He is the founder of Infosys, a global software consulting company which he started with six other professionals and a seed capital of Rs. 10,000 in 1981. Not only did NRNM lead it to become a top ranking Information Technology company in the world, he also showed that it is possible to do business ethically and achieve success without bending any laws or making compromises.This book takes you through the fascinating journey of a seventeen year old who had to sacrifice his entry into the prestigious Indian Institute of Technology because his father did not have money to pay his fees, and who ultimately came up in life to head a global Information Technology company. NRN Murthy had no money, no family backing, but just a quiet gritty determination, and faith in what he believed was the future of business. The one constant factor throughout his life journey has been the adherence to the values he imbibed from his family, which he has personally and professionally lived by-hard work, fairness, decency, honesty, transparency, striving for excellence and belief in meritocracy. It is on the bedrock of these values that Infosys continues to stand firm and prosper despite the fact that NRN stepped down as CEO in 2002.Iconic leader, living legend, one of the greatest entrepreneurs of all time-NRN is all this and more. A man who set new standards of business growth and corporate governance. Written by Ritu Singh, the author of President Pratibha Patil, this book will surely inspire all the readers.

    Packed full of zingers and hilarious illustrations, if this doesn't put a smile on your face, nothing will. What's not to like:The other day someone left a piece of plasticine in my dressing room. I didn't know what to make of it. I'm against hunting. I'm actually a hunt saboteur. I go out the night before and shoot the fox. I saw this bloke chatting up a cheetah. He was trying to pull a fast one. Black holes. I don't know what people see in them. So I fancied a game of darts with my mate. He said, 'Nearest the bull goes first.' He went 'Baah' and I went 'Moo'. He said 'You're closest.' Velcro. What a rip-off. Black Beauty. He's a dark horse. I've got a sponge front door. Hey, don't knock it.

    Still, this first-hand account does shed much light on what it was really like to come under the charge of many different Indian tribes.Although Brayton’s treatment was not entirely negative or positive, his frank and blunt story does much to dispel the romantic stories that have been perpetuated about young settlers’ children who became Indian chattel. It does much to tell true history and dispel any deliberate or accidental revisions. In many cases the Indians treated Brayton well, but there can be no doubt that they stole from him and his family a life that would end up confused and stuck between two worlds. Although Brayton did finally unite with many of his natural family, he never stopped identifying with Native Americans, and he was forced to leave an Indian wife and child behind. In fact, when the War of Rebellion or Civil War broke out, Brayton enlisted and served in an American Indian brigade. Chet DembeckPublisher of One

    The book describes the visit,the Shantiniketan,its people,their lifestyle,work of Ravindranath Tagore,his philosophy and above all, the intense effect this world casts on author,in an encounter with his own ideology and philosophy of life...!

    We are led through Shashi Kapoor’s film career—his debut as a bright-eyed child-actor in Awara; his emergence, in the hectic 1970s, as India’s busiest performer—with a slew of hits including Deewaar and Trishul; and his rise to international prominence with Merchant–Ivory’s The Householder and a ‘trilogy’ of films on older men with fading pasts. Equally, we are provided with an astute analysis of Shashi Kapoor, the businessman—the proprietor of Film-Valas; the producer of Shyam Benegal films; and the distributor of Bobby.With luminous and thus-far undisclosed stories by the actor’s family (Neetu Singh, Rishi, Sanjna and Kunal Kapoor), co-stars (Shabana Azmi, Simi Garewal, Sharmila Tagore), colleagues (Shyam Benegal, Govind Nihalani, James Ivory, Hanif Kureishi, Aparna Sen), and friends; a compelling foreword by Karan Johar; and stunning photographs from Merchant–Ivory’s archives, Shashi Kapoor, the biography—by one of India’s best-known film journalists—is as captivating as Shashi Kapoor, the star.

    Before the adversaries could discover his presence, he dashed straight towards Abhiram Das, the vairagi who was holding the idol in his hands and leading the group of intruders. […] The sadhu quickly freed himself and, together with his friends, retaliated fiercely. Heavy blows began raining from all directions. Soon, the muezzin realized that he was no match for the men and that he alone would not be able to stop them.22 December 1949: A conspiracy that began with the assassination of Mahatma Gandhi culminated in the execution of the Ayodhya strategy. Late that night, a little-known sadhu, Abhiram Das, and his followers entered the Babri Masjid and planted an idol of Rama inside it. While it is known that the Hindu Mahasabha had a role in placing the idol in the mosque, the larger plot and the chain of events that led to that act have never been subject to rigorous scrutiny. Through intrepid research and investigation, Krishna Jha and Dhirendra K. Jha bring together the disparate threads of the buried narrative for the first time.Through a series of first-hand interviews with eyewitnesses and the unearthing of archival material, the authors take us behind the scenes to examine the motivations and workings of the Mahasabha members who pulled the strings. They also examine the liaison between Mahasabhaites and Hindu traditionalists in the Congress – an association that Jawaharlal Nehru sought to break in his cautious battle with Sardar Vallabhbhai Patel and the right-wing forces. Ayodhya: The Dark Night uncovers, in vivid detail, what really transpired on the fateful night that was to leave a permanent scar on the Indian polity.

    Born into a wealthy and politically conscious business family, he had an understanding of the power of money and the problems of a newly independent nation, to which he married a love for physics. This work is the story of this visionary.

