Her best friend Iraia wants the same, but as the descendent of a slave, such things are barely conceivable to him. One summer as they approach adulthood, they notice that their friendship has changed, and that, if they are ever to experience freedom, they will need to travel beyond the isolation and safety of their Queen Charlotte Sound home.One hundred years later, twins Lula and Bigsy's birth is literally one in a million, as their mother Tui likes to tell people. But when Tui dies they learn there is much she kept secret, especially about their heritage. They too will need to travel beyond the world they have known, to an island they barely knew existed, at the eastern edge of New Zealand's Pacific realm.Neither Mere and Iraia, nor Lula and Bigsy are aware that someone else is part of their journeys. He does not watch over them so much as watch through them, feeling their loss and confusion as if it were his own.

    '⦠The scallops arranged in the spider lambis were succulently decadent. A bottle of rare wine had been reduced to its essence and sprinkled over the raw bodies, and rough salt, and finely-chopped redware. The flush of the shell echoed visually the wine and the seaweed, and although there were but five scallops, they were truly sweet meat. The slices of mild green pepper were almost transparent, and they tangled artfully with shreds of young daikon, and pressure-steamed fragments of ti. Hot and crisp and oily-melting, a challenging blend. And the tea, as always, was Black Dragon tea, a hint of smoky coolness in the steam, and a consummation in the mouth. People died just to get it to these islands she had learned. She could think of many worse reasons to dieâ¦.'

    Thirteen-year-old Alofa Filiga struggles to come to terms with womanhood, her search for identity, and the restrictions of life in her Samoan village.

    In a lyrical and immensely moving style, this book combines a family saga and a doomed love story, set against the background of French Polynesia in the period leading up to the first nuclear tests. The text is highly critical of the French government, and as a result its publication in Tahiti was polarising.

    In a California of the ’60s and ’70s, characters examine the contents of deceased relatives’ freezers, tape-record high-school locker-room chatter, or collect a community’s gossip while cleaning the teeth of its inhabitants. Mr. Darcy is the captain of the football team, Mansfield Park materializes in a suburb of L.A., bake sales replace balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. The stories of traversing class, race, and gender leap into our modern world with wit and humor.

    An artist with schizophrenia tries to survive hatred and indifference in small-town India by turning to the beauty of sculpture and dance. Orphans in India get pulled into a strange “rescue” mission aimed at stripping their mysterious powers. A brief but intense affair between two women culminates in regret and betrayal. A boy seeks memories of his sister in the legend of a woman who weds death. And fragments of history, from child brickmakers to slaves in Renaissance Portugal, are held up in brief fictions, burnished, made dazzling and unforgettable.In sixteen remarkable stories, Chaya Bhuvaneswar spotlights diverse women of color—cunning, bold, and resolute—facing sexual harassment and racial violence, and occasionally inflicting that violence on each other. Winner of the 2017 Dzanc Short Story Collection Prize, White Dancing Elephants marks the emergence of a new and original voice in fiction and explores feminist, queer, religious, and immigrant stories with precision, drama, and compassion.

    It is the story of a cross-racial romance between a Samoan student at Auckland University, the son of migrant parents, and the daughter of a wealthy palagi family. It was an instant bestseller and was later made into a successful movie.

    Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.

    Some of Samatar’s weird and tender fabulations spring from her life and her literary studies; some spring from the world, some from the void.

    She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

    “Coal” is a realist story set in the war years and depression that followed as folks try to find a new place in the world. Senior’s trademark children awakening to self-awareness and to the hypocrisy of adults are here too, from the heartbreaking “Moonlight” and “Silent” to the girls in “Lollipop” and “A Father Like That” who learn to confront loneliness and vulnerability with attitude.

    From Sione, who prefers to play cards with his secretary during work hours, to Ole Pasifikiwei, who masters the twists and turns of international funding games, all of the characters in these pages are seasoned surfers, capable of riding the biggest wave to shore. These are not stories of fatal impact so much as upbeat tales of indigenous responses to cultural and economic imperialism. Epeli Hauofa uses devices derived from oral storytelling to create a South Pacific voice that is lucid, hilarious, and compassionate in a work that has long been regarded as a milestone in Pacific literature.

    Salaam takes us to distant places but makes them familiar in unsettling ways, ably transforming the fantastic into a mirror through which we can examine—and reckon with—our own struggles.

    But as the city is thrown into confusion, a different kind of electricity sparks…A first meeting. Long-time friends. Bitter exes. And maybe the beginning of something new.When the lights go out, people reveal hidden truths. Love blossoms, friendship transforms, and new possibilities take flight.Beloved authors—Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon—celebrate the beauty of six couples and the unforgettable magic that can be found on a sweltering starry night in the city.

    But like the bamboo, if you plant and nurture it in the right soil, it has the potential to grow vibrant and strong."Walking with a pronounced limp all her life has never stopped fifteen-year-old Kiva Mau from doing what she loves. While most girls her age are playing sports and perfecting their traditional Samoan dance, Kiva finds serenity in her sketchbook and volunteering at the run-down art center her extended family owns, nestled amongst the bamboo. When seventeen-year-old Ryler Cade steps into the art center for the first time, Kiva is drawn to the angry and misguided student sent from abroad to reform his violent ways. Scarred and tattooed, a friendship is formed when the gentle Kiva shows him kindness and beauty through art, until circumstances occur beyond their control and they are pulled away. Immersed in the world of traditional art and culture, this is the story of self-sacrifice and discovery, of acceptance and forbearance, of overcoming adversity and finding one’s purpose. Spanning years, it is a story about an intuitive girl and a misunderstood boy and love that becomes real when tested.