It is a story of obstacles--physical, emotional, and psychic--overcome again, and again, and again. Whether riding a mule up a hillside in Iraq surrounded by mud-stained Kurdish refugees, navigating his wheelchair through intractable stretches of Middle Eastern sand, or auditioning to be the first journalist in space, John Hockenberry, ace reporter, is determined not only to bring back the story, but also to prove that nothing can hold him back from death-defying exploits. However, he will never be a poster boy for a Jerry Lewis telethon. A paraplegic since an auto accident at age nineteen, Hockenberry holds nothing back in this achingly honest, often hilarious chronicle that ranges from the Ayatollah's funeral (where his wheelchair is pushed by a friendly Iranian chanting "Death to all Americans"), to the problems of crip sex and the inaccessibility of the New York City subway system. In this immensely moving chronicle--so filled with marvelous storytelling that it reads like a novel--John Hockenberry finds that the most difficult journey is the one that begins at home, as he confronts the memories of his beloved one-armed grandfather, and finally meets his institutionalized Uncle Peter, whose very existence was long a secret buried in the family history.Moving Violations is a sometimes harrowing but ultimately joyful ride.

    The Charles Ives that emerges from Swafford's story is a precocious, well-trained musician, a brilliant if mercurial thinker about art and life, and an experimenter in the spirit of Edison and the Wright brothers.

    This is not true. He is our best critic; he thinks with a sublime ferocity."--Cynthia OzickFollowing the collection The Broken Estate--which established James Wood as the leading critic of his generation--The Irresponsible Self confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of contemporary novels.In twenty-three passionate, sparkling dispatches, he effortlessly connects his encyclopedic, passionate understanding of the literary canon with an equally earnest and appreciative view of the most discussed authors writing today, including Franzen, Pynchon, Rushdie, DeLillo, Naipaul, David Foster Wallace, and Zadie Smith.This collection includes Wood's famous and controversial attack on "hysterical realism", and his sensitive but unsparing examinations of White Teeth and Brick Lane. The Irresponsible Self is indispensable reading for anyone who cares about modern fiction.

    Also included are sections from a copy of Down and Out in Paris and London with handwritten annotations by Orwell indicating how much of the book is based on real events. Michael Shelden is the author of Friends of Promise: Cyril Connolly and the World of Horizon.

    "There is no lack of exciting material. A lover at nine, a cannibal at 18, by his own account, Rivera was prodigiously productive of art and controversy." — San Francisco Chronicle. 21 halftones.

    In Piano Notes, a finalist for a 2003 National Book Critics Circle Award, Charles Rosen, one of the world's most talented pianists, distills a lifetime of wisdom and lore into an unforgettable tour of the hidden world of piano playing. You'll read about how a note is produced, why a chord can move us, why the piano -- "hero and villain" of tonality -- has shaped the course of Western music, and why it is growing obsolete. Rosen explains what it means that Beethoven composed in his head whereas Mozart would never dream of doing so, why there are no fortissimos in the works of Ravel, and why a piano player's acrobatics have an important dramatic effect but nothing more. Ending on a contemplative note, Piano Notes offers an elegant argument that piano music "is not just sound or even significant sound" but a mechanical, physical, and fetishistic experience that faces new challenges in an era of recorded music. Rosen ponders whether piano playing will ever again be the same, and his insights astonish.

    But in this important new book, Carol Loeb Shloss reveals a different, more dramatic truth: her father loved Lucia, and they shared a deep creative bond.Lucia was born in a pauper’s hospital and educated haphazardly across Europe as her penniless father pursued his art. She wanted to strike out on her own and in her twenties emerged, to Joyce’s amazement, as a harbinger of expressive modern dance in Paris. He described her then as a wild, beautiful, “fantastic being†whose mind was “as clear and as unsparing as the lightning.†The family’s only reader of Joyce, she was a child of the imaginative realms her father created, and even after emotional turmoil wrought havoc with her and she was hospitalized in the 1930s, he saw in her a life lived in tandem with his own.Though most of the documents about Lucia have been destroyed, Shloss painstakingly reconstructs the poignant complexities of her life—and with them a vital episode in the early history of psychiatry, for in Joyce’s efforts to help her he sought the help of Europe’s most advanced doctors, including Jung. In Lucia’s world Shloss has also uncovered important material that deepens our understanding of Finnegans Wake, the book that redefined modern literature.

