It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.

    As the journey progresses, secrets are unveiled, a friendship is tested, and there is a run-in with the Hurley family, a family both men have feared since childhood. In The Architects Are Here, Winter’s fifth and most emotionally resonant novel to date, he explores the nature of grief and friendship in unwaveringly powerful prose, and sheds light on who we are and how we go on when the future seems uncertain.

    When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, "Call it anything you damn like."

    There's Walter, newly abandoned by his wife; there's Edith, a fiftyish virgin; there's Bunny, taking care of her mother and her mother's boyfriend; and there's Belle, whose married lover dies in the hallway wearing her dead husband Herb's pajama top. Blindly, they encounter one another in ways the reader recognizes are profound even as the characters themselves are unaware. The genius and the art in this collection derives from the possibility that these ships might actually find each other by daylight. If only these four could get together--they'd be so good for each other. "Written with an expert touch, and a wise and tender sensibility. The effect is subtle, strong, and comic."--Charles Baxter, author of BELIEVERS and BURNING DOWN THE HOUSE; "It's hard to think she is capable of writing anything that isn't immediately engaging and a joy to read. Probably someone should publish her shopping lists."--Elizabeth Berg, author of TALK BEFORE SLEEP. A BOOK-OF-THE-MONTH CLUB SELECTION

    Predators walk the streets, hidden by our own ignorance. Once, the city of New York was protected, but that was another age. Now a creature emerges from the city’s past to kill again, with no one to hear the screams of its victims. The lost and the weak, crushed under the heels of the city’s supernatural masters, have given up hope.But one man finds himself drawn to these deaths. Plagued by dreams of past lives, his obsession may cost him friends, loved ones, even his life. To stop this monster, he must unlock the strength he once had. He must remember the warrior he was, to become the hero he was born to be.His name is Nathan Shepherd, and he remembers.

    Questions about Rob’s past and birthright threaten to disrupt everything, while the unexplained supernatural phenomenon in their new home seems to grow stronger with his presence. To find the answers, Rob has to not only tell Janet the truth about his past, he must discover exactly what happened on the fateful evening in 1982 where a long-forgotten mass murder took place inside their home. A darkness thrives within the Saxton mansion, and it won’t stop until it gets what it need. The supernatural mystery continues in The Haunting of Saxton Mansion: Book One!

    Top Five Pick, 2016, jennyredbug.com When the owner of an atheist bookshop falls for the girl who works in the moviehouse across the street, he has no idea what he's getting into. Jasmina is the survivor of a toxically religious upbringing, and has managed to escape only by losing her original identity and, when the pressure gets too much, etching a staircase of cuts into her arm. When Paul discovers a missing person flyer with a picture of a twelve-year-old Jasmina, the psychological fireworks are about the begin. A mind-bending thriller from the author of Frosted Glass.

    She mothers everyoneher social work clients, her husband, her twenty-something daughters, and her reclusive sister who lives in the attic. Elsie is committed to taking care of everyone--everyone but herself. So, when crazy Aunt Hildy writes to demand a bedroom in their Halifax home, Elsie cant help but say yes. When Hilda arrives, she enchants and enrages the family with her moxie. That and her proclamation that she has hidden treasure in the house and the kings ransom will go to whoever loved her most. When someone threatens Aunt Hildy, she responds with her trademark sass: Go ahead. Shoot me. I dare you. Whoever it is takes her up on it. Suddenly, the house is turned topsy-turvy as Elsies family searches for a treasure that Elsie doesnt believe even exists, and for a killer that could be any one of them. Shoot Me is a funny and sometimes heart-wrenching story about family, fortune, and figuring out who you are and who you love. In Elsie, Crewe has created a character who speaks with humour and honesty to conflicts that exist in the lives of so many women: between work and home, between loving one man and wanting others, and between feeling fulfilled not only as a wife and a mother, but as a woman.

    He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.

    Ash won’t let him.In life, Danny’s charming and magnetic twin had been a budding psychopath who privately terrorized her family—and death hasn’t changed her wicked ways. Ash has haunted Danny for twenty years and now, just when he’s met the love of his life and has a chance at real happiness, she wants more than ever to punish him for being alive—so she sets her sights on Danny’s new wife and stepson. Danny knows what Ash really wants is him, and he’s prepared to sacrifice himself in order to save the ones he loves. The question is: will he make it back this time?

    It is here that Alf Walker, a fixer in the local textile mill like his father before him, lives with his family.It is 1965, and when a large corporation takes over the mill, and workers attempt to unionize, Alf's actions inadvertently set in motion a series of events that will reverberate far into the future and burden him with an unspoken shame. This is also the year when his eldest son, Joe, falls headlong for a girl he first glimpses on a bridge - and his world is overturned by the passion and uncertainty of young love. The bittersweet story of Joe and Anna is juxtaposed against his father's deepening role in the tensions building at the mill and his unsettling connection with a local Native woman, Lucille Boileau. Meanwhile, Alf's wife, Margaret, must reconcile her middle-class English upbringing with her blue-collar reality, as her marriage is undermined by forces she cannot name.Set over the course of a single year, the novel reaches back to the past - to Alf's haunting memories of the Second World War and his brother's death; to the stories of the town's founder, Abraham Shade, and those of the eccentric river man Johnny North.Bemrose weaves an intricate, absolutely spellbinding narrative. Besides the five members of the Walker family, he introduces a large cast of characters, including Archie Mann, Joe's sad and inspiredteacher; Liz McVey, the wilful daughter of the town's richest man; union organizer Malachi Doyle; and Anna Macrimmon, worldly, gifted, mysterious, who turns Joe's world upside down.In The Island Walkers, Bemrose creates a world entire that immediately draws us in. His portrait of the town of Attawan and of the community of people who inhabit it is magnificently drawn, alive with detailed, evocative description. The sense of place, the characters themselves, their conflicts and deepest longings, we cannot help but recognize as our own.Dark, intensely moving, beautifully imagined, this remarkable debut follows one family to the very bottom of their night, only to confirm, in the end, life's regenerative power. Richly textured, at once intimate and epic in scope, The Island Walkers signals the emergence of a new novelist of vision and rare accomplishment.

