She smiles like she is hiding a secret. She holds her head high, like she is wearing an invisible crown. The air Around her is charged with confidence, strength, and courage. Have you heard the whispers? She woke up different today. Yet it feels she has been like this always. Maybe it’s the story that has changed.About the Author‘Fragile but Unbreakable’ is how Reecha describes herself. She believes in miracles, takes life head on, and is passionate about weaving magic with her words. And now that she has found her calling, she desires to spend her entire life reading, travelling, and dwelling in her own little fictional and poetic worlds. An MBA from Loyola Institute of Business Administration, she is based out of New Delhi where she lives with her husband and two kids. She – Screw Silence is her third book.

    Eliot to Wallace Stevens), suffered many tragedies. His mother died when he was just five years old, but in 1879 the cruelest blow of all struck when his beloved son Anatole died at the age of eight. A Tomb for Anatole presents the 202 fragments of Mallarme's projected long poem in four parts. By far the poet's most personal work, he could never bring himself to complete it. To speak publicly of his immense sorrow, Mallarme concluded, "for me, it's not possible." Unpublished in France until 1961, these works are very far from the oblique, cool "pure poetry" Mallarme is famous for, poetry that sought to capturepainstakingly"l'absente de tous bouquets" (the ideal flower absent from all bouquets). Paul Auster, who first published A Tomb for Anatole with the North Point Press in 1983 (a volume long out of print), notes in his excellent introduction that facing "the ultimate horror of every parent," these fragments "have a startling unmediated quality." As Mallarme writes, it is "a vision / endlessly purified / by my tears."

    

    That is, until she crossed paths with the sexy Bless during a home visit to follow up on a child neglect complaint. Sparks immediately fly between the two, and Bless does not hesitate to make his interest known. The only problem is, Tandy is afraid to live her life without being judged and criticized by her overbearing mother. Will Tandy succumb and give Bless what he wants, or will she allow her no good ex, Marquez, to come back into her life and cause more damage than before? Bless Puckett isn’t your average twenty-one-year street hustler. He’s a damn good father to his five-year-old daughter and loves her unconditionally. Since the age of ten, his life has been anything but perfect. After being bounced from foster home to foster home as a child, he is determined to guarantee his daughter the stability that he never had. When he meets Tandy, he immediately knows that she is the woman he has prayed so hard for. The woman who will complete his family. Bless could not resist the way he felt for Tandy, however, his age and both their occupations presented a challenge. Not to mention the meddling of outside forces determined to keep them apart. All Bless wants is a chance to prove to Tandy that age ain’t nothing but a number, and that opposites do attract. Find out if Tandy will give Bless a chance. Or will she let real true love slip through her fingers? Take a ride with these characters’ and see how this love story goes.This story will leave you with your mouth wide open and wanting more.

    It enables us to recognise the ridiculous, and to empathise with life’s disasters. Take the lives of a self-deprecating couple from England, steeped in life’s troubles, and whisk them across the Channel. Laugh with them as they encounter hilarious situations en France – from troublesome workmen, the infamous bureaucracy, and even sex à la française! Take notes on this transition from English doom and gloom to la belle vie française, and follow the exploits of this oh-so-recognisable English couple. What could possibly go wrong?

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    Music.This is the one and only novel by the 20th century provocateur of French pop music and film - the legendary Serge Gainsbourg. Evguenie Sokolov is a novel about an artist who uses his intestinal gases as the medium for his scandalous artwork. Gainsbourg is both the best and the worst, yin and yang, white and black. This Jewish little Prince from Russia whose dreams were probably fueled by Anderssen, Perrault and Grimm, became, when confronted by the tragic reality of life, a moving or repugnant Quasimodo, depending on his and your state of mind. Hidden deep within this fragile, shy and aggressive man lies the soul of a poet craving tenderness, truth and integrity. -- Brigitte Bardot. Serge Gainsbourg is one of the world's great eccentrics. His kinky obsessions, smothering fashion with tastelessness, have catapulted him into super-stardom in France. - John Zorn. Translated by John and Doreen Weightman.

    Autoportrait is a physical, psychological, sexual, political, and philosophical triumph. Beyond "sincerity," Levé works toward an objectivity so radical it could pass for crudeness, triviality, even banality: the author has stripped himself bare. With the force of a set of maxims or morals, Levé's prose seems at first to be an autobiography without sentiment, as though written by a machine—until, through the accumulation of detail, and the author's dry, quizzical tone, we find ourselves disarmed, enthralled, and enraptured by nothing less than the perfect fiction . . . made entirely of facts.

    The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

    Born in the North London suburbs, his parents, Harold and Connie, both teachers, first met as teenage Communists in the 1930s Jewish East End. The family home was filled with stories of relatives in London, the United States and France and of those who had disappeared in Europe.Unlike the children around them, Rosen and his brother Brian grew up dreaming of a socialist revolution; Party meetings were held in the front room, summers were for communist camping holidays, till it all changed after a trip to East Germany, when in 1957 his parents decided to leave “the Party.” Michael followed his own journey of radical self-discovery: running away to the Aldermaston March to ban the bomb, writing and performing in experimental political theatre, getting arrested during the 1968 movements.

    "This is one of the perplexing classics of 20th-century poetry. . . . (The collection) is a fierce indictment of the modern world incarnated in city life . . ".--"The New Yorker".

    

    The poetic and cultural tradition forged by the Symbolist poets -- Baudelaire, Rimbaud, Verlaine, Appollinaire, and others -- reverberated throughout the avant garde and counter-cultures of the twentieth century. Modernism, surrealism, abstract impressionism, and the Beat movement are unthinkable without the example of these poets and their theories of art, making this reissue possibly the hippest "dead white European male" anthology ever published.Including translations by Richmond Lattimore, W. S. Merwin, Dudley Fitts, and Richard Wilbur, this anthology has stood the test of time in terms of its selection and scholarly apparatus. Now back in print after twenty years in a fresh new edition, the book features an introduction by Patti Smith that testifies to its epochal impact on her own career, as well as those of other influential latter-day poets, including Lou Reed and Jim Carroll. This rediscovered gem is sure to inspire a new generation.

    Introduction by Richard Bach. Translated by Lewis Galantière and Stuart Gilbert.