks of both of their sons’ lives. The Invisible Front is the story of their quest to do so. As Mark ascends the military hierarchy and eventually takes command of Fort Carson, Colorado—a sprawling base with one of the highest suicide rates in the armed forces—the Grahams assume a larger platform from which to work to reduce the stigma that surrounds mental health in the military and to develop new ways of keeping troubled troops from killing themselves. Their efforts put them in direct conflict with an entrenched military bureaucracy that considered mental health problems to be a display of weakness and that refused to acknowledge, until far too late, the severity of its suicide problem. The Grahams refuse to back down, using the pain and grief that their sons’ deaths inspired to fight to change the institution that is the cornerstone of their lives.  Yochi Dreazen, an award-winning journalist who has covered the military since 1999, has been granted remarkable access to the Graham family and, as a result, is able to tell the story of Kevin and Jeff’s legacy in the full context of America’s two long wars. The Invisible Front places the Graham family’s story against the backdrop of the military’s suicide spike, caused in part by the military’s own institutional shortcomings and its resistance to change. With great sympathy and deep understanding, The Invisible Front examines America's problematic treatment of its soldiers and offers the Graham family’s work as a new way of understanding how to minimize the risk of suicide, substance abuse and PTSD in the military.

    Yet as his mother and father lay on the ground with their hands tied, Richard used the blunt end of an ax to crush their skulls.  He was ordered to do this by a unit commander of the Lord’s Resistance Army, a rebel group that has terrorized northern Uganda for twenty years. The memory racks Richard’s slender body as he wipes away tears.” For more than twenty years, beginning in the mid-1980s, the Lord’s Resistance Army has ravaged northern Uganda. Tens of thousands have been slaughtered, and thousands more mutilated and traumatized. At least 1.5 million people have been driven from a pastoral existence into the squalor of refugee camps.             The leader of the rebel army is the rarely seen Joseph Kony, a former witchdoctor and self-professed spirit medium who continues to evade justice and wield power from somewhere near the Congo~Sudan border. Kony claims he not only can predict the future but also can control the minds of his fighters. And control them he does: the Lord’s Resistance Army consists of children who are abducted from their homes under cover of night. As initiation, the boys are forced to commit atrocities—murdering their parents, friends, and relatives—and the kidnapped girls are forced into lives of sexual slavery and labor. In First Kill Your Family, veteran journalist Peter Eichstaedt goes into the war-torn villages and refugee camps, talking to former child soldiers, child “brides,” and other victims. He examines the cultlike convictions of the army; how a pervasive belief in witchcraft, the spirit world, and the supernatural gave rise to this and other deadly movements; and what the global community can do to bring peace and justice to the region. This insightful analysis delves into the war’s foundations and argues that, much like Rwanda’s genocide, international intervention is needed to stop Africa’s virulent cycle of violence.

    Most were never heard from again. Acclaimed Nigerian novelist Helon Habila, who grew up in northern Nigeria, returned to Chibok and gained intimate access to the families of the kidnapped to offer a devastating account of this tragedy that stunned the world. With compassion and deep understanding of historical context, Habila tells the stories of the girls and the anguish of their parents; chronicles the rise of Boko Haram and the Nigerian government's inept response; and captures the indifference of the media and the international community whose attention has moved on.Employing a fiction writer's sensibility and a journalist's curiosity, THE CHIBOK GIRLS provides poignant portraits of everyday Nigerians whose lives have been transformed by extremist forces. Habila illuminates the long history of colonialism--and unmasks cultural and religious dynamics--that gave rise to the conflicts that have ravaged the region to this day.

    In February 2011, at the first stirrings of revolt, she went to Libya, and began to chronicle the personal stories of people living through a time of unprecedented danger and opportunity. She reported the progress of the revolution on the ground, from the conflict of the early months, through the toppling of Gaddafi’s regime and his savage death in the desert. In Sandstorm, she tells the full story of the events of the revolution within a rich context of Libya’s history of colonialism, monarchy and dictatorship, and explores what the future of Libya holds. Sandstorm follows the stories of six individuals, taking us inside Gaddafi’s Libya as events unfold, change accelerates, and those who had never before dared to speak, tell their stories for the first time. We see the dynamics of the insurrection both from inside the regime and through the eyes of the men and women who found themselves starting a revolution. Woven into her account is a revelatory exposé of the dysfunctional Gaddafi family, the scale of whose excesses almost surpasses belief. She tells the stories of Libyans who lived in the United States or Europe, but went home to risk everything to provide secret intelligence, or commit daring acts of civil disobedience, to bring the regime down, knowing that the punishment if caught would be torture and death. The fall of Gaddafi, who was for forty-two years the great autocrat-madman on the world stage, is among the past decade’s most dramatic pivot points. In Lindsey Hilsum, it has found its definitive chronicler.

    Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie? Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television. In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

    In the morning, a modern British army was swept aside by the onset of a seemingly unstoppable Zulu host at Isandlwana. Nearby, at a remote border outpost on the Buffalo River, a single company of the 24th Regiment and a few dozen recuperating hospital patients were passing another hot, monotonous day. News of the disaster across the river came like a bolt from the blue. Retreat was not an option. It seemed certain that the Rorke's Drift detachment would share the terrible fate of their comrades. Following on from How Can Man Die Better, Colonel Snook brings the insights of a military professional to bear in this strikingly original account. It is an extraordinary tale a victory largely achieved by the sheer bloody-mindedness in adversity of the British infantryman, fighting at the remarkable odds of over thirty to one. The heroics of all eleven VC winners are recounted in detail, and we are offered new insights into how the Zulu attack unfolded and how 150 men achieved their improbable victory. The author describes the remainder of the war, from the recovery of the lost Queen's Colour of the 24th to the climactic charge of the 17th Lancers at Ulundi. We return to Isandlwana to consider culpability, and learn of the often tragic fates of many of the war's participants. Like Wolves is a remarkable work, and the author's unbridled respect for the fighting qualities of British soldier and his abiding affection for the Zulu people shines through.