Something that's very hard to learn on your own. This is something about putting yourself first because it's okay to love yourself before anyone else. This is something about doing what's best for you, no matter what people say, because only you know what you deserve. This is something about being real, being real to who you are and accepting things as they come and change. This is something about your mistakes, about your flaws, and about how beautiful it is to get up and try again. This is something about being you, about using your voice when you're afraid. About building enough courage when you feel like standing up to something you don't believe in, something that's wrong. This is about you, and every day should be about you, and that's something you should always consider.

    It contains three main chapters, centred around answers to three main questions one would ask during different stages of a relationship. The questions are:What are we?Where are we going?How are we getting there?The poems, juxtaposed together with short stories take readers on a deeply reflective journey within themselves as they contemplate the deepest thoughts, doubts and hopes they carry for their past and present relationships.

    From the online hookup world of DMs, double taps, and secret texts to earth-shakingly erotic encounters under the northern stars to the ever-complicated relationship Indigenous women have with mainstream society, this poetry collection doesn't shy away from depicting the gorgeous diversity in decolonized desire. Instead, Campbell creates the most intimate of spaces, where the tea is hot and a seat is waiting, surrounded by the tantalizing laughter of aunties telling stories.These wise, jubilant poems chronicle many failed attempts at romance, with the wry humour needed to not take these heartbreaks personally, and the growth that comes from sitting in the silence of living a solo life in a world that insists everyone should be partnered up. With a knowing smile, this book side-eyes the political existence and celebrates the lived experience of an Indigenous woman falling in love and lust with those around her--but, most importantly, with herself.nedí nezų is a smart, sensual, and scandalous collection dripping in Indigenous culture yet irresistible to anyone in thrall to the magnificent disaster that is dating, sex, and relationships.

    Funny and charming, poignant and nostalgic, McLean's essays illuminate a world most of us take for granted. Among Stuart's favourites in this collection are:- the shocking truth about household dust- the importance of hardware stores- the sad, true tale of Anne, the street lady- an ode to the Popsicle, "one of the world's most perfect foods"- the story of the greatest game of Monopoly ever played.

    This latest edition includes new notes and exercises, and has a freshly designed, learning-friendly format that makes it more relevant and accessible to students of poetry in Southern Africa.

    Silas Seaweed, a savvy, street-smart investigator based in Victoria, B.C., is put on the case. His search for the young woman leads him on a trail of murder, greed and obsessive violence. Overcoming such obstacles as a pair of ruthless cocaine dealers, the murder of key witnesses and a failed attempt on his own life, Seaweed perseveres in his quest to bring a master criminal to justice, his journey taking him from the darker side of Victoria’s downtown to Nevada’s glittering casinos.Blending modern-day crime detection with age-old Coast Salish ritual, Seaweed on the Street is an absorbing, suspenseful page-turner with a pace that never lets up from the first page to the last.

    When the opportunity to work for an outdoor production of King Lear arises, she grabs it despite her utter lack of theatre experience.Things get off to a rocky start when Bea learns the artistic director, Arthur White, is a childhood friend whose presence stirs up painful memories. Then she inadvertently sparks the lascivious attentions of the aging star of the play and alienates the stage director, who happens to be his former wife. As Bea learns the ropes of her new role, her beloved but demanding father begins behaving erratically and losing himself in forgetfulness and her younger sister Cara reveals cracks in the foundation of her apparently perfect life as a devoted mother and co-owner, with her charismatic husband, of a successful raw foods restaurant.The sisters do their best to care for their father, but his deteriorating condition soon exceeds what either can handle. To make matters worse, the star of Lear is also faltering amidst the confusions of age, illness, and regret over transgressions from his past. In a masterful scene of raucous celebration whirling out of control, the various forces in Bea's life collide in a shocking act that could destroy more than one life--or reveal how those lives might come together in new and stronger ways.Tender, vivid, and powerful, Lear's Shadow is a richly satisfying exploration of how the ties of love can both bind and liberate us, and of how, even in the face of grief, we can embrace life.

    All the victims were found dead with a blood-alcohol reading far beyond safe levels, and all were last seen in the company of Gilbert Paul Jordan, who frequented the city’s bars preying on primarily middle-aged Native women. The coroner’s reports listed the cause of death of many of these women as “unnatural and accidental.”Marie Clements reconstructs the lives of these women as shaped by lost connections—to loved ones, to the land, to a way of life—lives of at times desperate, at times tender yearning for ties of communication, belonging and shelter gone dead. These are precariously vulnerable lives, so easily drawn to their end by the heat and light of a flame, lives that thirst for an end of searching in forgetfulness.

    LGBT Studies. Asian American Studies. In these poems, Leah Lakshmi Piepzna-Samarasinha explores how queer people of color resist and transform violence through love and desire. Remembering and testifying about the damage caused by the racial profiling of South Asian and Arab people post 9/11, border crossings and internal and external wars in Sri Lanka and the diaspora, LOVE CAKE also documents the persistence of survival and beauty--especially the dangerous beauty found in queer people of color loving and desiring. LOVE CAKE maps the joys and challenges of reclaiming the body and sexuality after violence, examining a family history of violence with compassion and celebrating the resilient, specific ways we create new families, take our bodies back, love, fight, and transform violence.