. ." or "Ashes to ashes, dust to dust," we may not know that they originated with The Book of Common Prayer, which first appeared in 1549. Like the words of the King James Bible and Shakespeare, the language of this prayer book has saturated English culture and letters. Here Alan Jacobs tells its story. Jacobs shows how The Book of Common Prayer--from its beginnings as a means of social and political control in the England of Henry VIII to its worldwide presence today--became a venerable work whose cadences express the heart of religious life for many. The book's chief maker, Thomas Cranmer, Archbishop of Canterbury, created it as the authoritative manual of Christian worship throughout England. But as Jacobs recounts, the book has had a variable and dramatic career in the complicated history of English church politics, and has been the focus of celebrations, protests, and even jail terms. As time passed, new forms of the book were made to suit the many English-speaking nations: first in Scotland, then in the new United States, and eventually wherever the British Empire extended its arm. Over time, Cranmer's book was adapted for different preferences and purposes. Jacobs vividly demonstrates how one book became many--and how it has shaped the devotional lives of men and women across the globe.

    Chesterton was one of the most well-known and beloved writers of his time. Yet he has been strangely neglected today. Dale Ahlquist's television series, The Apostle of Common Sense, introduced Chesterton to a new generation, and re-introduced him to a generation that had forgotten him. This new book now compliments this highly acclaimed series, and it is a perfect initiation...

    Nancy Abrams, a philosopher of science, lawyer, and lifelong atheist, is among them. And yet, when she turned to the recovery community to face a personal struggle, she found that imagining a higher power gave her a new freedom. Intellectually, this was quite surprising.   Meanwhile her husband, famed astrophysicist Joel Primack, was helping create a new theory of the universe based on dark matter and dark energy, and Abrams was collaborating with him on two books that put the new scientific picture into a social and political context. She wondered, “Could anything actually exist in this strange new universe that is worthy of the name ‘God?’”   In A God That Could Be Real, Abrams explores a radically new way of thinking about God. She dismantles several common assumptions about God and shows why an omniscient, omnipotent God that created the universe and plans what happens is incompatible with science—but that this doesn’t preclude a God that can comfort and empower us.   Moving away from traditional arguments for God, Abrams finds something worthy of the name “God” in the new science of emergence: just as a complex ant hill emerges from the collective behavior of individually clueless ants, and just as the global economy emerges from the interactions of billions of individuals’ choices, God, she argues, is an “emergent phenomenon” that arises from the staggering complexity of humanity’s collective aspirations and is in dialogue with every individual. This God did not create the universe—it created the meaning of the universe. It’s not universal—it’s planetary. It can’t change the world, but it helps us change the world. A God that could be real, Abrams shows us, is what humanity needs to inspire us to collectively cooperate to protect our warming planet and create a long-term civilization.

    Now How Beautiful It Is And How Easily It Can Be Broken reveals all at once the enormous stature of Mendelsohn's achievement and demonstrates why he is considered one of our greatest critics. Writing with a lively intelligence and arresting originality, he brings his distinctive combination of scholarly rigor and conversational ease to bear across eras, cultures, and genres, from Roman games to video games.His interpretations of our most talked-about films—from the work of Pedro Almodóvar to Brokeback Mountain, from United 93 and World Trade Center to 300, Marie Antoinette, and The Hours—have sparked debate and changed the way we watch movies. Just as stunning and influential are his dispatches on theater and literature, from The Producers to Jeffrey Eugenides' Middlesex, from The Lovely Bones to the works of Harold Pinter. Together these thirty brilliant and engaging essays passionately articulate the themes that have made Daniel Mendelsohn a crucial voice in today's cultural conversation: the aesthetic and indeed political dangers of imposing contemporary attitudes on the great classics; the ruinous effect of sentimentality on the national consciousness in the post-9/11 world; the vital importance of the great literature of the past for a meaningful life in the present.How Beautiful It Is And How Easily It Can Be Broken makes it clear that no other contemporary thinker is as engaged with as many aspects of our culture and its influences as Mendelsohn is, and no one practices the vanishing art of popular criticism with more acuity, humor, and feeling.

    Tolkien assembled in this new paperback edition were with one exception delivered as general lectures on particular occasions; and while they mostly arose out of Tolkien’s work in medieval literature, they are accessible to all. Two of them are concerned with Beowulf, including the well-known lecture whose title is taken for this book, and one with Sir Gawain and the Green Knight, given in the University of Glasgow in 1953.Also included in this volume is the lecture English and Welsh; the Valedictory Address to the University of Oxford in 1959; and a paper on Invented Languages delivered in 1931, with exemplification from poems in the Elvish tongues. Most famous of all is On Fairy-Stories, a discussion of the nature of fairy-tales and fantasy, which gives insight into Tolkien’s approach to the whole genre.The pieces in this collection cover a period of nearly thirty years, beginning six years before the publication of The Hobbit, with a unique ‘academic’ lecture on his invention (calling it A Secret Vice) and concluding with his farewell to professorship, five years after the publication of The Lord of the Rings.