    In Black Planet, David Shields explores how, in a predominantly black sport, white fans--including especially himself--think about and talk about black heroes, black scapegoats, black bodies.During the 1994-95 NBA season, Shields went to the Seattle SuperSonics' home games; watched their away games on TV; listened to interviews and call-in shows; talked, or tried to talk, to players, coaches, and agents; attended charity events; corresponded with members of the Sonics newsgroup on the Web. He kept a journal and over the next few years transformed that journal into this book, which is focused sharply on white spectators' relationship to black athletes, in particular Shields' own identification with Gary Payton, the team's language-besotted point-guard.Through the apparently simple vehicle of a daily diary running from November 5, 1994 to May 5, 1995, and ranging from a dispute between two fans over the sale of a ticket to the national media frenzy surrounding Charles Barkley's jest "That's why I hate white people," David Shields confronts the nature of racism (including his own)--the otherness in ourselves that we project onto strangers. He takes us via sports passion deep into the American racial divide.From the Hardcover edition.

    Following stints leading 60s sensation the Box Tops (“The Letter”) and pioneering 70s popsters Big Star (“the ultimate American pop band”—Time), Chilton became a dishwasher. Yet he rose again in the 80s as a solo artist, producer, and trendsetter, coinventing the indie-rock genre. By the 90s, acolytes from R.E.M. to Jeff Buckley embodied Chilton’s legacy, ushering him back to the spotlight before his untimely death in 2010.In the career-spanning and revelatory A Man Called Destruction, longtime Chilton acquaintance Holly George-Warren has interviewed more than 100 bandmates, friends, and family members to flesh out a man who presided over—and influenced—four decades of American musical history, rendered here with new perspective through the adventures of a true iconoclast.

    Now, in this first full-length biography, emiment scholar Katherine Ramsland provides a revealing portrait of Anne Rice, the woman; a history of the circumstances that led to the writing of her irresistible books of the macabe and the forbidden; and in-depth analysis of her major novels, including "Interview With the Vampire, the Vampire Lestat, The Witching Hour, " and the "Sleeping Beauty" trilogy. Here is the whole story of the young Anne Rice, born Howard Allen O'Brien in a Gothic-like New Orleans to a brilliant and doomed mother and complex father, who took his daughter for walks in the decaying cemeteries of the"Big Easy" of Anne's passionate love for poet Stan Rice that began in her teen years; of their married life in the turbulent San Francisco of the 1960s; and of her first efforts as a writer, which would climax in her daughter's death. At once disturbing and fascinating, this dramatic, informative account brings to vivid life Anne Rice, the author and the woman. It is essential reading for students, fans, and anyone who wishes to better understand the stories of this masterful necromancer of words.

    Zimmer, with the full cooperation of the band, traces each of the performers from their early musical roots to their first song together in L.A.'s storied Laurel Canyon, from their addition of Neil Young to Woodstock, from their stormy years of creative conflicts through their reunions and reconciliations. A new chapter delves into Crosby's recovery from drug addiction, CSN's ongoing solo and group projects, and the making of the new CSNY album.

    But the man is pursued by an army, and his own harrowing past; and the familiar American landscape has been savaged by war and climate change until it is nearly unrecognizable.Lost Everything is a stunning novel about family and faith, what we are afraid may come to be, and how to wring hope from hopelessness.

    Symons reveals Poe as his contemporaries saw him a man struggling to make a living out of hack journalism and striving to find a backer for his new magazine, and a man whose life was beset by so many tragedies that he was often driven to excessive drinking and a string of unhealthy relationships. Fittingly written by another master in the art of crime writing, this volume brilliantly portrays the original creator of the detective story and reveals him as the genius and unashamed plagiarist that he was."

    Although Rudyard would go on to win England’s highest accolades, he never got over this lost opportunity to serve his country. When World War I broke out, John, like his father before him, wanted to fight for his country. When his military application was threatened for the same reason as his father’s—poor eyesight—Rudyard took matters into his own hands. Determined not to let history repeat itself, the elder Kipling applied all his influence to get his son a commission. The teenager who had lived his life in comfort and whose greatest concern had been pleasing his father now faced a much greater challenge—staying alive in his first battle.Geert Spillebeen’s moving fictionalized account follows the true story of John Kipling, a young man whose desire to live up to the family name threatens his very survival. It also draws attention to the senseless suffering and loss of life in this and every war.

    Schmidt reveals how each poet has transformed "a common language of poetry" into the rustic rhythms and elegiac ballads, love sonnets, and experimental postmodern verse that make up our lyrical canon.A comprehensive guided tour that is lively and always accessible, Lives of the Poets illuminates our most transcendent literary tradition.