With a final twist that will shock even his most ardent listeners, Heads You Win is #1 New York Times bestseller Jeffrey Archer’s most ambitious and creative work since Kane and Abel. Leningrad, Russia, 1968. Alexander Karpenko is no ordinary child, and from an early age, it is clear he is destined to lead his countrymen. But when his father is assassinated by the KGB for defying the state, he and his mother will have to escape from Russia if they hope to survive. At the docks, they are confronted with an irreversible choice: should they board a container ship bound for America, or Great Britain? Alexander leaves that choice to the toss of a coin . . .In a single moment, a double twist decides Alexander’s future. During an epic tale of fate and fortune, spanning two continents and thirty years, we follow his triumphs and defeats as he struggles as an immigrant to conquer his new world. As this unique story unfolds, Alexander comes to realize where his destiny lies, and accepts that he must face the past he left behind in Russia.

    The last of her kind, she finds a new purpose in protecting the remaining few thousand humans from the hostile alien races called The Compact. As humanity teeters on the edge of extinction, one human male helps her to realize her destiny. She takes on a new role as the last of the mythical Valkyries who have been given the power to decide who lives and who dies. She will need all that power and her Warrior Code discipline when an old threat from the past re-emerges, a threat that this time, she must face alone. Excerpt: A double ping brought his attention back to the display. The Compact fleet had just crossed the outer boundary of the sphere. He watched as the side bar data showed her four turrets’ status which shifted from ‘Tracking’ to ‘locked on’. He shifted his gaze back to the yellow dots just in time to see them flash brightly for half a second before becoming very faint dots that were now falling behind the rest of the still advancing fleet. “Targets hit and disabled,” said Val Ky Ree. Before Ronson could say anything, she continued. “Val Ky Ree to Compact Fleet. I have disabled the three Trior ships that are carrying torsion beam weapons. If you board those ships and examine their cargo compartments, you’ll see what’s left of those weapons. I could have destroyed those ships completely, and I can destroy all of your remaining ships just as easily, but I would prefer not to do that. You are being used by the Trior for their own ends. Now that you have seen my power, you are advised to take advantage of my patience and immediately decelerate to zero velocity. If you do not do so, I will take whatever measures are necessary to defend the humans. If all humans are killed, either now or in the future, the race that is responsible for their elimination will face the same fate. This I swear as an Aesir Warrior!” Ronson held his breath as he watched the velocity data of the Compact fleet. It wasn’t slowing down. Another translated text message scrolled across the display. [The decision to destroy all humans was made by the leaders of our races. Your Aesir are gone! By what authority do you interfere in our quest for justice!”] When Val Ky Ree replied, the volume was deafening. “I AM THE LAST OF THE VALKYRIES! THE GODS GAVE US THE POWER TO DECIDE WHO LIVES AND WHO DIES! YOU HAVE DETERMINED YOUR OWN FATE. IN ORDER FOR MY HUMANS TO LIVE, YOU MUST DIE.” Keywords: Space Opera, military science fiction, space fleet, galactic empire, war

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    In Rome, she indulges herself and gains nearly two stone. In India, she finds enlightenment through scrubbing temple floors. Finally, in Bali a toothless medicine man reveals a new path to peace, leaving her ready to find love again. Despite vowing in EAT PRAY LOVE never to go near marriage again, in COMMITTED we find Gilbert about to wed the man she fell in love with at the end of EAT, PRAY, LOVE. Once again approaching with this most ancient of institutions, with wit and intelligence Gilbert explores marriage on a personal & global level to discover what it really means. In THE LAST AMERICAN MAN, Gilbert presents a fascinating, intimate portrait of the American naturalist and brilliant modern hero Eustace Conway, who at the age of seventeen ditched the comforts of his suburban existence to escape into the wild. Attempting to instil in people a deeper appreciation of nature, Conway stops at nothing in pursuit of bigger, bolder adventures. In Gilbert's first novel STERN MEN, the eighteen-year-old irredeemably unromantic Ruth Thomas returns home from boarding school determined to join the 'stern-men'. Throwing her education overboard, this feisty and unforgettable American heroine helps work the lobster boats and brushes up on her profanity, eventually falling for a handsome young lobsterman. In PILGRIMS, Gilbert's sharply drawn and tenderly observed collection of twelve short stories, tough heroes and heroines, hardened by their experiences, struggle for their epiphanies and seek companionship as fiercely as they can.

    Sal the Cacophony does not make friends. When you have a magic gun, a trusty blade and rogue mages to hunt, you don’t need them. Sal the Cacophony makes enemies. And when her hunt leads to a town on the edge of nowhere, she finds them in spades: an unassuming mage with a secret, a vengeful bandit queen with ideals and steel to spare, and a colossal, centuries-old beast who has decided now is the best time to migrate.Sal the Cacophony could be their savior. But as everyone eventually learns, Sal’s “salvation” is usually worse.

    In our sleep we sail its seas and walk the streets of its cities like phantoms. Sometimes we dream too deeply and become trapped, invading their world with our nightmares and fantasies, and then it is the job of Berylin Hooper, an agent in the Department for Counter Subornation, to hunt down and expel those trapped souls who threaten the very reality of her world and the safety of her people. Sometimes we bring them back with us when we wake. Lost, confused, and possessed of powers which leak through from their home, these exiles are pursued by the mysterious Hegemony which seeks to enslave them. When a woman appears who exists in both worlds simultaneously, she must run for her life from enemies who will tear apart the boundaries of existence and plunge each into chaos in order to possess her abilities. And in a doldrum region of the Archipelago floats Stray, an island-sized raft inhabited by lost dreamers from our world. Here Bobby Jenkins awakens, with no memory of his former existence and determined to find his way home. But how can he return when the woman he loves refuses to leave, and how can he protect her from both Hooper and the Hegemony? Tourmaline is an adventure through love, death, and the dreaming space between.

    That was her past life, at least. For now Leanne has been forced to start again as Lily, leaving her name, job, and marriage behind. No one in the Lancashire village of Eagleton has a clue about Lily, save that she's come up from the South West with her best friend and a small child. But it’s hard to lead a solitary existence in a small place, and Lily and Babs are swiftly embraced by some of the local characters: Mike, the Catholic priest, who the girls can't help noticing is easy on the eye; Eve, a Liverpudlian, who has a big mouth but a heart of gold; the hairdressers Paul and Maurice; and Dave and his love, Philly, both shy yet determined not to be cowed by Dave’s mother, the domineering matriarch of the village. Soon, Lily's new life is full of promise and as she joins Dave's reading room, a shop come café and library, she begins to relax. But then Eve is wounded in a burglary, and suddenly, Lily is afraid that her secret is out: her husband Clive may have discovered where she is, and, having left her for dead before, is now out to kill her.

    He soon discovers that the life he thought he knew is far stranger than he could even possibly imagine.Can an unlikely saviour provide the answers to the questions he barely comprehends?

    The Magic. Dominarian legends speak of a mighty conflict, obscured by the mists of history. Of a conflict between the brothers Urza and Mishra for supremacy on the continent of Terisiare. Of titantic engines that scarred and twisted the very planet. Of a final battle that sank continents and shook the skies. The saga of the Brothers' War.

    This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Anna's stepson Owen Leath, who wishes to upset social conventions and marry her. When Anna's discovers the intimate history of Darrow and Sophy, she worries about her stepson's affections and feels concerned about the alliance she herself is about to create. Wharton's talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.