    A true vagabond, Sankrityayan traveled to far lands like Russia, Korea, Japan, China and many others, where he mastered the languages of these lands and was an authority on cultural studies.The stories collectively trace the migration of Aryans from the steppes of the Eurasia to regions around the Volga river; then their movements across the Hindukush and the Himalayas and the sub-Himalayan regions; and their spread to the Indo-Gangetic plains of the subcontinent of India. The book begins in 6000 BC and ends in 1942, the year when Mahatma Gandhi, the Indian nationalist leader called for the quit India movement.

    Army, the U.S. Army Air Corps, the U.S. Marines, and the U.S. Merchant Marines.These stories are from both theaters – European and Pacific – and they span the length of the war. First we meet a young artillery officer who devises a plan to keep the Japanese at bay while besieged in the Philippines. Then we walk beside a soldier who loses his leg after the infamous Bataan Death March. Next we leap from a crippled plane with a bombardier in the skies over Nazi-occupied France, then sail with a Merchant Seaman through the U-boat infested waters of the Mediterranean, and finally stand with an awestruck Marine in the middle of downtown Nagasaki.Undaunted adds the tales of these courageous men to the historic record of American bravery and sacrifice during World War II.

    The work delightfully bridges the gap between the mundane and arcane writings of today and provides an interesting, yet intellectually stimulating, treat for the discerning reader. New Life is a long story written from the perspective of a successful adult whose mother had deserted the family for another man. The teenage angst and the scars it has left behind on the psyche of the protagonist are subtly reflected in the character. The different elements and characters of the story are beautifully interwoven to produce an intense and compelling story of an adult haunted by the trauma of being deserted by his mother. The work is interspersed with thought-provoking views on issues like love and socio-economic conditions in India. The traditional rhyme and metre dominated poems are on love, loss and longing. Unshackled by the bonds of rhyme and metre, Sabarna s free verses evoke the stark reality of urban life, hitting you straight in the guts. The use of everyday urban imagery adds to the appeal of the compositions. The concrete prison of urban life and the unfulfilled desire to escape to a simple life is aptly brought out in The Tower. The other poems of the collection are more biographical in nature with the protagonist being the member of the fairer sex. The free verses sketch out their life story with its attendant pathos, poignancy and logic. The best part of all the compositions is that the reader will definitely identify with the poet and will, in one form or other, have similar stories to narrate.

    He survives this perilous wheel of fortune, and thrives in the face of danger! I would like to add to why my book is important, is that we are true authentic Alaskans that live life off of the grid and that we have been entrepreneurs, making our living off of the land and sea. We are wilderness and off the grid consultants if that is important. On our website we have a variety of things we consult on from sport fishing, hunting, adventures, lodges/outfitters, developing or improving remote properties, and much more.

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    and I am wide awake because the man of the house has decided that he needs to perform a series of complex manoeuvres that involve him balancing on his left elbow. When I fell asleep last night, there was a baby lying next to me. Her smelly diaper is still wedged on my head but aside from this rather damp clue, I can't seem to find her anywhere. I could ask my mother-in-law if she has seen the baby, but she may just tell me that I need to fast on alternate Mondays, and God will deliver the baby back to me . . . Full of wit and delicious observations, Mrs Funnybones captures the life of the modern Indian woman—a woman who organizes dinner each evening, even as she goes to work all day, who runs her own life but has to listen to her Mummyji, who worries about her weight and the state of the country. Based on Twinkle Khanna’s super-hit column, Mrs Funnybones marks the debut of one of our funniest, most original voices.

    It's where visitors go to cajole, connive, and most of all, complain. Guests cry. They lie. Some even collapse to the floor. For these unhappy campers, Annie Salisbury was the power behind the pixie dust. Her tell-all will shock and amaze.From her unhappy start as a DisneyQuest cast member, Annie worked her way through the theme parks to Guest Relations, and then Magic Kingdom tour guide. Along the way she made friends, she made enemies; she delighted some guests, disappointed others; she discovered the vast gulf behind the public face of Disney and the backstage cauldron of politics, jealousy, and betrayal.Annie's witty, incisive memoir is a fascinating tale of day-to-day interaction with the people behind the pixie dust, and the pushy public who want some of it, no matter what: Share the pain of Annie's disastrous stints at DisneyQuest and the Great Movie Ride Learn the ins and outs of Walt Disney World Guest Relations Stand behind the counter at City Hall in Magic Kingdom and meet some of the craziest guests ever to set foot in the park Tag along with one of Annie's Magic Kingdom tour groups Meet a rogue's gallery of cast members who come to work each day to create magic ... for themselves WALT DISNEY WORLD GUEST RELATIONS: WHERE PIXIE DUST TURNS TO ACID RAIN

    Two lives. Three generations. Four places. Chitrangda Chatterjee, 32, has been moving from one dead-end offshore job to another. Kathputli’s story begins after Chitrangda has quit her latest job and sets out in search of the perfect story for her Great Indian Novel. This takes her to a family reunion of her grandmother’s clan, where a story of the long-lost daughter of a once-powerful Zamindar family begins to take shape.  Unravelling the mystery of Mala’s disappearance a few years after the brutal murder of the boy she loved becomes an obsession for Chitrangda. One which draws Chitrangda out of her shell; and introduces her to the unaccustomed joys of getting to know new people and places.  What emerges, however, undermines the very foundation of Chitrangda’s understanding of her own family.  The novel goes back and forth between Chitrangda’s present-day search for all the missing pieces of Mala’s story and the story itself, set in 1940s Kolkata.