Now she’s in disguise and on the run. With a bunch of thugs on her tail, she embarks on a mad chase across France, determined to stay one step ahead of the villains.At least, that was the plan.The moment out-of-work actor Sidney Foggington-Smythe sits next to her on the train to Paris, Angel has no idea she’s just met the second half of their crime-solving duo. How can a fashion-obsessed posh boy be anything but a hindrance? When fate forces the two twenty-somethings into the same stolen Mercedes, Angel is hampered by an unwanted sidekick, a kidnapped cat, and a corpse with a tendency to pull a Houdini. Now Angel and Sidney are in a race against time to reach Nice, find the killer, and clear their names before their next destination is the morgue.

    Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break.The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    She knows her parents are punishing her; she's been too much trouble since her best friend, Nathan, died―and for a while before that. At the Castle School, isolated from the rest of the world, Moira will be expected to pour her heart out to the odd headmaster, Dr. Prince. But she isn't interested in getting over Nathan's death or befriending her fellow students.On her first night there, Moira hears distant music. On her second, she discovers the lock on her window is broken. On her third, she and her roommate venture outside...and learn that they're not so isolated after all. There's another, very different, Castle School nearby―this one filled with boys whose parents sent them away, too.Moira is convinced that the Castle Schools and the doctors who run them are hiding something. But exploring the schools will force Moira to confront her overwhelming grief―and the real reasons her parents sent her away.

    Her latest struggle is balancing her growing feelings in a new relationship with her instinct to keep everyone at arm’s length. And when a former friend confronts Mel with the truth about the way their relationship ended, deeply buried secrets threaten to come out and upend her shaky equilibrium.As the walls of Mel’s compartmentalized world crumble, she fears the worst—that her friends will abandon her if they learn the truth about what she’s been hiding. Can Mel bring herself to risk everything to find out?

    Then Kara Hallas moves in across the street with her mother and grandmother, and Olivia is immediately drawn to these three generations of women. Kara is particularly intoxicating, so much so that Olivia not only comes to accept Kara's morbid habit of writing to men on death row, she helps her do it. They sign their letters as the Resurrection Girls. But as Kara’s friendship pulls Olivia out of the dark fog she’s been living in, Olivia realizes that a different kind of darkness taints the otherwise lively Hallas women—an impulse that is strange, magical, and possibly deadly.

    I loved it!"--Chantel Guertin, author of InstamomKhalil Sarda went through a rough patch last year, but now he's nearly back to his old self. All he has to do is keep his "stuff" in the past. Real men don't have depression and go to therapy--or, at least they don't admit it. He's ready to focus on his growing chain of barbershops, take care of his beloved Detroit community, and get back to being the ladies' man his family and friends tease him for being. It'll be easy . . . until Vanessa throws him completely off his game.Vanessa Noble is too busy building a multimillion-dollar tech career as a Black woman before age thirty to be distracted by a relationship. Not to mention, she's been burned before, still dealing with the lingering hurt of a past breakup. Besides, as her friends often remind her, she'll never find a man who checks all the boxes on her famous List. Yet when she desperately needs a shape-up and happens upon one of Khalil's barbershops, the Fade, he makes her reconsider everything. Khalil is charming, intelligent, sexy, and definitely seems like he'd treat a woman right . . . but he's not Black.Vanessa may be willing to take a chance on Khalil, but a part of him is frustratingly closed off, just out of her reach. Will old patterns emerge to keep them apart? Or have they both finally found a connection worth throwing away the playbook for?

    However, she soon finds herself on an increasingly frightening spiral of drug use, self-harm, and mental illness that lands her in a remote therapeutic boarding school, where she must ultimately find the inner strength, and determination, to survive.

    Retreating to her hometown where it’s safe, she accepts a job where the prospect of violence is slim to none. As a high school psychologist, Kate tends to the emotional needs of the students. It’s not the career she envisioned for herself.Five years later, a student disappears, leaving the school in crisis and Kate at the helm of another traumatic event. Roman Aguilar, the lead detective, reaches out to Kate for assistance. Kate’s position at the school and her training make her an ideal ally, but her complicated relationship with Roman puts them at odds. When the girl’s body is found, changing the focus of the investigation to homicide, Kate finds herself in the middle of a situation she never anticipated. What started as her desire to help puts Kate directly in the crosshairs of an enemy who remains largely in shadows. As her past and present collide, Kate is dragged into the middle of a dangerous game where only one thing is clear—no one can be trusted.

