A shrewd mission-educated Maori, Coates/Kooti, perceived as a thorn in the colonial flesh, escapes imprisonment and returns to Poverty Bay with a small band of followers. Kooti becomes the ruthless leader of a considerable native army, his Bible studies leading him to see himself and his people as latter-day Israelites. The story of what follows is told through the eyes of Captain Fairweather, a British army officer turned artist, an eminently humane man whose attempts to mend relations between natives and settlers meet with signal failure; while his wryly professional view of the beleaguered colony changes after a brutal attack on the half-Maori women he loves and her family. All main characters in this strange but true novel are historical and the tragic climax occurred in 1869 with the execution of a harmless and uncomprehending young Maori - an example.

    Roads are closed and all rail is halted. For their own safety, city workers are told that they must go home early.Sita is a Tamil Sri Lankan refugee living in the Hutt Valley. She’s just had a call from her boss. If she doesn’t get to her cleaning job in the city she’ll lose her contract.

    Her survival during a four-month kidnapping ordeal amongst Taranaki Maori is hailed as nothing short of a miracle. But questions about what really happened slowly surface within the elite governing circles of the raw new town of Sydney. Jacky Guard, ex-convict turned whaler, had taken Betty as his wife to his New Zealand whaling station when she was fourteen. After several years and two children, the family is returning from a visit to Sydney when their barque is wrecked near Mount Taranaki. A battle with local Maori follows, and Betty and her children are captured. Her husband goes to seek a ransom, but instead England engages in its first armed conflict with New Zealand Maori when he is persuaded to return with two naval ships. After her violent rescue, Betty's life amongst the tribe comes under intense scrutiny. Based on real events, this is the compelling story of a marriage, of love and duty, and the quest for freedom in a pioneering age.

    One night her solitude is disrupted by a visitor—a speechless, mercurial boy named Simon, who tries to steal from her and then repays her with his most precious possession. As Kerewin succumbs to Simon’s feral charm, she also falls under the spell of his Maori foster father Joe, who rescued the boy from a shipwreck and now treats him with an unsettling mixture of tenderness and brutality. Out of this unorthodox trinity Keri Hulme has created what is at once a mystery, a love story, and an ambitious exploration of the zone where indigenous and European New Zealand meet, clash, and sometimes merge.Winner of both a Booker Prize and Pegasus Prize for Literature, The Bone People is a work of unfettered wordplay and mesmerizing emotional complexity.

    At the time of this novel - the 1880s - the only way to reach the makeshift collection of huts, tents and saloons is to climb aboard an empty coal-wagon to be hauled 2000 feet up the terrifyingly steep Incline - the cable-haulage system that brings the coal down to the railway line. All sorts arrive here to work the mines and bring out the coal: ex-goldminers down on their luck; others running from the law, or from a woman, or worse. They work alongside recruited English miners, solid and skilled, who scorn these disorganised misfits and want them off the Hill.Into this chaotic community come five-year-old Rose and her mother, riding up the Incline, at night, during a storm. No one knows what has driven them there, but most agree the mother must be desperate to choose Denniston; worse, to choose that drunkard Jimmy Cork as bedfellow. The mother has her reasons and her plans, which she tells no one. The indomitable Rose is left to fend for herself, struggling to secure a place in this tough and often aggressive community. The Denniston Rose is about isolation and survival. It is the story of a spirited child, who, in appalling conditions, remains a survivor.

    But then, it is Ma who is the cause of the most troubling question of all, the one Frankie can never bring himself to ask. When a new girl arrives at school — a daring free spirit with unavoidable questions of her own — Frankie’s carefully guarded world begins to unravel, leading him to a painful confrontation with the ultimate 10 p.m. question. Deftly told with humor, poignancy, and an endearing cast of characters, The 10 P.M. Question will touch everyone who has ever felt set apart.

    It was also the first to introduce a full democracy. Between those events, and in the century that followed the franchise, the movements and the conflicts of human history have been played out more intensively and more rapidly in New Zealand than anywhere else on Earth. This title tells that story in all its colour and drama. The narrative that emerges is an inclusive one about men and women, Maori and Pakeha. It shows that British motives in colonizing New Zealand were essentially humane; and that Maori, far from being passive victims of a "fatal impact", coped heroically with colonization and survived by selectively accepting and adapting what Western technology and culture had to offer. The latter part of the book reveals how an insulated and dependent British colony transformed itself into an independent nation, open to and competing with technological and cultural influences sweeping the globe.

