Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    May is hiding out at an old motel in the Mojave Desert. Eddie, an old flame and childhood friend, finds her there and threatens to drag her back into the life from which she had fled. Reality and dream; truth and lies; past and present mingle in an explosive, emotional experience.

    His slow descent into semi-madness is chronicled here, in The Office, The Scripts volume 2. Following on from the phenomenal success of series 1 voted Comedy of the Year at the British Comedy Awards the second series averaged over 4 million viewers, with a 25% audience share. This book features the scripts from all six episodes and contains over 500 picture screengrabs taken from the broadcast masters and available exclusively in this BBC publication. Original and accurate and painfully funny: it will have every office in the country twitching with spasms of recognition This is a gem. The Times

    New boss, Kit Carroll, is hardly winning friends with his high-handed attitude, his foolhardy approach to production, and his tight-fisted treatment of the factory's employees. Marley Jacobs, his self-styled PA, is determined to make him see the error of his ways, and return the festive spirit to Carroll's Confectionary. Unfortunately, the little matter of their previous relationship, along with Kit's callous treatment of her when they were teenage sweethearts, keeps getting in the way of her good intentions. With encouragement from co-worker Don, romantic sister Olivia, and — astonishingly — the usually sceptical Great Uncle Charles, Marley decides to save this modern-day Mr Scrooge from himself, despite having no well-meaning ghosts to help her. But revisiting the past doesn't just stir things up for Kit. As Marley struggles to deal with bittersweet memories, present-day events take a surprising turn. Can the future be changed, after all? And is it only Kit who needs saving?

    She didn't want to marry the man rejected by her sister and she didn't want to go to the USA when her heart was set on going to London. But still, she gave in and did all of them. So she wanted to take one decision that was entirely hers. She wanted to divorce Kabir and go back to her village, Toosa. She does go back to Toosa, but her heart remains in Seattle, with Kabir.Kabir was engaged to one sister and now married to the other one. There is nothing he doesn't know about Ruchika. She is his best friend from first grade. He knows how utterly selfish, bird-brained, and irresponsible she is. He can’t trust her to make an omelet without burning the house down, let alone live with him in Seattle, without her family. But more than anything else, he refuses to be the second-best man in her life. So, if it was a divorce she wanted, he would damn well give her one.But could she please leave his heart behind?You do remember Nikki's sister Ruchika, don't you, from The Confused Bridegroom? Well, you guys said that she deserved a love story. You asked, and my imagination got its wings.

    As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths.First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car.As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people.Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

    Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.

    The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

    A successful business, wealth, and a beautiful baby girl. The only area in her life that she seemed to be lacking in was romance. Although she and Mendesses—her drag racing baby father—does a great job co-parenting they didn’t work well as a couple. Instead of focusing on love, she hustles and put all of her energy into taking care of her daughter and building her business. That is, until the charming and extremely handsome Lamont Morehouse sweeps her off her feet. Lamont grew up on the mean streets of Detroit, but because his parents saw so much potential in him, they relocated to Atlanta Georgia before he could get himself into something he couldn’t get out of. Luckily, getting Lamont out of the hood took him down another path in life. Ultimately, though, Lamont ends up right back in Detroit, but this time, instead of breaking the law, he’s enforcing it as an undercover cop. Mendesses has been running the game in underground racing for years. As the undisputed champ, quitting is the furthest thing from his mind. He’s determined to keep his championship status despite a few things lurking, threatening to compromise his livelihood. Karisma is just as beautiful and ambitious as her best friend. Tahiry, Like Tahiry, Karisma is single, but she’s ready to mingle. She has her eye on the young, money getting street racer, James but unlike most, she’s a little soft spoken about it. Luckily for Karisma, fate pushes the two together eventually. But old habits die hard and Danielle is definitely James old habit. Collins, Karisma's out of town cousin, is fresh out of a relationship and isn’t interested in starting anything new, anytime soon. She relocated to Michigan, in search of a fresh start, definitely not a new love. But when she meets the intriguing, and slick talking Mendesses, everything changes. Despite her greatest efforts, Collins ends up falling hard for him. What started out as a good year for this group of friends drastically takes a turn for the worst when a snake infiltrates the crew. Brace yourself as Londyn Lenz takes you on yet another wild journey laced with drama, deceit, lies and bloodshed.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

    The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy. An L.A. Theatre Works full-cast recording featuring: James Callis, Siobhan Hewlett, Nicholas Hormann, Martin Jarvis, Christopher Neame, Moira Quirk, Susan Sullivan, Simon Templeman and Matthew Wolf. Directed by Rosalind Ayres and recorded before a live audience.

    But both Bud and Deanie are disturbed by the powerful feelings that have grown between them, and which are turned into torture by the restraints of proper conduct. Mindful of the bad example of his own debauched sister, Bud wants to marry Deanie immediately and go to agricultural school a hope that is destroyed by his father's ambitions to put Bud through Yale and into the family oil business. Bud and Deanie promise to wait, and Bud decides that it is better for them to see less of each other in the meantime, a turn of events that plunges the unstable Deanie into an emotional crack-up and then commitment to an institution. By the time she is released their world has turned over. The stock market crash has destroyed the Stamper empire and led to suicide for Bud's father; Bud has left Yale and married a young waitress from New Haven; and Deanie has become engaged to a young man she met in the hospital. The time has come for both to start life anew, but to do this means to come to terms with the past, and this Bud and Deanie do in a final, touching scene where old ties are gently broken and each gains the sureness and strength to move on from disturbing memories to better hopes for what lies ahead.

    It is set on Long Island in the 1950s, and deals with the involvement of a very rich family named Larrabee with Sabrina Fairchild, the daughter of their family chauffeur. She is bright, well-educated, and has just returned from five years in Paris, where she has done a brilliant job as an executive in a U.S. government overseas office. She has come home to find out if she is still in love with the younger Larrabee son, David. The elder son, Linus, a cynical, good-humored tycoon who has taken control of the family fortune, detects Sabrina's feeling for his brother, and for his own amusement lays a trap to bring them together. It works: David falls in love with Sabrina and wants to marry her. At the same time, a rich young Frenchman who has known Sabrina in Paris turns up and asks her to marry him. Faced with this dilemma, Sabrina discovers it is really Linus she wants. After an amusing scene in which Sabrina's father, the chauffeur, makes a rather amazing revelation, Sabrina breaks down Linus' resistance and gets her man. An unusual number of fine character parts for actors: the beautiful mother of wit and perception; the father, whose one passion is attending funerals; the chauffeur who has been dabbling in the stock market and likes his job because it gives him time to read; the smart magazine editor who, as a house guest, is the interested observer. "SABRINA FAIR is a delightful, sparkling hit." Robert Coleman, NY Mirror.

    

    Mama, a sweet and capable manager, sees her children through childhood, manages to educate them and to see one of her daughters begin her career as a writer. Mama's sisters and uncle furnish a rich background for a great deal of comedy and a little incidental tragedy, while the doings of the children manage to keep everyone in pleasant turmoil. No description can do justice to the rich characterizations that fill the author's canvas. A High School version (ISBN 0-8222-0550-5) is also available at the same price. Groups interested should specify which version."