It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

     Tales from The Beach House is a satiric work of fiction that sharply captures the “Man-Bites-Dog” world of contemporary South Florida. The Beach House, a crumbling old motel, is home to a collection of eccentric residents. Amongst their ranks; a tennis pro at the end of his game, a mortuary scientist whose love life has flat-lined, a paparazzo photographer searching for scoops, a bawdy duo fronting an improbable Ponzi enterprise, a beauty from “The Islands” with a dark secret, a fried-out TV weather man who claims to channel God, a middle school principal with a soft spot for Crack, a Rod Stewart cover artist searching for redemption, and a waitress serving a side order of erotic fiction. Each member of this cohort is in search of something – fast money, an easy hustle, fleeting romance, enduring love, fame, power, dignity, happiness… a place they can call home. As well as facing their own tender, tragic, and often hilarious personal circumstances, this eclectic gang is compelled by necessity to band together when a sinister developer threatens the very existence of The Beach House. Tales from The Beach House is carefully crafted in the spirit of Carl Hiaasen’s career-long deconstruction of South Florida. Each chapter focuses on one of The Beach House’s individual apartments. These standalone stories possess interwoven subplots reminiscent of Chaucer’s The Canterbury Tales, Paul Theroux’s Hotel Honolulu and Thornton Wilder’s classic novel The Bridge of San Luis Rey. Tales from The Beach House is written in a fast-paced tabloid style, reflecting both the author’s transatlantic sensibilities and his two-decade career in the rough and tumble trenches of celebrity journalism. James Aylott was previously a Hollywood paparazzo photographer and staffer at an American supermarket tabloid. This is the author’s first work of fiction, although he was often creative in his career of entertainment newsgathering and hated letting the truth interfere with a good story. A prior resident of Berkeley, California, he is currently embedded in St. Louis, Missouri researching his follow up novel: Tales of Whiskey Tango from Misery Towers.

    Every officer should read and reread this text, to understand it, and to take its message to heart. Warfighting has stimulated discussion and debate from classrooms to wardooms, training areas to combat zones. The philosophy contained in this publication has influenced our approach to every task we have undertaken.

    . . and created the atmosphere of hate that ultimately murdered him.  Juxtaposing eloquence and violence, the highest of human ideals with the basest of human violence, this rare screenplay recreates Malcolm X as a symbol for his times . . . and as a flesh and blood black man who feels, loves, hates, and forgives through a life torn by pain, healed by faith, and finally ended by the bullets from a black brother's gun.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    until the best man Noah is targeted by a loose hosepipe, the wedding rings go walk-about, and his beloved scarlet Porsche takes on a distinctly unpleasant aroma.Can Lexie and Theo uncover what’s behind the mysterious goings on, or will the Cornish Confetti Agency be forced to close its doors to the future brides and grooms of glorious Cornwall?An uplifting, feel-good story perfect for the summer holidays, and the second book in The Cornish Confetti Agency series.

    Years later, a Malaysian journalist returns to her homeland to uncover the truth of a massacre committed during the Emergency. And in Singapore, Siew Li's niece Stella finds herself accused of being a Marxist conspirator.Jeremy Tiang's debut novel dives into the tumultuous days of leftist movements and political detentions in Singapore and Malaysia. It follows an extended family from the 1940s to the present day as they navigate the choppy political currents of the region. What happens when the things that divide us also bind us together?

    It draws upon his influential collection Singapore: The Air-Conditioned Nation (2000), on the country's politics of comfort and control, and from Singapore, Incomplete (2017), on its underdeveloped democracy. Updated for the impending transition to a new generation of leaders, this 20th anniversary edition of Air-Conditioned Nation offers critical reflections on continuity and change in Singapore’s unique political culture.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Contributed by those close to her, you may notice some are written in present tense - because to them, she's still very much alive - just not in a physical sense. the anecdotes here range from her days as a student, her many different phases in life, right up to the day of her passing. You'll find poems which Yasmin wrote, and photographs which she took (many may not know Yasmin was an accomplished poet and photographer). Also included are the last two TV commercial scripts written by her.

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    But Zoey's relaxing vacation turns out to be anything but peaceful when she meets Shane Lawson, a resort guest who bears a striking resemblance to Braden. And things get even more complicated when the resort's owner starts spilling secrets about Zoey’s aunt Nessa, the woman who raised her. Add a snarky Wellness Coordinator and Nate Holmes—Shane's grumpy friend—to the mix, and you've got the recipe for a perfect tropical storm. When Zoey comes back home with a new husband instead of tacky souvenirs, she must convince everyone she hasn't completely lost her mind. As Zoey and Shane struggle to keep the magic alive outside the resort, Zoey discovers that she isn't the only one having trouble letting go of the past. And when Nate drops a bombshell that changes everything, Zoey must decide if the old saying is true—what happens at the Moment of Zen stays at the Moment of Zen.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    They can spend all day on the beach, or not. Cruise the dusty beach roads, or never leave their deck overlooking Long Island Sound. Fill their itinerary with excursions on the Connecticut shore, or while away the hours in a shingled cottage. Every decision this week is theirs to make.Until it's not. Until life as they know it changes -- and suddenly the Martinellis have to face only each other. Face each other in The Beach Cottage and see what they have, or don't have, between them.