    Aspirin, the world's most widely used drug, is based on compounds originally extracted from the bark of a willow tree, and more than a quarter of medicines found on pharmacy shelves contain plant compounds. Now Western medicine, faced with health crises such as AIDS, Alzheimer's disease, and cancer, has begun to look to the healing plants used by indigenous peoples to develop powerful new medicines. Nowhere is the search more promising than in the Amazon, the world's largest tropical forest, home to a quarter of all botanical species on this planet—as well as hundreds of Indian tribes whose medicinal plants have never been studied by Western scientists. In Tales of a Shaman's Apprentice, ethnobotanist Mark J. Plotkin recounts his travels and studies with some of the most powerful Amazonian shamans, who taught him the plant lore their tribes have spent thousands of years gleaning from the rain forest.For more than a decade, Dr. Plotkin has raced against time to harvest and record new plants before the rain forests' fragile ecosystems succumb to overdevelopment—and before the Indians abandon their own culture and learning for the seductive appeal of Western material culture. Tales of a Shaman's Apprentice relates nine of the author's quests, taking the reader along on a wild odyssey as he participates in healing rituals; discovers the secret of curare, the lethal arrow poison that kills in minutes; tries the hallucinogenic snuff epena that enables the Indians to speak with their spirit world; and earns the respect and fellowship of the mysterious shamans as he proves that he shares both their endurance and their reverence for the rain forest. Mark Plotkin combines the Darwinian spirit of the great writer-explorers of the nineteenth century—curious, discursive, and rigorously scientific—with a very modern concern for the erosion of our environment and the vanishing culture of native peoples.

    Find enlightenment with these one-hundred twenty-two traditional Buddhist Zen koans -- stories, dialogues, questions, or statements, used in Zen-practice to provoke the "great doubt," and test a student's progress in Zen practice.

    This updated edition of the Origins Award-winning game contains new art, additional Action, Weapon, and Condition cards, and a revised and updated rule book.

    Now, the author of Ageless Body, Timeless Mind, The Seven Spiritual Laws of Success, and the Way of the Wizard, creates an extraordinary fiction series built on his insights into the divine. With gripping storytelling power, The Angel is Near plunges us into a modern, globe-spanning thriller of epic proportions. Instead of guns and bombs, the weapons in this novel are far more powerful: good and evil. And at stake is the very future of humankind....Unleashes a saga of courage, terror and revelationIn a burned out village in Kosovo, two soldiers are struck down by a flash of blinding light...In New York state, a doctor runs to help a stricken neighbor, only to be charged with the bloody murder of the man he came to save...In a Nevada laboratory, a cynical scientist analyzes a bizarre life form-and discovers the impossible...All the around the world the fabric of reality is unraveling. Scientists scramble to understand it. Ordinary people confront bizarre, terrifying phenomena. And an American doctor named Michael Aulden stands at ground zero in a war of the body, mind and soul-as humankind must choose between the goodness that has always been ours, or the evil that has found a home on earth...Deepak Chopra's The Angel Is Near

    Low road critics have pawned the bestselling novels as "the literary equivalent of fast food" and as a gateway to the occult. But no one has explained the worldwide popularity of Ms. Rowling's fiction or read it as one would read Tolkien, Hemingway, or Shakespeare. The Hidden Key takes the high road to understanding Harry Potter's success, through an exploration of the series' structure, themes, and symbolism. The astonishing conclusion of this investigation is that Ms. Rowling, demonized by some Christian critics because of the magical setting of her books, is ironically writing the most charming and challenging Christian fiction for children since Lewis' Chronicles of Narnia. The Hidden Key demonstrates that all the Potter books teach Christian doctrines- sometimes with subtlety, often baldly- in their plot, imagery and character development. Lambasted by critics who have not read her books closely or are unfamiliar with traditional Christian literature, Ms. Rowling's genius has been overlooked despite her books' success. A lover and teacher of the Great Books- including the great books he reads his seven children- Mr. Granger applies his knowledge of classical philosophy and Christian traditions to reveal the secret message that explains the magic power of Harry Potter.Find out these secrets inside:What is the hidden key to Harry Potter?Is Harry's magic dangerous- or quite the opposite?What is the evidence that Rowling is a Christian novelist?Is the author an "Inkling"? How have we been so bamboozled?Who is the real-world model for Gilderoy Lockhart?Who is Harry, really? Why does Lord Voldemort want him dead?Will Wormtail kill Voldemort as Wormtongue killed Saruman? What may happen in the upcoming Potter books?How does it all end?- an unauthorized prediction.

    Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and opera."Music at the Limits" offers both a fresh perspective on canonical pieces and a celebration of neglected works by contemporary composers. Said faults the Metropolitan Opera in New York for being too conservative and laments the way in which opera superstars like Pavarotti have "reduced opera performance to a minimum of intelligence and a maximum of overproduced noise." He also reflects on the censorship of Wagner in Israel; the worrisome trend of proliferating music festivals; an opera based on the life of Malcolm X; the relationship between music and feminism; the pianist Glenn Gould; and the works of Mozart, Bach, Richard Strauss, and others.Said wrote his incisive critiques as both an insider and an authority. He saw music as a reflection of his ideas on literature and history and paid close attention to its composition and creative possibilities. Eloquent and surprising, "Music at the Limits" preserves an important dimension of Said's brilliant intellectual work and cements his reputation as one of the most influential and groundbreaking scholars of the twentieth century.

    Four books on the Sagas of Icelanders: Contents The Prose Edda Cormac?s Saga Grettir the Strong Frithiof the Bold 591 pages.