    At first, everything goes according to plan. She falls in with the popular girls at her new school and falls for the very cute boy-next-door Nate. But River Hills High School has a secret. The ghost of a girl who died back when Rinn's mom was a student supposedly haunts a hallway. Rinn's not sure she believes it, but when strange things start happening to her friends, Rinn decides there's only one way to know for sure. She needs to ditch her bipolar meds and see what the voices are really trying to say...Fans of films like Black Swan will be fascinated by this psychological thriller.

    No one at school knows about the panic attacks, the therapy that didn't help, the meds that haven’t worked. But when a severe accident leaves her with a brain injury and visible scars, Jessa’s efforts to convince the world that she’s okay finally crumble—now she looks as shattered as she feels. Fleeing from her old life in Los Angeles, Jessa moves to Colorado to live with her dad, where she meets Marshall, a boy whose kindness and generous heart slowly draw Jessa out of her walled-off shell and into the broken, beautiful, real world—a place where souls get hurt just as badly as bodies, and we all need each other to heal.ALL THINGS NEW is a love story about perception and truth, physical and emotional pain, and the messy, complicated people we are behind the masks we put on for the world, perfect for fans of ALL THE BRIGHT PLACES and THE FAULT IN OUR STARS.

    When tragedy strikes in the Triangle Shirtwaist Factory fire, Helen is seduced by the Suffragist cause and is soon immersed, working alongside famous activists.As Helen's involvement with the cause deepens, she encounters myriad sources of tension that test her perseverance: estrangement from her husband, who is blindsided by his wife's sudden activism; ostracization by neighbors; unease at working side by side with wealthier suffragettes; and worry about her children as she leaves them to picket the White House in Washington.The narrative spans World War One and concludes with the triumph of 1919. In a time when the obstacles for women, from any background, were insurmountable, Helen discovers her voice as an independent woman and dreams of equality in a male-dominated society.

    Kirstin Beck is determined to escape to the West. She watches from her townhouse window as the border with West Berlin is closed, and a barbed wire fence strung through the cemetery behind her house. With a grandmother in West Berlin that needs her, Kirstin knows she has to go.Tony Marino is an American writer living in West Berlin. As he watches the nearby construction progress, he sees a beautiful woman looking from her townhouse window. Kirstin holds up a sign for Tony to see.HELP ME.The two hatch a plan for Kirstin to get over the border, but the mission is not easy. With the Stasi closing in on them, Kirstin and Tony enter a kaleidoscope of deceit and danger, determined to attain freedom at any cost. But in a country torn between communism and capitalism, can Kirstin escape the world she can't endure?

    Michelle Rial brings to light her struggles with chronic pain, grief, and creative uncertainty in a way that reflects the universality of dealing with the unthinkable. Equal parts funny and moving, this book delves into the more serious side of things, finding levity and collective experience in the invisible difficulties that so many of us face. Through humorous charts and intimate peeks into the author's life, it explores the big things that can feel unmanageable and the everyday humor that keeps us moving forward.SELF-HELP WITH HUMOR: This book brings levity and laughter to serious topics without undermining the important message and relatability that makes it resonate.BELOVED AUTHOR: Michelle Rial's first book was beloved by her tens of thousands of fans as well as by the media, including Wired, Vulture, Book Riot—and the New Yorker even published her chart-based article on "Book Publishing by the Numbers."JUST THE RIGHT TONE: This book perfectly captures trying to figure out the "magic pill" that will fix things, struggling to find peace in how things are, and the humor in even the hardest times. It makes an ideal gift for someone struggling with physical or mental pain when you want to help but aren't sure how to.Perfect for: Fans of Michelle Rial's Instagram and first book, Am I Overthinking This?; people in their 20s and 30s grappling with big life changes or chronic illness

    Mike Bond, an award-winning poet, critically acclaimed novelist, ecologist, and war and human rights journalist, is in the same tradition. Initially published by Lawrence Ferlinghetti in City Lights Books, Bond has won multiple prizes for his poetry and prose, and now brings the multitude of his diverse life to his remarkable new book of poetry. His poetry dances between reflections on the majesty of wilderness, the joys and sorrows of love, and passionate expressions of life's greatest existential questions. Prefacing the book is Bond's insightful essay on why poetry is an essential part of cognitive awareness, "how we find meaning in the incomprehensible, beautiful, tragic and sacred mystery of life." Poetry, Bond notes, has existed since our Paleolithic days, found not just in humans but also in the songs of wolves and whales, and an imperative for everyone to enjoy. "Reading poems enlarges our personal awareness of life's exuberance, its terrible destiny," he says. "To learn in our own lives from the visions of others."