    While Lark is shy and studious, Robin is wild and artistic. Raised in Montreal by their disinterested single mother, they form a fierce team in childhood despite these differences. As they grow up, Lark excels at school and Robin becomes an extraordinary pianist. At seventeen, Lark flees to America to attend college, where she finds her calling in documentary films, and her sister soon joins her.Later, in New York City, the sisters find themselves tested: Lark struggles with self-doubt, and Robin chafes against the demands of Juilliard. Under pressure, their bond grows strained and ultimately broken, and their paths diverge. Lark leaves New York when she meets Lawrence Wheelock, a renowned filmmaker who becomes both her employer and occasional lover, while Robin returns to Canada. When Wheelock denies Lark what she hopes for most of all--a child--she is forced to re-examine a life marked by unrealized ambitions and thwarted desires. And as she takes charge of her destiny, Lark discovers that despite their complicated, oftentimes painful relationship, there is only one person she can truly rely on: her sister.In this gripping, unforgettable novel about motherhood, sisterhood, desire, and self-knowledge, Alix Ohlin traces the rich and complex path towards fulfillment as an artist and a human being, capturing the peculiar language of sisters and making visible the imperceptible strings that bind us to the ones we love--or have loved--for good.

    Dr. Newman is at the leading edge of creating the perfect educational environment for children, and all he requires is a hefty tuition—and your child at the age of six months.Christopher Carson is one of the “Newman Residents” who live at the Newman Home year-round. His parents, Richard and Carol, both Manhattan attorneys, may disagree about the specifics, but each wants what’s best for their son. For Richard, this means bringing Christopher, now six years old, home for one last summer vacation before the visits become brief and infrequent.Carol agrees with the staff: Christopher should stay at the school. And Christopher is confused, not sure where his real home is anymore. But Richard would like for their house to be Christopher’s home, at least for one summer.As Richard and Christopher spend more time together they become closer. Not long into Christopher’s visit, Richard begins to suspect that the Newman Home’s methods for developing their children into future leaders are too experimental, if not outright dangerous. His suspicions are confirmed when a secretive support group of Newman parents reaches out to him about their frightening experiences with the school.Richard’s investigations into the Newman Home quickly spiral out of control; he has underestimated the extent of the school’s power and connections—and Dr. Newman’s incessant drive to achieve a new level of success for the students. But what Dr. Newman underestimates may be even more powerful: one father’s determination to fight for his son against the odds.What follows in The Newman Resident is a whirlwind battle between a devoted father and an education system more terrifyingly powerful than he ever could have imagined. It’s a battle that forces him to confront how some will cross any line in order to create the “perfect” child.

    A nun told her fourth-grade students to write their names on a piece of paper and then pass the paper to the next person, who was to write a sentence of appreciation about the person named at the top. When the exercise was done, each student had twenty-four comments of admiration and appreciation - one from each classmate.The Christmas List follows James Engler, who returns home to Iowa one Christmas, after his fiancee calls off their marriage, and discovers that his best childhood friend, Mike, has just been killed in the Gulf War. When Mike's parents reveal at a memorial service that Mike had carried his fourth-grade list with him, most of James's former classmates confess that they, too, kept their lists as a reminder, even in the worst of times, of their admirable traits and that they were appreciated.James also renews his acquaintance with his former classmate Sarah, who wrote on his list, "You are a great guy and some day I'm going to marry." And she does.

    Now imagine being intimately aware of the process, but helpless to arrest it. Would you be afraid? For retired physician Ben Hunter, that malign force is Alzheimer’s disease—and he is terrified.Now a resident in a major geriatric center, Ben straddles an ever-widening gulf between a muddled present and an idealized past, never quite certain which will support his weight. Against this backdrop, he meets Roxanne Austen, an 18-year-old student who both enriches his life and accelerates his descent into bewilderment.With equal measures of frankness and humor, Terminal House illuminates the many challenges of aging, including dementia, death and dying, voluntary euthanasia, and romantic love.Here's a sample of what advance readers are saying about Terminal House:"As a retired editor who doesn't watch television I probably read 300 novels a year (about one a day).Unequivocally,Terminal House is the best of the year, actually the best for a long while. How someone who is not that old could capture the feelings, desires, memories and fears of an older person is astounding. He emotionally touched the true feelings of both elderly people and the younger persons around them. No one will be able to put this book down once they start reading.