Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    Solomon is a night-watchman, an immigrant from an unnamed country in Africa. Each is desperate for love. And yet each harbors secrets that may make attaining it impossible.With breathtaking assurance and compassion, Caryl Phillips retraces the paths that lead Dorothy and Solomon to their meeting point: her failed marriage and ruinous obsession with a younger man, the horrors he witnessed as a soldier in his disintegrating native land, and the cruelty he encounters as a stranger in his new one. Intimate and panoramic, measured and shattering, A Distant Shore charts the oceanic expanses that separate people from their homes, their hearts, and their selves.

    The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.

    Virtuosic and exquisitely compressed, these stories show Salter at his best.The collection received the 1989 PEN/Faulkner Award.

    In these pages, you will find the most provocative, compelling, tragic, and triumphant moments in sports from 2007, captured by the knights of the keyboard who make sports come alive for us day after day, week after week, year after year. Here you’ll find Paul Solotaroff’s excellent and uncompromising take on the neglect that a growing number of crippled NFL players continually face from the NFL players’ union. Jeanne Marie Laskas’s “G-L-O-R-Y!” offers a rousing inside look at the pregame rituals of the Cincinnati Bengals cheerleaders. A riveting online diary by Wright Thompson reveals a bleak and merciless landscape in China, which that country’s government would rather not have the world see during preparations for the Olympics. Nack finds a place for the fascinating offbeat story as well as the sensational. Alongside Eli Saslow’s captivating article about an obscure seventeenth-century sport, similar to a giant rugby scrum, carried out in the streets of Kirkwall, Scotland, stands Franz Lidz’s “scoop of the year,” a controversial and rare look into the life of George Steinbrenner, baseball’s largest but recently most enigmatic figure. This year’s collection marks another wonderful addition to “one of the most consistently satisfying titles in the Best American series” (Booklist).Contributors include Scott Price, Rick Bragg, Gary Smith, J.R. Moehringer, and others.

    Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal. In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him. In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.

    Nothing is simple and everything is perilous when humans are involved: corruption, greed, and even love (of a sort).A permanent corporate branding gives a young woman enhanced physical abilities and a nearly-constant highRecruits lifted out of poverty find a far worse fate collecting biohazardous plants on an inhospitable worldThe only adult survivor of the apocalypse decides he will be the savior of teenagers; the teenagers are not amused.From Johannesburg to outer space, these previously uncollected tales are a compelling, dark, and slippery ride.

    With knowledge of course, comes application. And with the application of all we are learning about genetic engineering come social and ethical questions, some of them knotty.This is where science fiction enters, stage left. Scientific laboratories are where the new technologies are rehearsed. Science fiction rehearses the implications of those technologies. What might we eventually do with out new-found power? Should we do it? Who should do it? Who will be affected? How? Is that a good thing or not? For whom?Of the thirteen stories in this book, eight of them are concerned with what might come out of the beakers and test tubes and gene sequencers of microbiology. Not everything in these stories will come to pass. Possibly nothing in them will; fiction is not prediction. But I hope the stories at least raise questions about the world rushing in onus at the speed--not of light--but of thought."-- Nancy Kress from her introduction

    The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends.What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.

    McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination—one that is alternately comic, gritty, individual, searing, and complex. Including authors such as Jack Kerouac, Wallace Stegner, Raymond Carver, Annie Proulx, and Diana Ossana, this collection captures the real Western canon like no other.

    Twenty stories from the Nobel Prizewinner, including "Disguised," a transvestite tale of the yeshiva student whose deserted wife finds him dressed as a woman and married to a man, and the title story, which portrays Methuselah at the age of 969 -- "and when you pass your nine hundredth birthday, you are not what you used to be."

    A man crushes pills on the bathroom counter while his son watches from the hallway; missionaries clumsily navigate an uprising with barbed wire and broken glass; a boy disparages memorized scripture, facedown on the asphalt, as he fails to fend off his bully. From Kentucky to Florida to Haiti, these seemingly disparate lives are woven together within a series of nested repetitions, enacting the struggle to remain physically and spiritually alive throughout the untamable turbulence of their worlds. In a masterful blend of fiction, autobiography, and surrealism, Kyle Minor shows us that the space between fearlessness and terror is often very small. Long before Praying Drunk reaches its plaintive, pitch-perfect end, Minor establishes himself again and again as one of the most talented younger writers in America.

    Gore Vidal's Introduction to this large collection remarks "His stories are among the best ever written by an American".

    These eleven sparkling, uninhibited stories address her favorite subject: women who take matters into their own hands. McCorkle has yet again produced irrepressibly frank and funny portraits of remarkable characters.

    Once out of the fray -- far from our cubicles and the relentless rat race -- and back into nature, we find time to ponder bigger questions. Peelle has crafted eight stories that capture these moments: summers riding horses, life as a carnival worker, kidding season on a farm. Quiet and telling, her stories are filled alternately with supreme joy and with deep sorrow, desperation and longing, dreams born and broken -- set in landscapes where the clock ticks more slowly. Her landscapes are the kind of places you want to run away from, or to which you wish you could return, if time hadn't irrevocably changed them. A single thread runs through each of these stories, the unspoken quest to answer one of life's most primal questions: Who am I?Peelle's writing is calm and smooth on the surface -- even soothing in its descriptions of daily life on a farm, for example -- but her words can hardly contain the depth of emotion that lies beneath them. So make some time and find a big tree to sit beneath, take a deep breath, and dive into this quietly impressive collection.