They could change day to night, turn people into animals, and punish men with eternal torture. Their whims and desires changed the course of human destiny. No legends are more fabulous than those of the Greek gods. This classic collection tells their stories.

    Passages translated from Old Norse bring this legendary world to life, from the myths of creation to ragnarök, the prophesied end of the world at the hands of Loki’s army of monsters and giants, and everything that comes in between: the long and problematic relationship between the gods and the giants, the (mis)adventures of human heroes and heroines, with their family feuds, revenges, marriages, and murders; and the interaction between the gods and mortals.Photographs and drawings show a range of Norse sites, objects, and characters, from Viking ship burials to dragons on runestones. Dr. Carolyne Larrington describes the Norse myths’ origins in pre-Christian Scandinavia and Iceland, and their survival in archaeological artifacts and written sources, from Old Norse sagas and poems to the less-approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris, and J. R. R. Tolkien, and even Game of Thrones in the resurrection of the Fimbulvetr, or “Mighty Winter."

    In course of time ice piled over the Well, and out of it grew something they called Ymir, the father of the terrible Frost Giants. Ymir was fed on the milk of a magic cow who licked the ice, and with it salt from the Well of Life. As she licked with her tongue, she formed the first of the gods, the Ǣsir, who was called Buri. Buri had a son Borr, and Borr was the father of Odin. Odin and his brothers overcame the ice and frost giants. They thrust Ymir down into the Yawning Void, and of his body they made the world we live in. They set the sea in a ring about the world, and planted the World Tree, the Ash Yggdrasill, to hold it in place. From this making of the world, to Ragnarok, the last Great Battle, Roger Lancelyn Green tells the story in one continuous narrative. It is easy to read, and there is a clear rhythm carrying through to the final climax. He has taken his material from original sources, of which he gives a brief account in his foreword. “The interest in these myths often preceded reading abilty, but this telling will be found good to read aloud, and boys and gtirls from 10 up will easily manage it for themselves. “

    We've all heard the one about the alligators that roam New York City's sewers, or how "Mikey" of Life Cereal fame died from eating Pop Rocks mixed with Coke. And what about the flustered parents who left their baby on the car roof, or the scuba diver who was found in the middle of a forest after a fire? These classic tall tales are featured here in all of their creepy glory along with hundreds of others, and they're guaranteed to amuse, enlighten, and intrigue, but be careful: they may stick in your mind forever.

    Hundreds of the beliefs passed down through the generations have their foundations in ancestry's efforts to ward off evil, which they blamed for hardship, illness, and injustice in times when life was, as often as not, "nasty, brutish, and short." Black Cats and Evil Eyes sets these superstitions in their historical and social context, explaining how fear of the devil, demons, evil spirits, and witchcraft drove people to arm themselves with rituals and talismans to repel dark forces and allow them to live long and healthy lives. In examining many of our common superstitions, this book illuminates the customs, beliefs, and practices of an ancient, and often darker, human past.

    Burg argues that the Jewish nation has been traumatized and has lost the ability to trust itself, its neighbors or the world around it. He shows that this is one of the causes for the growing nationalism and violence that are plaguing Israeli society and reverberating through Jewish communities worldwide. Burg uses his own family history--his parents were Holocaust survivors--to inform his innovative views on what the Jewish people need to do to move on and eventually live in peace with their Arab neighbors and feel comfortable in world at large. Thought-provoking, compelling, and original, this book is bound to spark a heated debate around the world.

    It was only natural that man, after gazing at such scenic wonders, would turn some of the mystery he felt into legend. Sometimes these legends attempted to explain natural phenomena, sometimes they attempted to explain an occurrence that appeared to be supernatural, and sometimes they grew up around the eccentric characters that were drawn to the isolation of these mysterious hills. This collection of eighteen stories presents some of the mystery and awe that the mountains convey, and it may alter your perception of the Blue Ridge and Smoky Mountains forever. You may never stand atop Roan Mountain during a storm without thinking you hear a ghostly choir. You may gaze at the top of Chimney Rock during a hazy summer afternoon and wonder if it really is a ghostly cavalry fight you see. If you spend the night near High Hampton, you may find yourself listening for the call of the lonesome white owl. If you stand at Wiseman's View, you will probably think that you, too, can see the Brown Mountain Lights. Standing atop Clingman's Dome, you may wonder if there really is an enchanted lake where animals flock to heal their wounds somewhere in the valley below. And you will always wonder if the fly you hear on your mountain walk means that Spearfinger is lurking nearby.For several years, folklorists Randy Russell and Janet Barnett have taught a course about Southern folklore at the North Carolina Center for Advancement of Teaching in Cullowhee, North Carolina. Russell is also the author of several mysteries, including Edgar Award nominee Hot Wire. They live in Asheville, North Carolina.

    Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from "Beauty and the Beast" to "The Robber Bridegroom." Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm's tale, "The Three Feathers," followed by a comprehensive discussion of motifs related to Jung's concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.

    

    Her father survived, but Blumenfeld's desire for revenge haunted her. This is her story -- and a fascinating study of the mechanics and psychology of vengeance. While plotting to infiltrate her father's shooter's life, Blumenfeld travels the globe gathering stories of other avengers. Through interviews with Yitzhak Rabin's assassin; members of the Albanian Blood Feud Committee; the chief of the Iranian judiciary; the mayor of Palermo, Sicily; the Israeli prime minister; priests; sports fans; fifth-grade girls; prostitutes; and more, she explores the dynamics of hate -- and the fine line that sometimes separates it from love. Ultimately, Blumenfeld's target is more complex than the stereotypical terrorist she'd long imagined. In a surprising twist, she gets revenge, but not according to traditional expectations. She discovers a third way, a choice beyond "turn the other cheek" or "an eye for an eye." And with it she answers the age-old question: what is the best revenge?

    B. Mitford traveled widely with his parents as a youth and lived in various European countries. From 1866-70, he served as an attaché with the British legation at Edo (Tokyo) — one of the first foreign diplomats to do so. During his brief stay there, Mitford lived through a period of dramatic and tumultuous change in Japanese history. A feudal nation on his arrival, Japan had entered the era of “Westernization” before he left some three years later. During that time, however, he quickly and thoroughly mastered the Japanese language and acted as an interpreter between the young Japanese Emperor and British royalty.Mitford’s famous collection of classic tales (the first to appear in English) covers an engrossing array of subjects: grisly accounts of revenge, knightly exploits, ghost stories, fairy tales, folklore, a fascinating eyewitness account of a hara-kiri ceremony, gripping narratives of vampires and samurai, Buddhist sermons, and the plots of four Noh plays.A treasury, as well, of information on most aspects of Japanese life, with information on locales, customs, and characters, the illustrated volume delights as it entertains, chronicling acts of heroism, devotion, ruthlessness, and chivalry that illuminate the island nation's culture.“One of the first and in many ways still one of the best books on Japan.” — The Japanese Times.“An excellent introduction to Japanese literature.” — Mainichi Daily News.

    The controversy was never merely academic. The legal status and security of Jews—often their very lives—depended on the answer. In WHY THE JEWS REJECTED JESUS, David Klinghoffer reveals that the Jews since ancient times accepted not only the historical existence of Jesus but the role of certain Jews in bringing about his crucifixion and death. But he also argues that they had every reason to be skeptical of claims for his divinity. For one thing, Palestine under Roman occupation had numerous charismatic would-be messiahs, so Jesus would not have been unique, nor was his following the largest of its kind. For another, the biblical prophecies about the coming of the Messiah were never fulfilled by Jesus, including an ingathering of exiles, the rise of a Davidic king who would defeat Israel’s enemies, the building of a new Temple, and recognition of God by the gentiles. Above all, the Jews understood their biblically commanded way of life, from which Jesus’s followers sought to “free” them, as precious, immutable, and eternal.Jews have long been blamed for Jesus’s death and stigmatized for rejecting him. But Jesus lived and died a relatively obscure figure at the margins of Jewish society. Indeed, it is difficult to argue that “the Jews” of his day rejected Jesus at all, since most Jews had never heard of him. The figure they really rejected, often violently, was Paul, who convinced the Jerusalem church led by Jesus’s brother to jettison the observance of Jewish law. Paul thus founded a new religion. If not for him, Christianity would likely have remained a Jewish movement, and the course of history itself would have been changed. Had the Jews accepted Jesus, Klinghoffer speculates, Christianity would not have conquered Europe, and there would be no Western civilization as we know it. WHY THE JEWS REJECTED JESUS tells the story of this long, acrimonious, and occasionally deadly debate between Christians and Jews. It is thoroughly engaging, lucidly written, and in many ways highly original. Though written from a Jewish point of view, it is also profoundly respectful of Christian sensibilities. Coming at a time when Christians and Jews are in some ways moving closer than ever before, this thoughtful and provocative book represents a genuine effort to heal the ancient rift between these two great faith traditions.

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    She takes us from the Paleolithic period and the myths of the hunters right up to the “Great Western Transformation” of the last five hundred years and the discrediting of myth by science. The history of myth is the history of humanity, our stories and beliefs, our curiosity and attempts to understand the world, which link us to our ancestors and each other. Heralding a major series of retellings of international myths by authors from around the world, Armstrong’s characteristically insightful and eloquent book serves as a brilliant and thought-provoking introduction to myth in the broadest sense—and explains why if we dismiss it, we do so at our peril.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.