Lying in a hospital bed in 1915, recovering from combat wounds suffered in World War I, Apollinaire assembled the fragments of a tragicomic, mock-epic and occasionally obscene autobiography-a-clef: The Poet Assassinated. This novella recounts the life and death of Croniamantal, whose birth is -saluted- by the Eiffel Tower's -beautiful erection, - who rises through the Parisian literary world to proclaim himself - the greatest of living poets, - and who is then torn to pieces by a mob. A statue built -out of nothing, like poetry and glory, - is constructed in his honor. This translation is by Matthew Josephson, an American editor who arrived in Paris just after the war and entered the circle of avant-garde artists and poets that had been galvanized by Apollinaire's life and death. Josephson was among the first to introduce these Dadaists and Surrealists to America, via his small magazine, Broom, and among his most ambitious projects was this translation, published by Broom as a limited-edition book in 1923 and never since reprinted.

    Set amid the salon society of fin-du-siècle Paris, these sketches and short stories depict the lives, loves, manners, and motivations of a host of characters, all viewed with a famously knowing eye. By turns cuttingly satirical and bitterly moving, Proust’s portrayals are layered with imagery and feeling—whether they be of the aspiring Bouvard and Pécuchet, the deluded Madame de Breyves, or of Baldassare Silvande, steeped in memories, regret, and final understanding at the end of his life. Novelist Marcel Proust was a prominent figure in the French salons of the late 19th century; he is best remembered for his seven-volume masterpiece In Search of Lost Time.

    It is a light, summery day-dream. Accompanying The Sea Close By is the essay Summer in Algiers, a lovesong to his Mediterranean childhood.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Our story begins with falling in love with France, specifically the enchanting Dordogne. We weren’t the first and we won’t be the last. The region was an inspiration to prehistoric man, as the earliest known works of art are to be found in the nearby caves of Lascaux. From the 1000 chateaux perched on towering cliffs overhanging the meandering Dordogne River to the countless plus beaux villages (most beautiful villages) dotting the region, it is truly a magical place.The first book is a roller-coaster ride of the ups and downs of making the dream a reality, beginning with, Oh my God, are we really doing this?! To looking for the home, getting a loan, wading through the red tape of actually moving, and studying French! Finally, the most important part of making “our” dream come true, adopting a baby girl to make the journey complete.

    Her latest book, the fifth in the series, is a collection of short stories based on her newspaper articles, magazine columns and other writings about France. France in Four Seasons is a series of short (and sweet) anecdotes, designed to give a delightful and evocative insight into French life as the seasons unfold.

    

    When a television producer tries to track her down, Gloire goes on the run. From the cliffs of Brittany to the back alleys of Bombay, Big Blondes is a riotous, nonstop adventure for anyone who has ever wondered whether blondes really do have more fun.

    Combing through her stories, poems, articles, reviews, correspondence, and even her rare journalism and song lyrics, editor Barry Day has selected and arranged passages that describe her life and its preoccupations-urban living, the theater and cinema, the battle of the sexes, and death by dissipation. Best known for her scathing pieces for the New Yorker and her membership in the Algonquin Round Table ("The greatest collection of unsaleable wit in America."), Parker filled her work with a unique mix of fearlessness, melancholy, savvy, and hope. In Dorothy Parker, the irrepressible writer addresses: her early career writing for magazines; her championing of social causes such as integration; and the obsession with suicide that became another drama ("Scratch an actor...and you'll find an actress."), literature ("This is not a novel to be tossed aside lightly. It should be thrown with great force.") and much more.

    The story begins when a paragraph in a newspaper plunges the narrator into his memories as a younger man. The perspective seems to shift back and forth between the past and present, so the reader is never entirely sure if the narrator is recounting past events from memory, or retelling current events as they happen. Critics have praised the writing for its lucid and lyrical style. The narrator, of noble status who has recently come into an inheritance, decides to leave Paris, where he is living a debauched life of theater and drink, and return to the love of his youth, a peasant girl named Sylvie who has classic features and brunette hair, a "timeless ideal". She sows gloves for a living and ends up marrying another man more equal to her class. The narrator also loves a seductive actress in Paris named Aurelia, who has many suitors who tell her empty idylls of love, but none love her for who she really is, including the narrator, who sees her as a lovely illusion that fades in the daylight of reality. The narrator also loves Adrienne, of noble birth, tall with blonde hair, she is an "ideal beauty", but she lives in a convent, and dies an early death. In the end he loves all three but obtains none, seemingly for reasons both beyond and within his making.

    ‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    Broken by tragedy. Consumed by revenge.Fleur de La Fontaine attends the court of King Louis XIV at Versailles for the first time. Dazzled by the opulence, she is soon besotted with handsome courtier, Philippe de Mortain. When she believes his words of love, she gives in to his seduction – with devastating consequences.Nine months later, when the boy she has given birth to is whisked from her grasp, she flees the convent and finds shelter at the brothel of Madame Claudette.Jacques de Montagnac, a spy working for the Lieutenant General, investigates a spate of abducted children from the poorer quartiers of Paris when his path crosses Fleur’s. He searches for her son, but the trail leads to a dead end – and a dreadful realisation.Her son’s suspected fate too much to bear, Fleur decides to avenge him. With the help of her new acquaintance, the Duchess de Bouillon, Fleur visits the famous midwife, La Voisin, but it’s not the woman’s skills in childbirth that Fleur seeks.La Voisin dabbles in poisons.Will Fleur see her plan through? Or can she save herself from a tragic fate?Delve into The Shadows of Versailles and enter the sinister world of potions and black masses during the Affairs of the Poisons, a real series of events that stunned the court of the Sun King!

    The philosophy of La Rochefoucauld, which influenced French intellectuals as diverse as Voltaire and the Jansenists, is captured here in more than 600 penetrating and pithy aphorisms.

    Patricia and her husband Patrick are spending the summer in their holiday home in the Languedoc village of Morbignan la Crèbe. One hot Friday afternoon Patrick walks in with the little dog, thinking she is a stray. They have no intention of keeping her. ‘Just for tonight,’ says Patrick. ‘We will take her to the animal shelter tomorrow.’ It never happens. They spend the weekend getting to know and love the little creature, who looks at them appealingly with big brown eyes, and wags her absurd stump of a tail every time they speak to her. On the Monday her owner turns up, alerted by the Mairie. They could have handed her over. Instead Patricia finds herself saying: ‘We like your dog, Monsieur. May we keep her?’ It is the start of what will be four years as Morbignanglais, as they settle into life as permanent residents of the village. “At Home in the Pays d’Oc” is about their lives in Morbignan, the neighbours who soon become friends, the parties and the vendanges and the battles with French bureaucracy. It is the story of some of their bizarre and sometimes hilarious encounters: the Velcro bird, the builder in carpet slippers, the neighbour who cuts the phone wires, the clock that clacks, the elusive carpenter who really did have to go to a funeral.