None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Grey, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Grey and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

    They’re well aware that the first forty-eight hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark’s youth, he knows that, too; he’s seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.That, and there was that boy, Max Larsen...the one from years ago, found dead after also disappearing under mysterious circumstances. And then there were the animals: pets gone missing out of yards. For years, the residents of Deer Valley have murmured about these unsolved crimes…and that a killer may still be lurking around their quiet town. Now, fear is reborn—and for Stevie, who is determined to find out what really happened to Jude, the awful truth may be too horrifying to imagine.

    Who is brave enough to find her--and who won't make it out of the woods?It's been exactly one year since Sara's sister, Becca, disappeared, and high school life has far from settled back to normal. With her sister gone, Sara doesn't know whether her former friends no longer like her...or are scared of her, and the days of eating alone at lunch have started to blend together. When a mysterious text message invites Sara and her estranged friends to "play the game" and find local ghost legend Lucy Gallows, Sara is sure this is the only way to find Becca--before she's lost forever. And even though she's hardly spoken with them for a year, Sara finds herself deep in the darkness of the forest, her friends--and their cameras--following her down the path. Together, they will have to draw on all of their strengths to survive. The road is rarely forgiving, and no one will be the same on the other side.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    . . where history has a tendency to repeat itself.Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there?The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.

    Everything changes when she’s attacked and a man ends up dead at her feet—her scissors in his neck, and she can’t explain how they got there.Before she can be condemned as a murderess, two cape-wearing nurses arrive to inform her she is deathly ill and ordered to report to Haxahaven Sanitarium. But Frances finds Haxahaven isn’t a sanitarium at all: it’s a school for witches. Within Haxahaven’s glittering walls, Frances finds the sisterhood she craves, but the headmistress warns Frances that magic is dangerous. Frances has no interest in the small, safe magic of her school, and is instead enchanted by Finn, a boy with magic himself who appears in her dreams and tells her he can teach her all she’s been craving to learn, lessons that may bring her closer to discovering what truly happened to her brother.Frances’s newfound power attracts the attention of the leader of an ancient order who yearns for magical control of Manhattan. And who will stop at nothing to have Frances by his side. Frances must ultimately choose what matters more, justice for her murdered brother and her growing feelings for Finn, or the safety of her city and fellow witches. What price would she pay for power, and what if the truth is more terrible than she ever imagined?

    Its author tells the story of a priceless tarot deck, now lost to history, but as Semele delves further, she realizes the manuscript is more than it seems. Both a memoir and a prophecy, it appears to be the work of a powerful seer, describing devastating wars and natural disasters in detail thousands of years before they occurred.The more she reads, the more the manuscript begins to affect Semele’s life. But what happened to the tarot deck? As the mystery of her connection to its story deepens, Semele can’t shake the feeling that she’s being followed. Only one person can help her make sense of it all: her client, Theo Bossard. Yet Theo is arrogant and elusive, concealing secrets of his own, and there’s more to Semele’s desire to speak with him than she would like to admit. Can Semele even trust him?The auction date is swiftly approaching, and someone wants to interfere—someone who knows the cards exist, and that the Bossard manuscript is tied to her. Semele realizes it’s up to her to stop them: the manuscript holds the key to a two-thousand-year-old secret, a secret someone will do anything to possess.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    The other half belongs to a man who disappeared without a trace twenty-seven years ago—her father.Leaving London behind to settle the inheritance from her mother’s estate, Ailsa returns to her childhood home, nestled amongst the craggy peaks of the Scottish Highlands, joined by the half-sister who’s almost a stranger to her.Ailsa can’t escape the claustrophobic feeling that the house itself is watching her—as if her past hungers to consume her. She also can’t ignore how the neighbourhood animals refuse to set one foot within the gates of the garden.When the first nighttime intruder shows up, Ailsa fears that the manor’s careless rugged beauty could cost her everything.

    Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to the Whitewood School, a local reformatory with a history of putting unruly youths back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the suspicious deaths that have occurred there over the past decade.At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told: that the students’ strange demises were all just tragic accidents, the unfortunate consequence of succumbing to vices like Marlboro Lights and Nirvana. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Alicia Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents.Eager to rescue their friend, Rex and Leif pair up with recent NYU film school graduate Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find will leave them battling an evil beyond their wildest imaginations—one that will shake Bleak Creek to its core.

    For she sees the uninvited ones—ghosts of loved ones who appear to her, unasked, unwelcomed, for they always herald impending death. On that October evening in 1918 she sees the spirit of her grandmother, rocking in her mother’s chair. An hour later, she learns her younger brother and father have killed a young German out of retaliation for the death of Ivy’s older brother Billy in the Great War.Horrified, she leaves home, to discover the flu has caused utter panic and the rules governing society have broken down. Ivy is drawn into this new world of jazz, passion, and freedom, where people live for the day, because they could be stricken by nightfall. But as her ‘uninvited guests’ begin to appear to her more often, she knows her life will be torn apart once more, but Ivy has no inkling of the other-worldly revelations about to unfold.

    Skilled with words, languages come easily to him. He instinctively understands how the world works through the power of story.Meet Dodger, his twin. Numbers are her world, her obsession, her everything. All she understands, she does so through the power of math.Roger and Dodger aren’t exactly human, though they don’t realise it. They aren’t exactly gods, either. Not entirely. Not yet.Meet Reed, skilled in the alchemical arts like his progenitor before him. Reed created Dodger and her brother. He’s not their father. Not quite. But he has a plan: to raise the twins to the highest power, to ascend with them and claim their authority as his own.Godhood is attainable. Pray it isn’t attained.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    When Juliet dies, Aila and her younger brother Miles are sent to live in Sterling, a rural town far from home--and the place where Juliet grew up.Sterling is a place with mysteries of its own. A place where the experiences that weave life together--scents of flowers and food, reflections from mirrors and lakes, even the ability to dream--vanish every seven years.No one knows what caused these “Disappearances,” or what will slip away next. But Sterling always suspected that Juliet Quinn was somehow responsible--and Aila must bear the brunt of their blame while she follows the chain of literary clues her mother left behind. As the next Disappearance nears, Aila begins to unravel the dual mystery of why the Disappearances happen and who her mother truly was. One thing is clear: Sterling isn’t going to hold on to anyone's secrets for long before it starts giving them up.

    Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.But dark forces are at work in the bayou, And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.