Someone [the murderer?] had covered him with a small strip of carpet.Nearby, in a ditch,lay Mrs Chandler - her face and torso bafflingly blanketed in beer cartons.The discovery made international headlines. It swiftly emerged that Dr Bogle, a brilliant specialist in solid state physics, had recently accepted a research post in Washington – and had been preparing to fly there, with his wife and children. Mrs Chandler, who’d worked as a nurse before her marriage, had been at the same New Year’s party with Gilbert Bogle the evening before. They had left separately.Scientists found that the pair had died of acute heart failure – but they could suggest no cause. There were no signs of violence: no smothering or strangulation; no hypodermic marks; no evidence, in the body tissues, of poisons, or radioactive substances of any kind.From the morning the bodies were found, the Bogle-Chandler conundrum would perplex the law’s keenest forensic minds...

    The individual copyright date for each story ranges from 1925 to 1987."The Queen of Sheba’s Nightmare" by Bertrand Russell "The Brazen Locked Room" by Isaac Asimov "Sir Dominick’s Bargain" by Sheridan LeFanu "Tapestry" by C. H. Sherman "Seven Come Heaven?" by Diane Wnorowska "The Temptation of Harringay" by H.G. Wells "The Tenancy of Mr. Eex" by Paula Volsky "The Demon Lover" by Anonymous "The Imitation Demon" by Robert Kuttner "Just a Little Thing" by Joan Vander Putten "The Devil’s Wager" by William Makepeace Thackeray "Rachaela" by Poul Anderson"Hell-Bent" by Ford McCormack "Damned Funny" by Marvin Kaye "Me, Tree" by Morgan Llywelyn "Enoch" by Robert Bloch "Catmagic" by M. Lucie Chin "The Hound" by H. P. Lovecraft "The Princess and Her Future" by Tanith Lee "Novel of the White Powder" by Arthur Machen "The Celery Stalk in the Cellar" by Saralee Terry "The Vampire Cat of Nabeshima" by Bernhardt J. Hurwood "Caliban’s Revenge" by Darrell Schweitzer "The Trilling Princess" by Jessica Amanda Salmonson "The Graveyard Rats" by Henry Kuttner "Daddy" by Earl Godwin "The Well-Meaning Mayor" by Leslie Charteris "A Madman" by Maurice Level "The Devilish Rat" by Edward Page Mitchell "Rokuro-Kubi" by Lafcadio Hearn "The Burial of the Rats" by Bram Stoker "High-Tech Insolence" by Russell Baker "Ulalume" by Edgar Allan Poe "Boogie Man" by Tappan King "The Maze and the Monster" by Edward D. Hoch "Father Meuron’s Tale" by Robert Hugh Benson "The Philosophy of Sebastian Trump or, the Art of Outrage" by William E. Kotzwinkle and Robert Shiarella "Don Juan’s Final Night" by Edmond Rostand "A Friend in Need" by W. Somerset Maugham "Armageddon" by Fredric Brown"Secret Worship" by Algernon Blackwood"Devil in the Drain" by Daniel Manus Pinkwater"I Am Returning" by Ray Russell"The Shadow Watchers" by Dick Baldwin"The Demons" by Robert Sheckley"A Ballad of Hell" by John Davidson"The Generous Gambler" by Charles Pierre Baudelaire"A Midnight Visitor" by John Kendrick Bangs"Markheim" by Robert Louis Stevenson"Lost Soul" by Jay Sheckley"The Last Demon" by Isaac Bashevis Singer"Influencing The Hell Out Of Time And Teresa Golowitz" by Parke Godwin

    Featuring a revolving cast of characters—the newly retired couple, the church warden, the musician, the small-town girl with big city dreams—Carney’s keen observations of the personalities and dramas of coastal life are instantly recognizable to readers who are familiar with life in a small community. With her narrative of dock fights, pet shows, family feuds, logging camps and the ever-present tension between islanders and property-owning “off-islanders,” Carney’s witty and perceptive voice describes how the islanders weather the storms of coastal life.Carney writes evocatively of the magical landscape of the British Columbia coast, where she has lived and worked for five decades. At the same time, she addresses the less-idyllic moments that can also characterize coastal life: power outages, winter storms, isolation. On Island brings the West Coast landscape—human and natural—to life, and gives islanders and mainland dwellers alike a taste of what it means to be “on island.”

