A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gĩkũyũ founders make to find partners for their ten beautiful daughters—called “The Perfect Nine” —and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice.Ngũgĩ’s epic is a quest for the beautiful as an ideal of living, as the motive force behind migrations of African peoples. He notes, “The epic came to me one night as a revelation of ideals of quest, courage, perseverance, unity, family; and the sense of the divine, in human struggles with nature and nurture.”

    Here are poems that bring to life her rural Missouri childhood in a family with ten children (“Oh what a wedding train / of vagabonds we were who fell asleep just where we lay”); the love between men and women as well as the devastation of widowhood (“love’s house she goes dancing her grief-stricken dance / for his unpacked suitcases, . . . / . . . / his closets of clothes where I crouch like a thief”); and the moods of nature, which schooled her (“A tree will take you in, flush riot of needles light burst, the white pine / grown through sycamore”). Throughout, touching all subjects, either implicitly or explicitly, is the call to poetry itself.The final work from one of our finest poets, The Wind Blows Through the Doors of My Heart is a uniquely intimate collection, a sustaining pleasure that will stand to remind us of Digges’s gift in decades to come.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    It can often seem like there's no way things will ever get better. I wrote this book to remind you that it will, and to give you some comfort and hope along the way. May you find the healing and love your heart deserves. -Illiana Cenjur

    For this collection, James Dickey has selected from his four published books all those poems that reflect his truest interests and his growth as an artist. And thereto he has added more than a score of new poems-in effect, a new book in themselves-that have not been previously published in volume form. Specifically, Poems 1957-1967 contains 15 of the 24 poems that were included in his first book, Into the Stone (1960); 25 of the 36 that made up Drowning With Others (1962); 22 of the 24 in Helmets (1964); the entire 22 in the National Book Award winning Buckdancer's Choice (1965); and, under the titles Sermon and Falling, the exciting new poems mentioned above. Seldom can the word "great" be used of the work of a contemporary in any art. But surely it applies to the poems of James Dickey. To test that statement, read this book. "Dickey has defined the poet as an 'intensified man.' These collected poems of his 44th year are a record of a lot of valid and immediate experience-the testimony of a man intensifying himself honestly and skillfully."-William Meredith, New York Times Book Review "One of the things we should mean when we call a poet 'good' is that his work returns us to the world and not merely to the poet. Dickey gives the moment a natural energy, not the energy of the poet's insistence upon his own personality but the energy of a vast life outside the poet which moves all things through one another and through him."-Michael Goldman, The Nation

    Wright interweaves familiar, coloquial speech with strikingly inventive language, leaving each poem a distinctive entity, yet interconnected by linked metaphors and images.

    He has been variously called a New Age surrealist, son of the New York School, a comically tragic poet who knows the pain at the heart of a joke, a lunatic, a stuffed bunny, and a fire engine of the Romantic imagination. But if these things are true, they come at us in a unique, compelling, warm, funny, poignant, and sometimes cracked voice. Each of his poems is an enactment, a representation of psychic life as it moves through modes of argument, autobiography, and conventional lyric impulses while making room for textual experimentation. For Young, what is most important is that the poem be felt and that through his work one can participate in the alarm and beauty, the fury and injury inherent in being alive.

    In a new preface, editor and translator Robert Bly explores what the poems reveal today about politics, the spirit, and the purpose of art.

    The extraordinary sequence at the heart of this book taps into the radical power of the sonnet form, bending it into a kind of metaphysical and psychological outcry. Beginning in the cramped space of selfhood―in the bedroom, cluttered with doubts, and in the throes of marital loss―these poems edge toward the clarity of “what I can know and admit to knowing.” In song and in silence, Ford inhabits the rooms of anguish and redemption with scouring exactness. This is poetry that “can break open, // it can break your life, it will break you // until you remain.” If You Have to Go is Ford’s most luminous and moving collection.

    This definitive poetry collection, originally published in 1954 to honor Stevens on his 75th birthday, contains:- "Harmonium"- "Ideas of Order"- "The Man With the Blue Guitar"- "Parts of the World"- "Transport Summer"- "The Auroras of Autumn"- "The Rock"

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    Jekyll and Mr. Hyde. For the first time in publishing history, this comprehensive eBook presents Stevenson’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 4) * Beautifully illustrated with images relating to Stevenson’s life and works * Concise introductions to the novels and other texts * ALL 16 novels, with individual contents tables * Rare unfinished novels * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Famous works such as TREASURE ISLAND are fully illustrated * Rare uncollected short stories, appearing in digital print for the first time * Special chronological and alphabetical contents tables for the poetry and the short stories * Easily locate the poems or short stories you want to read * Includes Stevenson’s letters - spend hours exploring the author’s personal correspondence * Special criticism section, with essays evaluating Stevenson’s contribution to literature * Features four biographies - discover Stevenson’s literary life * Scholarly ordering of texts into chronological order and literary genres * UPDATED with rare stories, new introductions and structural improvements Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels TREASURE ISLAND THE BLACK ARROW PRINCE OTTO THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE KIDNAPPED THE MASTER OF BALLANTRAE THE WRONG BOX THE WRECKER CATRIONA THE EBB-TIDE WEIR OF HERMISTON ST. IVES HEATHERCAT THE GREAT NORTH ROAD THE YOUNG CHEVALIER The Short Story Collections NEW ARABIAN NIGHTS MORE NEW ARABIAN NIGHTS - THE DYNAMITER THE MERRY MEN AND OTHER TALES AND FABLES ISLAND NIGHTS’ ENTERTAINMENTS FABLES TALES AND FANTASIES UNCOLLECTED STORIES The Short Stories LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER LIST OF SHORT STORIES IN ALPHABETICAL ORDER The Plays THE CHARITY BAZAAR DEACON BRODIE BEAU AUSTIN ADMIRAL GUINEA MACAIRE The Poetry Collections A CHILD’S GARDEN OF VERSES UNDERWOODS BALLADS SONGS OF TRAVEL AND OTHER VERSES ADDITIONAL POEMS NEW POEMS AND VARIANT READINGS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Travel Writing AN INLAND VOYAGE TRAVELS WITH A DONKEY IN THE CEVENNES EDINBURGH: PICTURESQUE NOTES ESSAYS OF TRAVEL ACROSS THE PLAINS THE SILVERADO SQUATTERS THE OLD AND NEW PACIFIC CAPITALS The Non-Fiction VIRGINIBUS PUERISQUE AND OTHER PAPERS FAMILIAR STUDIES OF MEN AND BOOKS MEMORIES AND PORTRAITS MEMOIR OF FLEEMING JENKIN RECORDS OF A FAMILY OF ENGINEERS ADDITIONAL MEMORIES AND PORTRAITS LATER ESSAYS LAY MORALS AND OTHER PAPERS PRAYERS WRITTEN FOR FAMILY USE AT VAILIMA A FOOTNOTE TO HISTORY IN THE SOUTH SEAS LETTERS FROM SAMOA

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    The book presented a new and urgent poetry of dream-life, mystery and music, sexual obsession and the consolations of drink - all delivered with great formal skill and imaginative daring.'One of the finest first books of poems I've read for ages.' Paul Muldoon'If you are wondering whether great poems are still being written, you ought to read Don Paterson's.' Charles Simic'One of the most ferociously talented of all British poets.' Catherine Lockerbie

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”