    Thomas Edgar, a passionate collector of butterflies, is offered the chance of a lifetime: to travel to the Amazon as part of a scientific expedition. Hoping to find the mythical butterfly that will make his name and immortalise that of his wife, Sophie—for if he finds it, he will call it the "Papilio Sophia"—he eagerly accepts the invitation, and embarks on a journey that will take him to a whole new world.On his return, Sophie greets her husband at the railway station, and is appalled by the change in him: he is thin, obviously sick, and apparently so traumatised by what he witnessed while he was away, he has been rendered mute. As Thomas struggles to find the words to describe what he's seen, it's unclear whether or not Sophie—and their marriage—will be able to withstand what he has to tell her, for the story that unfolds, the story behind Thomas's silence, is one of great brutality. Like the butterflies Thomas is so obsessed by, the butterflies that he catches and kills, it's a story of men who have been dazzled by surface splendour and wealth, and consequently refuse to acknowledge its underlying cruelty. But when that cruelty ends in murder, the question for Thomas—and Sophie—is whether or not he should be the one to speak out.Written in rich, sensuous prose, and taking the reader from the demure gentility of Edwardian England to the decadence of Brazil's rubber boom, The Sound of Butterflies is a compelling and noteworthy debut.

    It is the haunting tale of a young boy growing up in a catholic household, seeing things he shouldn't and struggling to cope. The book appears to be domestic in scope and provincial in vision, but by the end of the novel, the reader has encountered murder, and witnessed the warping of a promising mind and the destruction of a family. In this deceptively modest masterpiece, the cruelty beneath society's surface is revealed, all the more devastingly so through the ordinariness of the location.

    Ngati Wai chief Paratene Te Manu spends long sessions, over three long days, having his portrait painted by the Bohemian painter Gottfried Lindauer. Hearing of Lindauer's planned trip to England reminds him of his own journey there, twenty years earlier, with a party of northern rangatira. As he sits for Lindauer, Paratene retreats deeper and deeper into the past, from the triumphs in London and their meetings with royalty to the disintegration of the visit into poverty, mistrust, and humiliation. Based on a true story.

    . .] leaving surrealist art installations all over the house— a tiny cow in a teapot in a hat on the doorstep, of course! A stuffed crocodile in a silk camisole perched beside a woollen chick in a beanie on the bread-bin, why not!'Just as they are despairing about being able to conceive another child, Jason comes into their family. He arrives under fraught circumstances, but might just make a perfect sibling for Billy. Jason is a ‘ lovely, poor, sad, unfortunate, ordinary, annoying, delightful nuisance of a ratbag of a hoot of a kid ' and the boys grow close over the ensuing years. But after a terrible accident, Billy turns into a bird. He utterly believes it: and as his behaviour becomes increasingly worrying, Liam and Iris must find a way to stop their family flying apart.When extracts of Billy Bird won the NZSA/Philip and Dianne Beatson Fellowship, the judges said the project was ‘inventive, joyful and beautifully written'. Ripe with playfulness, yet also unforgettably poignant, this novel will unstitch — and then mend — your heart several times over.

    No one can hear her, just us boys. We're the dead Finnegans – Ma, Thomas, Ben and me.Ten-year-old John Finnegan can't leave his garden. Ever since they were murdered he, his brothers and his ma have been stuck there, caught between the worlds of the living and the dead. Unseen and unnoticed, he watches the events after his life unfold – including the actions of his murderer.James Stack is born dirt-poor on an Irish tenant farm and the great famine shadows his childhood. But his clever sister's lace making may save the family – until Aileen is sent to the other side of the world on a convict ship. To save her, James joins the redcoats and follows her across dangerous waters to a hopeful new land. But can he ever leave the death and hunger of his homeland behind?Based on the 1865 Otahuhu murders, Purgatory is a startling, gripping novel from an immensely talented new author.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.

    'Writers take what we learn of human nature and, fuelled by our longings for other existences and other times, forge new identities that can be as real as she is, sitting with her dog on the weathered step of the old house, stories that move us to tears or laughter.' Merle Carbury, an author in her own right, also teaches Creative Writing. Amid the tension of the final semester of the year, her many and varied students prepare to submit their manuscripts. As Merle mentors their assorted ambitions, observes the romantic entanglements of her colleague, worries about her husband and is intrigued by their mysterious German lodger, she both imparts and embodies how to write a novel. Written by a prize-winning author, who is also an experienced teacher, the overarching intelligence, compassion and wicked humour in this inventive book make it a joy to read.

    As reported by a much-followed columnist and awarded journalist, these rich, fascinating, and occasionally disturbing stories of settlements follow people living throughout New Zealand, from Kawakawa in the north to Mosgiel in the south, and Samoa and Antarctica overseas. Funny, moving, and at times terrifying, this book provides a platform from which New Zealand reveals itself and proves that rarely are people and places as they first appear.