    Fans of Folk Horror, as well as those unfamiliar with it, will find horrors galore in these stories. Themes of rural isolation and insularity, paranoia, mindless and monstrous ritual, as well as arcane ceremonies clashing against modern preoccupations run through these stories. Nosetouch Press is proud to bring The Fiends in the Furrows: An Anthology of Folk Horror to horror enthusiasts everywhere. FEATURING: Coy Hall | “Sire of the Hatchet” Sam Hicks | “Back Along the Old Track” Lindsay King-Miller | “The Fruit” Steve Toase | “The Jaws of Ouroboros” Eric J. Guignard | “The First Order of Whaleyville’s Divine Basilisk Handlers” Romey Petite | “Pumpkin, Dear” Stephanie Ellis | “The Way of the Mother” Zachary Von Houser | “Leave the Night” S.T. Gibson | “Revival”

    All argument is against it; but all belief is for it.” —Samuel Johnson   Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts—the fears they provoke, the forms they take—are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times.   Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

    Some call it the witching hour. Others call it the devil’s hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you’re here in the graveyard, you can tell yourself it’s just the wind, that the moonlight is playing tricks on your eyes, that it's only the swirling mist you see. But when you hear the graveyard gate clang shut, the dead have something to say. Here are their stories…

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    But forests are always deeper than anyone can know. Secrets are hidden in the eternal twilight of the trees. Those secrets emerge into light when Brian disappears in the forest, as his father did three decades before. His father, however, came home with no memory of the events in the depths of the forest. What has drawn Brian away? Will he emerge, shuddering and broken, as his father did, or will the forests close around him, as they have done so often before?

    In the year of Manson, war, riots, and societal upheaval, a new and more insidious evil stalks the city, leaving a grisly trail of dismembered corpses and horrifying phenomena in its wake. And the only lead the police have is a fifteen-year-old girl with terrifying powers.From the author of ‘Hell: The Possession and Exorcism of Cassie Stevens,’ comes a terrifying new tale of supernatural horror. Sometimes evil has a child's face.

    Now the weirdness has spread throughout the U.S.! Each fun and intriguing volume offers more than 250 illustrated pages of places where tourists usually don’t venture: it’s chock-full of oddball curiosities, ghostly places, local legends, crazy characters, cursed roads, and peculiar roadside attractions. What’s NOT shockingly odd here: that every previously published Weird book has become a bestseller in its region.

    Ghost stories as we know them did not develop until the late nineteenth century, but the restless dead haunted the premodern imagination in many forms, as recorded in historical narratives, theological texts, and personal letters. The Penguin Book of the Undead teems with roving hordes of dead warriors, corpses trailed by packs of barking dogs, moaning phantoms haunting deserted ruins, evil spirits emerging from burning carcasses in the form of crows, and zombies with pestilential breath.Spanning from the Hebrew scriptures to the Roman Empire, the Scandinavian sagas to medieval Europe, the Protestant Reformation to the Renaissance, this beguiling array of accounts charts our relationship with spirits and apparitions, wraiths and demons over fifteen hundred years, showing the evolution in our thinking about the ability of dead souls to return to the realm of the living--and to warn us about what awaits us in the afterlife.

    Curl up with old friends like Washington Irving's "The Devil and Tom Walker" or Charles Dickens's "Chips." Or make the acquaintance of "The Serpent Woman" and "The Skull That Spoke"--but beware of spectral visitors like "The Blood-Drawing Ghost." There's something here for everyone who likes a good shudder. . . but be prepared for goose bumps!Delightfully creepy illustrations by Katherine Coville and Jacqueline Rogers highlight this second collection of scary stories.

    Lambshead Cabinet of Curiosities. Editors Ann and Jeff Vandermeer have gathered together a spectacular array of exhibits, oddities, images, and stories by some of the most renowned and bestselling writers and artists in speculative and graphic fiction, including Ted Chiang, Mike Mignola (creator of Hellboy), China Miéville, and Michael Moorcock. A spectacularly illustrated anthology of Victorian steampunk devices and the stories behind them, The Thackery T. Lambshead Cabinet of Curiosities is a boldly original, enthrallingly imaginative, and endlessly entertaining entry into a hidden world of weird science and unnatural nature that will appeal equally to fantasy lovers and graphic novel aficionados.

    A messed-up, grown-up, Little Red Riding Hood.Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One terrible, hungover morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher named Eugene Wolff. By the time she staggers into the tent, the service is over. But as she is about to leave, she hears an unmistakable voice.She turns, and there Victor is. The same face, the same eyes, the same hands. But his hair is short and he's wearing a suit and he doesn't recognize her at all. No, he insists, she's the one suffering a delusion: he's the Reverend Wolff and his only mission is to bring his people to Jesus. Except that, as Joan soon discovers, that's not all the enigmatic Wolff is doing.With only the help of Ajean, a foul-mouthed euchre shark with a knowledge of the old ways, and her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, Joan has to find a way to remind the Reverend Wolff of who he really is. If he really is Victor. Her life, and the life of everyone she loves, depends upon it.

    It is a story of of redemption, as she overcomes the challenges of living with her fragile mother in Rotney, a brutal, East End slum where she attends the notorious comprehensive school, Rotney High, with all its perils and ugliness. Antonia’s life changes when she meets an American war hero and performance magician, who restores her confidence and gives her a stone with magical properties to protect her at the cost of his own safety. The Sunshine Stone looks at how, despite the worst circumstances, there is always hope if you are prepared to fight for your future and to accept help from any quarter it might present itself, however unlikely.